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Performer: Alexander Kipnis ALEXANDER KIPNIS- OPERA ARIAS AND SONGS. Twenty-one...: (Review by James Camner) | bass | THE HUGO WOLF SOCIETY, 1931-1938: THE COMPLETE... (Elena Gerhardt) (Review by J. F. Weber) | bass | BEETHOVEN, LUDWIG VAN: Fidelio (Review by James Forrest) | Rocco | BEETHOVEN, LUDWIG VAN: Fidelio (Review by James A. Altena) | Rocco | BEETHOVEN, LUDWIG VAN: Leonore Overture No. 3 (Review by Mortimer H. Frank) | bass | BEETHOVEN, LUDWIG VAN: Leonore Overtures Nos. 3 and 2. Symphony No. 9. Missa solemnis (Review by Ken Meltzer) | bass | BEETHOVEN, LUDWIG VAN: Missa Solemnis in D, Op. 123. Choral Fantasy in C minor, Op. 80 (Review by Mortimer H. Frank) | bass | BEETHOVEN, LUDWIG VAN: Missa solemnis (Review by James A. Altena) | bass | BEETHOVEN, LUDWIG VAN: Missa solemnis (Review by Ken Meltzer) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125 (Choral). Leonore Overtures (Review by Mortimer H. Frank) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Mortimer H. Frank) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9, “Choral“ (Review by Mortimer H. Frank) | bass | BIZET: Carmen (Review by David Mason Greene) | bass | BORODIN: Prince Igor (Review by David Mason Greene) | bass | BRAHMS, JOHANNES: In stiller Nacht. Mein Mädel hat einen Rosenmund. Sandmännchen. Vor dem Fenster. Ruhe, Sussliebchen, im Schatten. Der Gang zum Liebchen. O kühler Wald. Dein blaues Auge. Meine Liebe ist grün. Geheimnis. Am Sonntag Morgen. In Waldeinsamkeit. Wir wandelten. Wie Melodien zieht es mir. Wiegenlied. Auf dem Kirchhofe. Der Überläufer. Ein Wanderer. Wie bist du, meine Königin. Blinde Kuh. Von ewiger Liebe. Die Mainacht. Erinnerung. O wüsst' ich doch den Weg. Ein Sonett. Sonntag. Ständchen. Vergebliches Ständchen. Verrat. An die Nachtigall. Vier ernste Gesänge (Review by James Camner) | bass | BRAHMS, JOHANNES: Sapphische Ode. Auf dem Kirschhofe. Immer leiser wird mein Schlummer. Feldeinsamkeit. Four Serious Songs. Verrat. Erinnerung. An die Nachtigall. Ein Sonett. Sonntag. Von ewiger Liebe. O wüsst ich doch den Weg zurück. Ständchen. Vergebliches Ständchen. Die Mainacht (Review by Henry Fogel) | bass | BRAHMS, JOHANNES: Vier ernste Gesänge, op. 121. Von ewiger Liebe, op. 43/1. Erinnerung, op. 63/2. Die Mainacht, op. 43/2. Ein Sonett, op. 14/4. Sonntag, op. 47/3 (Review by Ken Meltzer) | bass | BRAHMS, JOHANNES: Wie bist du meine Königin? Op. 32, No. 9. Die Mainacht, Op. 43, No. 2. Blinde Kuh, Op. 58, No. 1 (Review by James Miller) | bass | CORNELIUS: Der Barber von Bagdad (Review by James Miller) | bass | D'ALBERT, EUGEN: Tiefland (Review by David Mason Greene) | bass | DARGOMYZHSKY: Rusalka (Review by David Mason Greene) | bass | GOUNOD, CHARLES: Faust (Review by James Miller) | bass | GRETCHANINOV: Lullaby*. I my country? (Review by David Mason Greene) | bass | HALEVY: La Juive (Review by James Miller) | bass | HAYDN, FRANZ JOSEPH: Symphony No. 88. Sinfonia Concertante in B♭. Die Schöpfung (Review by Henry Fogel) | bass | HAYDN, FRANZ JOSEPH: Symphony No. 88. Sinfonia Concertante in B♭. Die Schöpfung (Review by James A. Altena) | bass | HAYDN, FRANZ JOSEPH: Symphony No. 88. Sinfonia Concertante in B♭. Die Schöpfung (Review by James H. North) | bass | KNIPPER: Meadowland (Review by Henry Fogel) | bass | KOENEMANN: When the King Went Forth to War (Review by Henry Fogel) | bass | LEONCAVALLO, RUGGERO: Pagliacci (Review by David Mason Greene) | bass | LORTZING: Der Wildschütz (Review by James Miller) | bass | MEYERBEER: Les Huguenots (Review by James Miller) | bass | MOZART: Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Symphonies (Review by Mortimer H. Frank) | bass | MOZART: Die Zauberflöte (Review by Paul Orgel) | Sarastro | MOZART: Don Giovanni (Review by James A. Altena) | Leporello | MOZART: Don Giovanni (Review by Henry Fogel) | bass | MOZART: Le nozze di Figaro; Die Zauberfiöte (Review by David Mason Greene) | bass | MOZART: Requiem in D minor, K. 626 (Review by Mortimer H. Frank) | bass | MOZART: Requiem (Review by James A. Altena) | bass | MOZART: The Magic Flute, K. 620. Symphony No. 40 in G Minor, K. 550 (Review by Mortimer H. Frank) | bass | MOZART: The Magic Flute, K. 620. Symphony No. 40 in G Minor, K. 550 (Review by Mortimer H. Frank) | Sarastro | MOZART: The Marriage of Figaro (Review by James Miller) | bass | MUSSORGSKY: Boris Godunov (Review by Henry Fogel) | Boris Godunov | MUSSORGSKY: Boris Godunov (Review by James A. Altena) | Boris Godunov | MUSSORGSKY: Boris Godunov (Review by David Mason Greene) | bass | MUSSORGSKY: Boris Godunov (Review by Henry Fogel) | bass | NICOLAI: Merry Wives of Windsor (Review by Henry Fogel) | bass | OFFENBACH: Les contes d'Hoffmann (Review by David Mason Greene) | bass | PUCCINI II, GIACOMO: Tosca, La Bohéme (Review by David Mason Greene) | bass | RACHMANINOFF: O cease thy singing, maiden fail (Review by David Mason Greene) | bass | RIMSKY-KORSAKOV: Sadko (Review by David Mason Greene) | bass | SAINT-SAËNS: Samson et Dalila (Review by David Mason Greene) | bass | SCHUBERT: Der Wegseiser. Der Doppelgänger. Aulenhalt. Am Meer. Der Lindenbaum (Review by Henry Fogel) | bass | SCHUBERT: Gruppe aus dem Tartarus, D. 583 (Review by James Miller) | bass | SCHUBERT: Schivanengesang (Review by Henry Fogel) | bass | SCHUMANN: Dichterliebe (Review by Henry Fogel) | bass | SCHUMANN: Dichterliebe, op. 48 (Review by Ken Meltzer) | bass | SCHUMANN: Mondnacht. Wanderlied (Review by Henry Fogel) | bass | SHOSTAKOVICH: Three Songs (Review by Henry Fogel) | bass | STRAUSS, RICHARD: Der Rosenkavalier (Review by David Mason Greene) | bass | STRAUSS, RICHARD: Selected Lieder Recordings 1901–1946 (Review by Barry Brenesal) | singer | STRAUSS, RICHARD: Traum durch die Dämmerung. Zueignung (Review by Henry Fogel) | bass | STRAVINSKY, IGOR: Tilim-bom (Review by David Mason Greene) | bass | TCHAIKOVSKY: Eugen Onegin (Review by James Miller) | bass | TCHAIKOVSKY: Eugene Onegin (Review by David Mason Greene) | bass | VERDI, GIUSEPPE: Don Carlo (Review by Henry Fogel) | bass | VERDI, GIUSEPPE: Messa da Requiem (Review by Ken Meltzer) | bass | VERDI, GIUSEPPE: Rigoletto. Il trovatore. Un ballo in maschera (Review by David Mason Greene) | bass | VERDI, GIUSEPPE: Simon Boccanegra (Review by James Miller) | bass | WAGNER, RICHARD: 100 Years of “Parsifal“ (Review by William H. Youngren) | singer | WAGNER, RICHARD: Das Rheingold (Review by Dave Saemann) | bass | WAGNER, RICHARD: Das Rheingold (Review by Colin Clarke) | bass | WAGNER, RICHARD: Das Rheingold (Review by William H. Youngren) | Gumemanz | WAGNER, RICHARD: Der fliegende Holländer (Review by William H. Youngren) | Daland | WAGNER, RICHARD: Die Walküre (Review by Colin Clarke) | Hunding | WAGNER, RICHARD: Die Walküre (Review by Henry Fogel) | Hunding | WAGNER, RICHARD: Die Walküre (Review by Henry Fogel) | Marke | WAGNER, RICHARD: Die Walküre (Review by Ken Meltzer) | Marke | WAGNER, RICHARD: Die Walküre (Review by Dave Saemann) | bass | WAGNER, RICHARD: Lohengrin (Review by William H. Youngren) | King Heinrich | WAGNER, RICHARD: Lohengrin (Review by William H. Youngren) | King Heinrich | WAGNER, RICHARD: Lohengrin (Review by James Miller) | bass | WAGNER, RICHARD: Parsifal (Review by William H. Youngren) | Gurnemanz | WAGNER, RICHARD: Parsifal (Review by Paul Turok) | bass | WAGNER, RICHARD: Parsifal (Review by Paul Turok) | Gurnemanz | WAGNER, RICHARD: Parsifal (Review by James Miller) | bass | WAGNER, RICHARD: Parsifal (Review by Dave Saemann) | bass | WAGNER, RICHARD: Parsifal (Review by William H. Youngren) | Gurnemanz | WAGNER, RICHARD: Siegfried (Review by Dave Saemann) | bass | WAGNER, RICHARD: Tannhäuser (Review by Henry Fogel) | Landgraf | WAGNER, RICHARD: Tannhäuser (Review by Colin Clarke) | Landgraf | WAGNER, RICHARD: Tannhäuser. Lohengrin. Das Rheingold. Die Götterdämmerung (Review by David Mason Greene) | bass | WAGNER, RICHARD: Tristan und Isolde (Review by Henry Fogel) | King Marke | WAGNER, RICHARD: Tristan und Isolde (Review by Ken Meltzer) | King Marke | WAGNER, RICHARD: Tristan und Isolde (Review by James A. Altena) | King Marke | WOLF, HUGO: 138 Lieder (Review by J. F. Weber) | bass | WOLF, HUGO: Grenzen der Menschheit. Um Mitternacht. Wie glänzt der helle Mond. Cophtisches Lied I. Der Musikant. Der Soldat. Der Schreckenberger. Nun lass uns Frieden schliessen. Wir haben beide lange Zeit geschwiegen. Geselle, woll'n wir uns in Kutten hüllen. Heb'auf dein blondes Haput. Sterb'ich, so hüllt in Blumen. Wie viel Zeit verlor'ich. Was für ein Lied soll dir gesungen werden. Michelangelo-Lieder (Review by James Camner) | bass | WOLF, HUGO: Um Mitternacht. Grenzen der Menschheit. Wohl denk' ich oft. Alles endet was entstehet. Fühlt meine Seele. Nun lass uns Frieden schliessen. Wir haben beide lange Zemit geschwiegen. Heb' auf dein blondes Haupt. Wie viele Zeit verlor' ich. Was für ein Lied soll dir gesungen werden. Wie glänzt der helle Mond. Sterb' Ich, so hüllt in Blumen meine Glieder. Der Musikant. Der Soldat. Der Schreckenberger. Cophtisches Lied I (Review by Henry Fogel) | bass | WOLF, HUGO: Wo word einst des Wandermüden letzte Ruhestärtte sein (Review by James Miller) | bass |
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