|
|
Performer: Simon Keenlyside THE SONGS OF ROBERT SCHUMANN, Vol. 2: 12 Gedichte von Justinus Kerner, op. 35 (Review by Marc Mandel) | baritone | THE SONGS OF ROBERT SCHUMANN, Vol. 2: 12 Gedichte von Justinus Kerner, op. 35 (Review by Marc Mandel) | baritone | THE SONGS OF ROBERT SCHUMANN, Vol. 2: 3 Gedichte von Emanuel Geibel, op. 30 (Review by Marc Mandel) | baritone | THE SONGS OF ROBERT SCHUMANN, Vol. 2: 3 Gedichte von Emanuel Geibel, op. 30 (Review by Marc Mandel) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ammenlied, D 122. We/ tausend Sterne prangen, D 642 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Der Abend, D 108 Die Nacht (no D number) (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Die Befreier Europas in Paris, D 104 (Review by Joel Kasow) | baritone | THE SONGS OF ROBERT SCHUMANN, Vol. 2: Die Löwenbraut, op. 31/1 (Review by Marc Mandel) | baritone | THE SONGS OF ROBERT SCHUMANN, Vol. 2: Die Löwenbraut, op. 31/1 (Review by Marc Mandel) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Dithyrambe, D 47 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Entra l’uomo allor che nasce, D 33/1,2 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Erinnerungen, D 98 (Review by Joel Kasow) | baritone | THE SONGS OF ROBERT SCHUMANN, Vol. 2: From Lieder und Gesänge aus Wilhelm Meister, op. 98a (Review by Marc Mandel) | baritone | THE SONGS OF ROBERT SCHUMANN, Vol. 2: From Lieder und Gesänge aus Wilhelm Meister, op. 98a (Review by Marc Mandel) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Geisternähe, D 100 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Klaglied, D 23 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Lebenstraum (Gesang in C); D 1A, D 39 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow) | baritone | BERLIN GALA: L’Arlesienne (Review by George Jellinek) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: L’incanto degli occhi, D 990E (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Misero pargoletto, D 42/1B (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: O combats, o désordre, D Anh II,3/2 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ombre amene, amiche piante (La Serenata); D 990F (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Pensa, che questo istante, D 76 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Quell’ innocente figlio, D 17/1,2 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Rien de la nature, D Ann 11,3/1 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Serbate o Dei custodi, D 35 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Son fra l’onde, D 78 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Totengräberlied, D 44 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Trinklied, D 75 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow) | baritone | AN EVENING WITH THE ROYAL OPERA: (Review by Lynn René Bayley) | baritone | DOVE, JONATHAN: In Exile... (Raphael Wallfisch) (Review by Andrew Desiderio) | baritone | MAHLER, GUSTAV: Symphony No. 3... (Simon Rattle) (Review by Benjamin Pernick) | baritone | PURCELL: Orpheus Britannicus;... (Felicity Lott) (Review by Martin Anderson) | baritone | TWIN SPIRITS: (Review by Steven E. Ritter) | baritone | TWIN SPIRITS: (Review by James Reel) | baritone | ADÈS: The Tempest (Review by Robert Carl) | Prospero | BART, LIONEL: Reviewing the Situation (Review by Huntley Dent) | baritone | BELLINI, VINCENZO: I puritani (Review by Bob Rose) | baritone | BIZET: The Pearl Fishers (Review by Henry Fogel) | Zurga | BOCK, JERRY: If I Were a Rich Man (Review by Huntley Dent) | baritone | BOCK, JERRY: When Did I Fall in Love? (Review by Huntley Dent) | baritone | BRAHMS, JOHANNES: Abenddämmerung, op. 49/5 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: An die Nachtigall, op. 46/4 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: An eine Äolsharfe, op. 19/5 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: Auf dem Kirchhofe, op. 105/4 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: Ein deutsches Requiem (Review by Huntley Dent) | baritone | BRAHMS, JOHANNES: Es schauen die Blumen, op. 96/3 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: Feldeinsamkeit, op. 86/2 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: Lerchengesang, op. 70/2 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: Nachtigall, op. 97/1 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: Nachtigallen schwingen, op. 6/6 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: Nachtwandler, op. 86/3 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: Nicht mehr zu dir zu gehen, op. 32/2 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: O kühler Wald, op. 72/3 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: Verzagen, op. 72/4 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: Von ewiger Liebe, op. 43/1 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: Wie rafft’ ich mich auf in der Nacht, op. 32/1 (Review by Alan Swanson) | baritone | BRAHMS, JOHANNES: Über die Heide, op. 86/4 (Review by Alan Swanson) | baritone | BRIDGE, FRANK: Thy hand in mine (Review by Huntley Dent) | baritone | BRITTEN: Billy Budd (Review by James Miller) | Billy | BRITTEN: Peter Grimes (Review by Ivan Katz) | Ned Keene | BRITTEN: Peter Grimes (Review by Paul Ingram) | Ned Keene | BRITTEN: Peter Grimes (Review by Huntley Dent) | Ned Keene | BRITTEN: War Requiem (Review by J. F. Weber) | baritone | BUTTERWORTH: A Shropshire Lad (Review by Huntley Dent) | baritone | CAVALLI: La Calisto (Review by David Johnson) | baritone | CAVALLI: La Calisto (Review by David Johnson) | Mercurio | CHABRIER: Briséïs, ou les amants de Corinthe (Review by Adrian Corleonis) | baritone | CHABRIER: Briséïs, ou les amants de Corinthe (Review by David Johnson) | baritone | CHABRIER: Briséïs, ou les amants de Corinthe (Review by Adrian Corleonis) | Le Catéchist | CHABRIER: Briséïs, ou les amants de Corinthe (Review by David Johnson) | Le Catéchist | CILÈA: L’arlesiana (Review by Bob Rose) | baritone | DONIZETTI: Dom Sébastien (Review by Barry Brenesal) | Abayaldos | DONIZETTI: Dom Sébastien, roi de Portugal (Review by Joel Kasow) | Abayaldos | DURUFLÉ, MAURICE: Requiem, op. 9. Quatre Motets sur des thèmes Grégoriennes, op. 10. Notre Père, op. 14. Messe Cum jubilo, op. 11 (Review by George Chien) | baritone | FAURÉ, GABRIEL: Aubade. En sourdine. Green. Notre amour. Fleur jetée. Spleen. Madrigal. Le Papillon et la fleur (Review by Paul Orgel) | baritone | FAURÉ, GABRIEL: Cantique de Jean Racine (Review by George Chien) | baritone | FAURÉ, GABRIEL: Requiem (Review by George Chien) | baritone | FINZI: Fear No More the Heat O’ The Sun (Review by Huntley Dent) | baritone | FORREST/WRIGHT: Stranger in Paradise (Review by Huntley Dent) | baritone | GLUCK: Iphigénie en Tauride (Review by John Story) | Oreste | GLUCK: Iphigénie en Tauríde (Review by Brian Robins) | Oreste | GLUCK: Iphigénie en Tauríde (Review by James Camner) | Oreste | GOUNOD, CHARLES: Roméo et Juliette (Review by Joel Kasow) | Mercutio | GURNEY: When death to either shall come. In Flanders (Review by Huntley Dent) | baritone | IRELAND, JOHN: Sea Fever. The Vagabond (Review by Huntley Dent) | baritone | KERN: All the Things You Are (Review by Huntley Dent) | baritone | LEONCAVALLO, RUGGERO: I pagliacci (Review by George Jellinek) | Silvio | LEONCAVALLO, RUGGERO: I pagliacci (Review by Bob Rose) | baritone | LOEWE, CARL: On the Street Where You Live (Review by Huntley Dent) | baritone | MAHLER, GUSTAV: Des Knaben Wunderhorn (Review by Christopher Abbot) | baritone | MAHLER, GUSTAV: Symphony No. 3 (Review by Christopher Abbot) | baritone | MARTIN, HUGH: The Girl Next Door (Review by Huntley Dent) | baritone | MASSENET, JULES: Herodiade (Review by Bob Rose) | baritone | MENDELSSOHN, FELIX: Elijah (Review by Peter J. Rabinowitz) | baritone | MERCER: Something’s Gotta Give (Review by Huntley Dent) | baritone | MOZART: Die Zauberflöte (Review by Andrew Quint) | Papageno | MOZART: Die Zauberflöte (Review by Andrew Quint) | Papageno | MOZART: Die Zauberflöte (Review by Bob Rose) | baritone | MOZART: Don Giovanni (Review by Ralph V. Lucano) | Don Giovanni | MOZART: Don Giovanni (Review by Raymond Tuttle) | Don Giovanni | MOZART: Don Giovanni (Review by Peter J. Rabinowitz) | Don Giovanni | MOZART: Don Giovanni (Review by Bob Rose) | baritone | MOZART: Le nozze di Figaro, K 492 (Review by Brian Robins) | Count | MOZART: Le nozze di Figaro, K 492 (Review by James Camner) | Count | MOZART: Le nozze di Figaro, K 492 (Review by Bernard Jacobson) | Count | MOZART: The Magic Flute (Review by Henry Fogel) | Papageno | MOZART: Zaide (Review by Bob Rose) | baritone | ORFF: Carmina Burana (Review by J. F. Weber) | baritone | PORTER, COLE: Night and Day. So in Love (Review by Huntley Dent) | baritone | POULENC, FRANCIS: Hotel (Review by Paul Orgel) | baritone | PUCCINI II, GIACOMO: La Bohème (Review by Marc Mandel) | baritone | PUCCINI II, GIACOMO: La Bohème (Review by Marc Mandel) | Marcello | PUCCINI II, GIACOMO: La Bohème (Review by Marc Mandel) | Schaunard | PUCCINI II, GIACOMO: La Bohème (Review by Raymond Tuttle) | Schaunard | PURCELL, HENRY: Anthems. March and Canzona (Review by Michael Ullman) | treble | PURCELL, HENRY: OdeforSt. Cecilia's Day, 1692 (“Hail! Bright Cecilia“). Ode for the Birthday of the Duke of Gloucester, 1695 (“Who Can From Joy Refrain?“) (Review by Michael Ullman) | bass | RAVEL: Histoires naturelles (Review by Paul Orgel) | baritone | RODGERS, RICHARD: If I Loved You. I Wonder What He’ll Think of Me! (Review by Huntley Dent) | baritone | RODGERS, RICHARD: It Might as Well Be Spring (Review by Huntley Dent) | baritone | RODGERS, RICHARD: People Will Say We’re in Love. Oh What a Beautiful Morning (Review by Huntley Dent) | baritone | ROGER-DUCASSE: 3 Motets (Review by George Chien) | baritone | ROREM: An Incident (Review by Huntley Dent) | baritone | ROSSINI: Guillame Tell (Review by Bob Rose) | baritone | ROSSINI: Il barbiere di Siviglia (Review by Bob Rose) | baritone | SCHUBERT: An Sylvia. Einsiedelei. Verklärung. Die Sterne. Himmelsfunken. Ständschen (Review by Paul Orgel) | baritone | SCHUBERT: Complete Songs, Vol. 28 (Review by David Johnson) | baritone | SCHUBERT: Complete Songs, Volume 20 (Review by David Johnson) | voice | SCHUBERT: Complete Songs, Volume 22 (Review by David Johnson) | baritone | SCHUBERT: Complete Songs, Volume 24 (Review by David Johnson) | baritone | SCHUBERT: Schäfers Klagelied, D. 121. An Mignon, D. 161. Geistes-Gruss (two versions), D. 142. Rastlose Liebe, D. 138. Der Gott und die Bajadere, D. 254. Tischlied, D. 234. Der Schatzgräber, D. 256. Der Rattenfänger, D. 255. Bundeslied, D. 258. Erlkönig, D. 328. Jägers Abendlied (two versions), D. 215, 368. Wer nie sein Brot mit Tränen ass (two versions), D. 478. Sehnsucht (Nur were die Sehnsucht kennt) (three versions), D. 359, 481, 656. Mignon (So lasst mich scheinen) (two versions), D. 469A, 469B. An Schwager Kronos, D. 369. Hoffnung (Schaff' das Tagwerk meiner Hände), D. 295. Mahomets Gesang, D. 549. Das Goldschmiedsgesell, D. 560. Gesang der Geister über den Wassern (two versions), D. 484, 705 (Review by David Johnson) | baritone | SCHUBERT: Trinklied, D. 148. Morgenlied, D. 266. Ansie, D. 288. Das Mädchen aus der Fremde, D. 252. Der Abend, D. 221. Punschlied, D. 277. An die Sonne, D. 272. Das Leben ist ein Traum, D. 269. Die drei Sänger, D. 329. Die Erscheinung, D. 229. Das Abendroth, D. 236. Genügsamkeit, D. 143. An Rosa (I), D. 315. An Rosa (II), D. 316. Das Bild, D. 155. Furcht der Geliebten (An Cidli), D. 285. Skolie, D. 306. Cora an die Sonne, D. 263. Die Sterne, D. 313. Lob des Tokayers, D. 248. Vaterlandslied, D. 287. Gebet während der Schlacht, D. 171. Hermann und Thusnelda, D. 322. Selma und Selmar, D. 286b. Lorma, D. 327. Cronna, D. 282. Hymne an den Unendlichen, D. 232. Das Grab, D. 330 (Review by David Johnson) | baritone | SCHUBERT: Versunken. Im Gegenwärtigen Vergangenes. Mahomets Gesang. Geheimes. Johanna Sebus. Mignon (Heiss mich nicht reden). Die Nachtigall. Sei mir gegrüsst! Frühlingsgesang. Der Wachtelschlag. Geist der Lieve. Die Liebe hat gelogen. Du liebst mich nicht. Todesmusik. Selige Welt. Ihr Grab. Schatzgräbers Begehr. Der Musensohn. Am Flusse. An die Entfernte. Willkommen und Abschied. Des Tages Weihe (Review by David Johnson) | baritone | SCHUBERT: Winterlied, D. 242a. Das Mädchen von Inistore, D. 281. Ossians Lied nach dem Falle Nathos, D. 278. Als ich sie erröten sah, D. 153. Schwangesang, D. 318. Totenkranz für ein Kind, D. 275. Die Fröhlichkeit, D. 262. Der Zufriedene, D. 320. Alles um Liebe, D. 241. Geist der Liebe, D. 233. Die erste Liebe, D. 182. Die Täuschung, D. 230. Liebesrausch, D. 164. Huldigung, D. 240. Heidenröslein, D. 257. Nachtgesang, D. 314. Der Morgenstern, D. 172. Bergknappenlied, D. 268. Trinklied von der Schlacht, D. 169. Schwertlied, D. 170. Begräbnislied, D. 168. Grablied, D. 218. Osterlied, D. 168a. Hoffnung, D. 251. Punschlied (Im Norden zu singen), D. 253. Klage um Ali Bey, D. 140. Abendständchen ( “An Lina“), D. 265. Tischlerlied, D. 274. Wiegenlied (Schlumm're sanft), D. 304. Die Macht der Liebe, D. 308. Trinklied (Ihr Freunde und du, gold'ner Wein), D. 183. Trinklied (Auf! Jeder sei nun froh), D. 267 (Review by David Johnson) | voice | SCHUMANN: Dichterliebe, op. 48 (Review by Alan Swanson) | baritone | SOMERVELL: A Shropshire Lad (Review by Huntley Dent) | baritone | SOMERVELL: White in the moon the long road lies. The Street Sounds to The Soldiers’ Tread (Review by Huntley Dent) | baritone | STYNE: It’s Magic (Review by Huntley Dent) | baritone | TCHAIKOVSKY: Evgeny Onegin (Review by Daniel Morrison) | Onegin | TCHAIKOVSKY: Pique Dame (Review by Bob Rose) | baritone | THOMAS, AMBROISE: Hamlet (Review by Christopher Williams) | Hamlet | THOMAS, AMBROISE: Hamlet (Review by David L. Kirk) | Hamlet | THOMAS, AMBROISE: Hamlet (Review by Bob Rose) | baritone | TRADITIONAL: The Three Ravens (arr. Ireland) (Review by Huntley Dent) | baritone | VAUGHAN WILLIAMS: A Sea Symphony (Review by Bernard Jacobson) | baritone | VAUGHAN WILLIAMS: Songs of Travel (Review by Huntley Dent) | baritone | VAUGHAN WILLIAMS: The infinite shining heavens. The Vagabond (Review by Huntley Dent) | baritone | VERDI, GIUSEPPE: Don Carlo (Review by Bob Rose) | baritone | VERDI, GIUSEPPE: La traviata (Review by Bob Rose) | baritone | VERDI, GIUSEPPE: Macbeth (Review by Barry Brenesal) | Macbeth | VERDI, GIUSEPPE: Macbeth (Review by Barnaby Rayfield) | Macbeth | VERDI, GIUSEPPE: Un ballo in maschera (Review by Bob Rose) | baritone | VILLETTE: O salutaris hostia. O magnum mysterium (Review by George Chien) | baritone | WAGNER, RICHARD: Tannhäuser (Review by Bob Rose) | baritone | WARLOCK: The Night (Review by Huntley Dent) | baritone | WEILL, KURT: Beat! Beat! Drums!. Dirge for Two Veterans (Review by Huntley Dent) | baritone | WOLF, HUGO: Der Knabe und das Immelein. Gesang Weylas. And die Geliebte. Auf eine Christblume II, Lied Eines Verliebten. Lied von Winde (Review by Paul Orgel) | baritone |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
