|
|
Performer: Robert Kohnen MUSIC FOR A VIOL: (Review by Edward Strickland) | harpsichord | ALBINONI: Sonata in a (Review by Laura Rónai) | harpsichord | BABELL: Sonata No. 1 in B (Review by George Chien) | harpsichord | BACH, CARL PHILIPP EMANUEL: Sonata in G minor (Review by George Chien) | harpsichord | BACH, CARL PHILIPP EMANUEL: Trio Sonata in A for Flute, Violin, and Continuo (Review by John D. Wiser) | harpsichord | BACH, CARL PHILIPP EMANUEL: Trio Sonata in A (Review by Edward Strickland) | harpsichord | BACH, JOHANN SEBASTIAN: A Musical Offering, BWV 1079 (Review by Brian Robins) | harpsichord | BACH, JOHANN SEBASTIAN: Sonata in G (after BWV 525) (Review by Edward Strickland) | harpsichord | BACH, JOHANN SEBASTIAN: Sonata in G for Flute, Violin, and Continuo, BWV 525 (Review by John D. Wiser) | harpsichord | BIBER, HEINRICH IGNAZ FRANZ VON: Partita for Two Violins in D Minor (Review by Edward Strickland) | harpsichord | BLAVET: Sonata Seconda (Review by Laura Rónai) | harpsichord | BOISMORTIER, JOSEPH BODIN DE: Deuxième Sonate in g (Review by Laura Rónai) | harpsichord | BOISMORTIER, JOSEPH BODIN DE: Sonatas for Bassoon and Continuo, Op. 26 (Review by George Chien) | harpsichord | BONONCINI, GIOVANNI BATTISTA: Misero Pastorello. Ecco, Dorinda, Il giorno. Care luci del mio bene. Siedi, Amarilli (Review by J. F. Weber) | harpsichord | BONONCINI, GIOVANNI BATTISTA: Sonata in A Minor for Two Cellos (Review by Tom Moore) | harpsichord | BUXTEHUDE: Sonata for Two Violins in C (Review by Edward Strickland) | harpsichord | CORELLI, ARCANGELO: Sonata in e, op.5/8 (Review by Laura Rónai) | harpsichord | CORELLI, ARCANGELO: Sonatas for Violin and Continuo, Op. 5 (Review by Nils Anderson) | harpsichord | CORRETTE, MICHEL: Sonaras for Bassoon and Continuo (“Les De/ices de la Solitude“) (Review by George Chien) | harpsichord | COUPERIN, FRANÇOIS: Concerts Royaux. Nouveaux Concerts (Review by Edward Strickland) | harpsichord | COUPERIN, FRANÇOIS: Concerts Royaux (Review by Edward Strickland) | harpsichord | COUPERIN, FRANÇOIS: Concerts royaux (Review by Laura Rónai) | harpsichord | COUPERIN, FRANÇOIS: L'Apothéose à la mémoire de Liilly. L'Apothéose de Corelli, Nouveaux Concerts (Review by Edward Strickland) | harpsichord | COUPERIN, FRANÇOIS: L'Apothéose à la mémoire de Liilly. L'Apothéose de Corelli, Nouveaux Concerts (Review by Edward Strickland) | speaker | COUPERIN, FRANÇOIS: Nouveaux Concerts. Sonatas (Review by Edward Strickland) | harpsichord | COUPERIN, FRANÇOIS: Nouveaux Concerts (Review by Edward Strickland) | harpsichord | COUPERIN, FRANÇOIS: Pièces de violes (Review by Kevin Bazzana) | harpsichord | COUPERIN, FRANÇOIS: Pièces de violes, avec la Basse Chifrée par Mr, F.C. (Review by Kevin Bazzana) | harpsichord | COUPERIN, FRANÇOIS: Premier Concert des Concerts Royaux (Review by George Chien) | harpsichord | DORNEL: Sonate pour le hautbois avec la b.c (Review by George Chien) | harpsichord | FESCH, WILLEM DE: Sonata In A Minor for Cello and Continuo, op. 13, no. 6 (Review by Tom Moore) | harpsichord | FÖRSTER, CHRISTOPH: Sonata in C minor (Review by George Chien) | harpsichord | GABRIELI, GIOVANNI: Ricercare 1-7. Sonatas for Cello and Continuo (Review by Tom Moore) | harpsichord | GEMINIANI, F.: Sonata No. 1 in E minor (Review by George Chien) | harpsichord | GEMINIANI, F.: Sonata in D, op.1/10 (Review by Laura Rónai) | harpsichord | GUIGNON: Sonata in A, op 1/8 (Review by Laura Rónai) | harpsichord | HANDEL, GEORGE FRIDERIC: Partenope (Review by John Yohalem) | cembalo | HANDEL, GEORGE FRIDERIC: Sonata in F (Review by George Chien) | harpsichord | HAYDN, FRANZ JOSEPH: Sonatas (Review by Paul Turok) | harpsichord | HAYDN, FRANZ JOSEPH: Works for Harpsichord (Review by Paul Turok) | harpsichord | HOTTETERRE, J. -M.: Première suitte du deuxième livre. Seconde suitte du deuxième livre (Review by George Chien) | harpsichord | KÜHNEL: Sonata for Two Viole da Gamba in E Minor (Review by Edward Strickland) | harpsichord | LECLAIR, JEAN-MARIE: Sonata VII (Review by Laura Rónai) | harpsichord | LOCATELLI: Sonata in C, op. 2/1 (Review by Laura Rónai) | harpsichord | MARAIS: Pieèces de Viol du Cinquième Livre (Review by Edward Strickland) | harpsichord | MARCELLO, BENEDETTO: Sonata in G Minor for Cello and Continuo, op. 2, no. 4 (Review by Tom Moore) | harpsichord | MONTÉCLAIR: Deuxième Concert (Review by Laura Rónai) | harpsichord | PHILIDOR, FRANCOIS-ANDRE DANICAN: Cinquième suitte du premier oeuvre (Review by George Chien) | harpsichord | PLATTI: Sonata in G, op.3 (Review by Laura Rónai) | harpsichord | RAMEAU, JEAN-PHILIPPE: Pièces de Clavecin en Concerts (Review by Tom Moore) | harpsichord | ROSENMÜLLER, JOHANN: Sonata for Two Violins in E Minor (Review by Edward Strickland) | harpsichord | SCARLATTI, ALESSANDRO: Sonata in D Minor for Cello and Continuo (Review by Tom Moore) | harpsichord | SCHENCK: Chaconne for Two Viole da Gamba in G (Review by Edward Strickland) | harpsichord | TELEMANN, GEORG PHILIPP: Suite No. 6 in D minor for Flute, Violin, and Continuo. Quartet in G ( “Sonata à Quattro“) for Flute, 2 Violas da Gamba, and Harpsichord (Review by John D. Wiser) | harpsichord | TELEMANN, GEORG PHILIPP: Suite VI in D Minor. Quartet in G (Review by Edward Strickland) | harpsichord | TELEMANN, GEORG PHILIPP: Tafelmusik (Review by George Chien) | harpsichord | VERACINI, FRANCESCO: Sonata sesta in e, op.1 (Review by Laura Rónai) | harpsichord | VINCENT: Sonata No. 2 in A minor (Review by George Chien) | harpsichord | VIVALDI, ANTONIO: Sonata in g, op. 13/6 (Review by Laura Rónai) | harpsichord | ZELENKA: Sonatas for Two Oboes, Bassoon, and Basso Obbligato (Review by John Bauman) | harpsichord | ZELENKA: Sonatas for Two Oboes, Bassoon, and Continuo (Review by John Bauman) | harpsichord | ZELENKA: Sonatas (Review by John Bauman) | harpsichord | ZELENKA: Trio Sonatas for Two Oboes, Bassoon, and Continuo (Review by John Bauman) | harpsichord |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
