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Performer: Gérard Lesne 200 YEARS OF MUSIC AT VERSAILLES: (Review by Michael Carter) | conductor | GALUPPi: Confitebor. Arripe alpestri ad vallem (Gérard Lesne) (Review by J. F. Weber) | countertenor | O LUSITANO- PORTUGUESE VILANCETES, CANTIGAS, AND...: (Review by Tom Moore) | countertenor | BACH, JOHANN CHRISTOPH: Ach, dass ich Wassers gnug hätte. Wie bist du denn, O Gott (Review by Brian Robins) | alto | BACH, JOHANN MICHAEL: Ach wie sehnlich wart' ich der Zeit. Es ist ein grosser Gewinn. Auf, lasst uns den Herren loben (Review by Brian Robins) | alto | BACH, JOHANN SEBASTIAN: Cantata No. 80 (Review by Brian Robins) | alto | BACH, JOHANN SEBASTIAN: Cantatas Aus der Tiefen rufe ich, Herr, zu dir, BWV 131. Herr, wie du wilit, so schicks mit mit, BWV 73. Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 (Review by George Chien) | countertenor | BACH, JOHANN SEBASTIAN: Cantatas Ich hatte viel Bekümmernis, BWV 21, Am Abend aber desselbigen Sabbats, BWV 42 (Review by George Chien) | countertenor | BACH, JOHANN SEBASTIAN: Cantatas Nos. 131, 73,105, 39, 93,107. Masses (Review by George Chien) | countertenor | BACH, JOHANN SEBASTIAN: Cantatas Widerstehe doch der Sünde, BWV 54, Schlage doch, gewünschte Stunde, BWV 53 (spur.) (Review by Brian Robins) | alto | BACH, JOHANN SEBASTIAN: Cantatas (Review by Brian Robins) | countertenor | BACH, JOHANN SEBASTIAN: Magnificat in D (Review by Brian Robins) | alto | BACH, JOHANN SEBASTIAN: Magnificat, BWV 243. Cantata (Review by George Chien) | countertenor | BACH, JOHANN SEBASTIAN: Magnificat, BWV 243; Cantata (Review by George Chien) | countertenor | BACH, JOHANN SEBASTIAN: Magnificat. Cantata 80 (Review by George Chien) | countertenor | BACH, JOHANN SEBASTIAN: Magnificat. Cantata No. 80 (Review by George Chien) | countertenor | BACH, JOHANN SEBASTIAN: Mass in F, BWV233. Mass in G, BWV236 (Review by Ralph V. Lucano) | countertenor | BACH, JOHANN SEBASTIAN: Mass in G Minor, BWV235. Mass in A, BWV234. Sanctus, BWV238 (Review by Ralph V. Lucano) | alto | BLANCHARD: Te Deum. Jubilate. Misericordias (Review by David Johnson) | haute-contre | BLANCHARD: Te Deum. Jubilate. Misericordias (Review by David Johnson) | male alto | BONONCINI, GIOVANNI BATTISTA: Cantate e duetti (1721) (Review by Tom Moore) | alto | BONONCINI, GIOVANNI BATTISTA: Siedi, Amarilli mia. Lasciami un sol momento. Misero pastorello. Già la stagion d'amore. Cello Sonata in a. Trio Sonata for 2 Violins (Review by Brian Robins) | countertenor | CALDARA, A: Medea in Corinto. Soffri, mi caro Alcino. D'improvviso. Vicino a un rivoletto. Chamber Sonatas (Review by Brian Robins) | countertenor | CHARPENTIER, MARC-ANTOINE: Chaconne, H467 (Review by J. F. Weber) | countertenor | CHARPENTIER, MARC-ANTOINE: David et Jonathas, H. 490 (Review by David Johnson) | countertenor | CHARPENTIER, MARC-ANTOINE: David et Jonathas, H. 490 (Review by David Johnson) | David | CHARPENTIER, MARC-ANTOINE: Epitaphium carpentarii. Les stances du Cid. Celle qui fait tout. Aupres du feu. Veux-tu, compère Grégoire. Beaux petits yeux. Ruisseau qui nourrit. Orphée descendant aux enfers (Review by J. F. Weber) | countertenor | CHARPENTIER, MARC-ANTOINE: Leçons de Ténèbres (Review by J. F. Weber) | haute-contre | CHARPENTIER, MARC-ANTOINE: Leçons de Ténèbres (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Leçons de ténèbres (Review by Ron Salemi) | conductor | CHARPENTIER, MARC-ANTOINE: Non, je ne l’aime plus. Amour, vous avez beau redouble. Rendez-moi mes plaisirs. Oiseaux de ces bocages. Quoi! je ne verrai plus (Review by J. F. Weber) | countertenor | CHARPENTIER, MARC-ANTOINE: Première leçon, H. 105. Tamquam ad latronem, H. 133. Deuxième leçon, H. 140. Jerusalem surge, H. 130. Troisième leçon, H. 95 (Review by J. F. Weber) | haute-contre | CHARPENTIER, MARC-ANTOINE: Première leçon, H. 120. Seniores populi, H. 117. Seconde leçon, H. 138. Tristis est anima mea, H. 126. Troisième leçon, H. 141. Ecce quomodo, H. 131. Miserere, H. 173 (Review by J. F. Weber) | director | CHARPENTIER, MARC-ANTOINE: Tristes deserts (Review by J. F. Weber) | countertenor | CHARPENTIER, MARC-ANTOINE: Vocal works (Review by J. F. Weber) | countertenor | CLERAMBAULT: Domine a trois voix, C. 158. O delici-is affluens, C. 109. Magnificat, C. 136. Salve regina, C. 114. O piisima, o sanctissima, C. 135 (Review by Brian Robins) | countertenor | CLERAMBAULT: Domine salvu m, C. 152 (Review by Brian Robins) | countertenor | CLERAMBAULT: Domine salvum,C. 157 (Review by Brian Robins) | countertenor | CLERAMBAULT: Exultet omnium, C. 112 (Review by Brian Robins) | countertenor | CLERAMBAULT: Motets (Review by Brian Robins) | countertenor | CLERAMBAULT: Panis angelicas, C. 131 (Review by Brian Robins) | countertenor | FUX, VINCENZ: Dafne in Lauro (Review by David Johnson) | Apollo | FUX, VINCENZ: Dafne in Lauro (Review by David Johnson) | countertenor | GOSSEC: Te Deum (Review by J. F. Weber) | countertenor | HANDEL, GEORGE FRIDERIC: Lucrezia (Review by Nicholas Deutsch) | countertenor | HANDEL, GEORGE FRIDERIC: Poro, Rè dell'Indie (Review by Ralph V. Lucano) | countertenor | HANDEL, GEORGE FRIDERIC: Poro, Rè dell'Indie (Review by Ralph V. Lucano) | Gandarte | HANDEL, GEORGE FRIDERIC: Splenda l'alba in oriente. La Lucrezia (O numi etemi). Trio Sonata, op. 5, no. 4. Mi palpita il cor. Carco sempre di gloria (Review by Nicholas Deutsch) | countertenor | HANDEL, GEORGE FRIDERIC: Splenda l'alba in oriente. La Lucrezia. Mi palpita il cor. Carco sempre di gloria. Trio Sonata, op. 5/4 (Review by Brian Robins) | countertenor | MONTEVERDI: Ego flos campi. Fuge, anima. Salvo Regina III. Pulchra es. Lapidabant Stephanum. Veni in hortum. Exulta filia. O bone Jesu, O piissime. Lauda Jerusalem. Nigra sum. Surge propera. Ego sum pastor. Laudate Dominum. O bone Jesu, illumina. Surgens Jesus. Justi tulerunt. O quam pulchra. Spuntava il di (Review by J. F. Weber) | countertenor | MONTEVERDI: Motets for One, Two, and Three Voices (Review by J. F. Weber) | countertenor | ORFF: Carmina Burana (Review by J. F. Weber) | countertenor | PERGOLESI: Salve Regina in F. Stabat Mater (Review by J. F. Weber) | countertenor | PERGOLESI: Stabat Mater. Salve Regina (Review by J. F. Weber) | countertenor | PERGOLESI: Stabat mater. Salve Regina in F Minor. Sinfonia in F (Review by J. F. Weber) | countertenor | PURCELL, HENRY: Songs (Review by Brian Robins) | alto | SCARLATTI, ALESSANDRO: Quae est ista (Review by Tom Moore) | countertenor | SCARLATTI, ALESSANDRO: Questo silenzio ombroso. Filli che esprime. Marc'Antonio e Cleopatra. E pur vuole il cielo e amores Ero e Leandro. Clori e Mirtillo. (Review by Brian Robins) | countertenor | SCARLATTI, ALESSANDRO: Sedecia, re di Gerusalemme (Review by Brian Robins) | conductor | SCARLATTI, ALESSANDRO: Sedecia, re di Gerusalemme (Review by Brian Robins) | Sedecia | SCARLATTI, ALESSANDRO: Stabat Mater. Salve Regina (Review by Tom Moore) | countertenor | STRADELLA: San Giovanni Battista (Review by David Johnson) | alto | STRADELLA: San Giovanni Battista (Review by David Johnson) | San Giovanni Battista | TELEMANN, GEORG PHILIPP: Cantatas (Review by George Chien) | countertenor | VIVALDI, ANTONIO: Cantatas (Review by David Johnson) | countertenor | VIVALDI, ANTONIO: Cessate, ornai cessate, RV 684. Perfidissimo cor!, RV 674. Amor hai vinto, RV 683. Qual per ignoto calle, RV 677. Violin Sonata in d, op. 2/3 (Review by Brian Robins) | alto | VIVALDI, ANTONIO: L'Olimpiade (Review by David Johnson) | Licida | VIVALDI, ANTONIO: L'Olimpiade (Review by David Johnson) | male alto | VIVALDI, ANTONIO: L'incoronazione di' Dario (Review by David Johnson) | countertenor | VIVALDI, ANTONIO: L'incoronazione di' Dario (Review by David Johnson) | Stafira | VIVALDI, ANTONIO: L’Olimpiade (Review by Joel Kasow) | Licida | VIVALDI, ANTONIO: Sacred Music for Soloist and Double Orchestra (Review by George Chien) | countertenor | VIVALDI, ANTONIO: Salve Regina, RVßie. Introduction au Miserere (Review by George Chien) | countertenor |
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