|
|
Performer: Gary Kulesha ARCHER, VIOLET: Moods (Review by Alex Ross) | piano | BUCZYNSKI: Fantasy on Themes of the Past, for Accordion and String Orchestra (Review by William Zagorski) | conductor | CAMILLERI: Concerto for Accordion and Strings (Review by William Zagorski) | conductor | CHERNEY, BRIAN: River of Fire. Harry (Review by James H. North) | conductor | HÁRMAN, CHRIS PAUL: Poem (Review by James H. North) | conductor | HUI, MELLISSA: San Rocco (Review by James H. North) | conductor | KULESHA: Mysterium Coniunctionis (Review by Alex Ross) | piano | LEVIN: Crossroads (Review by Alex Ross) | piano | LOUIE: Refuge, for Accordion, Harp, and Vibraphone. Earth Cycles, for Accordion and Pre-recorded Tape (Review by William Zagorski) | conductor | LUNDQUIST: Duell, for Accordion and Percussion (Review by William Zagorski) | conductor | MATHER: Vouvray (Review by James H. North) | conductor | NIMMONS: Images entre nous (Review by Alex Ross) | piano | NIN, CHAN KA: The Charmed (Review by James H. North) | conductor | SOMERS, HARRY: Eleven Miniatures for Oboe and Piano (Review by James H. North) | conductor | SYMONDS: Persuasion, for Accordion and Bass Clarinet (Review by William Zagorski) | conductor | WEINZWEIG: Cadenza (Review by Alex Ross) | piano |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
