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Performer: Andrew King DON QUIXOTE: (Review by David Johnson) | tenor | BACH, JOHANN SEBASTIAN: Cantata No. 63 (Review by Ralph V. Lucano) | tenor | BACH, JOHANN SEBASTIAN: Cantata No. 63. Sanctus in D, BWV 238. Magnificat in E♭, BWV 243a (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Magnificat (Review by Ralph V. Lucano) | tenor | BACH, JOHANN SEBASTIAN: Sanctus, BWV 238 (Review by Ralph V. Lucano) | tenor | BLOW, JOHN: I little thought (Review by David Johnson) | tenor | BLOW, JOHN: Stay, gentle Echo (Review by David Johnson) | tenor | BLOW, JOHN: Venus and Adonis (Review by David Johnson) | Chamberlain | BLOW, JOHN: Venus and Adonis (Review by David Johnson) | tenor | BLUNDEVILLE: Beneath this gloomy shade (Review by David Johnson) | tenor | CARISSIMI: Bel tempo per me se n'andò. Il mio cor è un mar di pianti (Review by Vincent Alfano) | tenor | CARISSIMI: Bel tempo per me se n'andò. Il mio core è un mar di pianti (Review by Eric Van Tassel) | tenor | CAVALLI: Eliogabaldo (Review by Vincent Alfano) | tenor | CAVALLI: Ellogabalo (Review by Eric Van Tassel) | tenor | DANIEL: Songs for Lute, Viol, and Voice (Review by Mortimer H. Frank) | tenor | ECCLES, JOHN: Fixt on the fair Miranda's eyes. Releive, the fair Belinda said. Come, let us howle. Let us revell and roar. Hey hoe! (Review by David Johnson) | tenor | GIBBONS, CHRISTOPHER/LOCKE, MATTHEW: Cupid and Death (Review by David Johnson) | Chamberlain | GIBBONS, CHRISTOPHER/LOCKE, MATTHEW: Cupid and Death (Review by David Johnson) | tenor | HALL, WILLIAM: These full two hours now (Review by David Johnson) | tenor | HANDEL, GEORGE FRIDERIC: Esther (first version) (Review by James A. Altena) | Habdonah | HANDEL, GEORGE FRIDERIC: Esther (first version) (Review by James A. Altena) | Officer | HANDEL, GEORGE FRIDERIC: Esther (first version) (Review by James A. Altena) | Second Israelite | HANDEL, GEORGE FRIDERIC: Messiah (original Dublin version) (Review by John Bauman) | treble | KING, ROBERT: False, foolish Heart! No; to what purpose (Review by David Johnson) | tenor | KING, WILLIAM: I wonder what those lovers mean. What Mines of Sulphur. Go bid the Needle. It gave a pit'eous groan (Review by David Johnson) | tenor | LINLEY JR, THOMAS: Shakespeare Ode (Review by Michael Carter) | tenor | LINLEY JR, THOMAS: The Song of Moses. Let God Arise (Review by David Johnson) | tenor | LINLEY JR, THOMAS: The Song of Moses. Let God Arise (Review by Patrick Rucker) | tenor | LOCKE, MATTHEW: Psyche (Review by Brian Robins) | tenor | MONTEVERDI: Con che soavità. Vorrei baciarti. Tempro la cetra. Mentre vaga. Come dolce hoggi. Chiome d'oro. S'el vostro cor. Ohimè dov'è il mio ben. Ogni amante. Parlo, miser'o taccio (Review by J. F. Weber) | tenor | MONTEVERDI: Madrigali erotici (Review by J. F. Weber) | tenor | MONTEVERDI: Quel sguardo sdegnosetto. Se vittorie si belle (Review by Vincent Alfano) | tenor | MONTEVERDI: Quel sguardo sdegnosetto. Se vittorie si belle (Review by Eric Van Tassel) | tenor | PIGOTT: Ask me not (Review by David Johnson) | tenor | PURCELL, DANIEL: On yonder Bed Supinely Laid. Underneath a gloomy shade (Review by David Johnson) | tenor | PURCELL, HENRY: I Came, I saw, and was undon. They say youre angry. No; to what purpose. She loves, and she confesses (Review by David Johnson) | tenor | PURCELL, HENRY: No, no, no, resistance is but vain. Sweeter than Roses. Lovely Albina. Let the dreadfull Engines. From Rosie Bow'rs. Love thou canst hear. The Fatal Hour. Lost is my Quiet. Bacchus is a Pow'r divine (Review by David Johnson) | tenor | REGGIO: Now by my love. By Heav'n I'll tell her boldly. 'Tis well, 'tis well, with them. Then like some wealthy Island. I thought, I'll swear. Unhurt, untoucht. 'Tis a strange kind of Igno'rance. Though all thy gestures (Review by David Johnson) | tenor | ROSSI, LUIGI: Orfeo (Review by Eric Van Tassel) | tenor | ROSSI, LUIGI: Orfeo (Review by Vincent Alfano) | tenor | VIVALDI, ANTONIO: Dixit Dominus, RV 595 (Review by Brian Robins) | tenor | VIVALDI, ANTONIO: Gloria, RV 588 (Review by Brian Robins) | tenor | VIVALDI, ANTONIO: Introduzione ai Dixit, RV 635 (Review by Brian Robins) | tenor | VIVALDI, ANTONIO: Introduzione al Gloria, RV 639 (Review by Brian Robins) | tenor | WELDON: The appointed Hour. Take, O take those Lips away (Review by David Johnson) | tenor |
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