|
Performer: Richard Lewis BACH ARIA GROUP: Cantatas, Arias, & Choruses: Cantatas Herr deine Augen sehen nach den Glauben, BWV 102, Ach Gott, wie manches Herzeleid, BWV 3. Sinfonia for Two Violins and Strings, from BWV 530 (arr. Baron and Scheide). Choruses from Cantatas 138, 109, and 115. Arias from Cantatas 120a, 182, 42, 32, and 132. Duet from Cantata 205 (Review by George Chien) | tenor | ROYAL OPERA GALA: (Review by Bob Rose) | tenor | BARTÓK: Bluebeard’s Castle. Cantata Profana (Review by James H. North) | tenor | BARTÓK: Cantata profana. 4 Slovak Songs, Sz 70. 8 Choruses, from Sz 103. Viola Concerto (arr. Serly) (Review by James H. North) | tenor | BEETHOVEN, LUDWIG VAN: Egmont Overture (Review by Lynn René Bayley) | tenor | BEETHOVEN, LUDWIG VAN: Grosse Fuge, op. 133 (Review by Peter J. Rabinowitz) | tenor | BEETHOVEN, LUDWIG VAN: Leonore Overture No. 3 (Review by Lynn René Bayley) | tenor | BEETHOVEN, LUDWIG VAN: Mass in C (Review by Richard A. Kaplan) | tenor | BEETHOVEN, LUDWIG VAN: Missa solemnis. (Review by Peter J. Rabinowitz) | tenor | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 1–9 (Review by Lynn René Bayley) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, Op. 125 (Review by Mortimer H. Frank) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125 ( “Choral“) (Review by James Miller) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125 ("Choral") Egmont (Review by Elliott Kaback) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125 (“Choral“). Fldello (Review by Mortimer H. Frank) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Mortimer H. Frank) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Richard A. Kaplan) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9, “Choral” (Review by Raymond Tuttle) | tenor | BERLIOZ: Benvenuto Cellini (Weimar version) (Review by Adrian Corleonis) | Cellini Renato | BERLIOZ: Benvenuto Cellini (Weimar version) (Review by Adrian Corleonis) | tenor | BERLIOZ: Grande Messe des Morts, Op. 5 (Review by William H. Youngren) | tenor | BERLIOZ: Grande Messe des morts (Review by Adrian Corleonis) | tenor | BERLIOZ: Grande Messe des morts (Review by Ken Meltzer) | tenor | BERLIOZ: Grande Messe des morts, Op. 5 (Review by Adrian Corleonis) | tenor | BERLIOZ: La damnation de Faust (sung in English) (Review by Raymond Tuttle) | Faust | BERLIOZ: Te Deum (Review by Ken Meltzer) | tenor | BERLIOZ: Te Deum (Review by Henry Fogel) | tenor | BRAHMS-SCHOENBERG: Quartet No. 1 in G Minor for Piano and Strings, op. 2 (Review by Peter J. Rabinowitz) | tenor | BRITTEN: Spring Symphony (Review by Peter J. Rabinowitz) | tenor | BRITTEN: The Rape of Lucretia (Review by James Miller) | tenor | BRUCKNER, ANTON: Mass No. 3 in F Minor. Te Deum (Review by Peter J. Rabinowitz) | tenor | BRUCKNER, ANTON: Symphony No. 6. Te Deum (Review by Robert McColley) | tenor | BUSONI, FERRUCCIO: Comedy Overture (Boult, London PO, Live (Review by James A. Altena) | Mephistopheles | BUSONI, FERRUCCIO: Comedy Overture (Boult, London PO, Live (Review by Adrian Corleonis) | Mephistopheles | BUSONI, FERRUCCIO: Doktor Faust (concert abridgement) (Review by Adrian Corleonis) | Mephistopheles | BUSONI, FERRUCCIO: Doktor Faust (concert abridgement) (Review by Ronald E. Grames) | Mephistopheles | BUSONI, FERRUCCIO: Doktor Faust. Arlecchino (Review by James A. Altena) | Mephistopheles | BUSONI, FERRUCCIO: Doktor Faust. Arlecchino (Review by Adrian Corleonis) | Mephistopheles | COLERIDGE-TAYLOR: Hiawatha's Wedding Feast (Review by Adrian Corleonis) | tenor | COLERIDGE-TAYLOR: Hiawatha's Wedding Feast. Petite Suite de Concert (Review by Adrian Corleonis) | tenor | COLERIDGE-TAYLOR: Hiawatha's Wedding Feast. Petite Suite de concert, op. 77 (Review by Adrian Corleonis) | tenor | DEBUSSY: Pelléas et Mélisande (Review by Peter J. Rabinowitz) | tenor | DRUCKMAN, JACOB: Windows (Review by Peter J. Rabinowitz) | tenor | ELGAR: Cello Concerto. The Dream of Gerontius (Review by James A. Altena) | tenor | ELGAR: Cello Concerto. The Dream of Gerontius (Review by Jim Svejda) | tenor | ELGAR: Collector’s Edition (Review by Peter J. Rabinowitz) | tenor | ELGAR: The Dream of Gerontius (Review by Henry Fogel) | Gerontius | ELGAR: The Dream of Gerontius (Review by Peter J. Rabinowitz) | tenor | ELGAR: The Dream of Gerontius (Review by Henry Fogel) | The Soul | ELGAR: The Dream of Gerontius. Introduction and Allegro (Review by Henry Fogel) | tenor | GAY/PEPUSCH: The Beggars Opera (Review by James Miller) | tenor | GILBERT AND SULLIVAN: HMS Pinafore. Trial by Jury (Review by John Bauman) | Edwin | GILBERT AND SULLIVAN: HMS Pinafore. Trial by Jury (Review by John Bauman) | Richard Rackstraw | GILBERT AND SULLIVAN: HMS Pinafore. Trial by Jury (Review by John Bauman) | tenor | GILBERT AND SULLIVAN: Ruddigore (Review by John Bauman) | Richard Dauntless | GILBERT AND SULLIVAN: Ruddigore (Review by John Bauman) | tenor | GILBERT AND SULLIVAN: The Gondoliers (Review by John Bauman) | Marco Palmieri | GILBERT AND SULLIVAN: The Gondoliers (Review by John Bauman) | tenor | GILBERT AND SULLIVAN: The Mikado (Review by John Bauman) | Nanki- Poo | GILBERT AND SULLIVAN: The Mikado (Review by John Bauman) | tenor | GILBERT AND SULLIVAN: The Pirates of Penzances Overtures (Review by John Bauman) | Frédéric | GILBERT AND SULLIVAN: The Pirates of Penzances Overtures (Review by John Bauman) | tenor | GILBERT AND SULLIVAN: The Yeomen of the Guard (Review by John Bauman) | Colonel Fairfax | GLUCK: Orfeo ed Euridice (Review by James Miller) | tenor | LULLY: Miserere (Review by J. F. Weber) | tenor | MAHLER, GUSTAV: Das Lied von der Erde (Review by Mortimer H. Frank) | tenor | MAHLER, GUSTAV: Das Lied von der Erde (Review by ROGER DETTMER) | tenor | MAHLER, GUSTAV: Das Lied von der Erde (Review by James Miller) | tenor | MAHLER, GUSTAV: Das Lied von der Erde (Review by Peter J. Rabinowitz) | tenor | MAHLER, GUSTAV: Das Lied von der Erde (Review by Christopher Abbot) | tenor | MAHLER, GUSTAV: Das Lied von der Erde (Review by James Reel) | tenor | MAHLER, GUSTAV: Das Lied von der Erde. Five Rückert Songs (Review by Peter J. Rabinowitz) | tenor | MASCAGNI, PIETRO: Cavalleria rusticana (Review by Jon Tuska) | tenor | MESSIAEN: Oiseaux exotiques (Review by Peter J. Rabinowitz) | tenor | MONTEVERDI: Il Ritorno d'Ulisse in Patria (Review by J. F. Weber) | Eumæus | MONTEVERDI: L'Incoronazione di Poppen (Review by J. F. Weber) | Nerone | MONTEVERDI: L'Incoronazione di Poppen (Review by J. F. Weber) | tenor | MONTEVERDI: The Coronation of Poppea (Review by James Miller) | tenor | MOZART: Così fan tutte (Review by Mortimer H. Frank) | Ferrando | MOZART: Così fan tutte, K. 588 (Review by Ralph V. Lucano) | Ferrando | MOZART: Così fan tutte, K. 588 (Review by Ralph V. Lucano) | tenor | MOZART: Die Zauberflöte (Review by Ken Meltzer) | Tamino | MOZART: Die Zauberflöte. Symphony No. 41 (Review by Alan Swanson) | Tamino | MOZART: Die Zauberflöte. Symphony No. 41 (Review by Colin Clarke) | Tamino | MOZART: Don Giovanni (Review by Raymond Tuttle) | Don Ottavio | MOZART: Don Giovanni (Review by Raymond Tuttle) | Don Ottavio | MOZART: Don Giovanni, K. 527 (Review by James Miller) | Don Ottavio | MOZART: Don Giovanni, K. 527 (Review by James Miller) | tenor | MOZART: Idomeneo (Review by Christopher Williams) | Idomeneo | MOZART: Idomeneo (Review by David L. Kirk) | Idomeneo | MOZART: Idomeneo (Review by David L. Kirk) | Idomeneo | MOZART: Idomeneo (Review by Lynn René Bayley) | Idomeneo | MOZART: Idomeneo (Review by Boyd Pomeroy) | Idomeneo | MOZART: Idomeneo, K. 336 (Review by Ralph V. Lucano) | Idomeneo | MOZART: Idomeneo, K. 336 (Review by Ralph V. Lucano) | tenor | MOZART: Idomeneo, K. 366 (Review by Mortimer H. Frank) | Idomeneo | MOZART: Idomeneo, K. 366 (Review by Ralph V. Lucano) | Idomeneo | MOZART: Idomeneo, K. 366 (Review by Mortimer H. Frank) | tenor | MOZART: Idomeneo, K. 366 (Review by Ralph V. Lucano) | tenor | MOZART: Idomeneo, rè di Creta (Review by Bernard Jacobson) | Idomeneo | MOZART: La clemenza di Tito (sung in English) (Review by J. F. Weber) | Tito | MOZART: Requiem, K 626 (compi. Süssmayr) (Review by Peter J. Rabinowitz) | tenor | MOZART: The Marriage of Figaro. Così Fan Tutte. Don Giovanni. Idomeneo (Review by James Miller) | tenor | PROKOFIEV, SERGEI: Symphony No. 1 in D, op. 25 ("Classical")- Scythian Suite (Review by Peter J. Rabinowitz) | tenor | PUCCINI II, GIACOMO: Love Duets (Review by Ralph V. Lucano) | tenor | PUCCINI II, GIACOMO: Manon Lescaut (Review by Ralph V. Lucano) | tenor | PUCCINI II, GIACOMO: Tosca (Review by Jon Tuska) | tenor | RACHMANINOFF: Symphony No. 2 in E Minor, op.27 (Review by Peter J. Rabinowitz) | tenor | RAVEL: Le Tombeau de Couperin. Daphnis et Chloe (Review by Peter J. Rabinowitz) | tenor | RIMSKY-KORSAKOV: Scheherezade, op. 35 (Review by Peter J. Rabinowitz) | tenor | ROSSINI: La Cenerentola. Le Comte Ory. The Barber of Seville (Review by James Miller) | tenor | RUGGLES: Sun-treader (Review by Peter J. Rabinowitz) | tenor | SCHOENBERG, ARNOLD: Gurrelieder (Review by Lynn René Bayley) | Waldemar | SCHUBERT: Mass in E, D 950 (Review by Joel Kasow) | tenor | SCHUBERT: Symphony No. 10 (Review by Peter J. Rabinowitz) | tenor | SCHUBERT: Symphony No. 8, “Unfinished.“ (Review by Peter J. Rabinowitz) | tenor | SCHUMANN: Introduction and Allegro Appassionato in G, op. 92 (Review by Peter J. Rabinowitz) | tenor | SHOSTAKOVICH: Symphony No. 1 in F, op. 10 (Review by Peter J. Rabinowitz) | tenor | SIBELIUS: Symphony No. 2 in D, op. 43; No. 3 in C, op. 52 (Review by Peter J. Rabinowitz) | tenor | STRAUSS, RICHARD: Elektra (Review by Arthur Lintgen) | Aegisth | STRAUSS, RICHARD: Le Bourgeois Gentilhomme (Review by Peter J. Rabinowitz) | tenor | STRAUSS, RICHARD: Salome, op. 54 (Review by Ralph V. Lucano) | Herod | STRAUSS, RICHARD: Salome, op. 54 (Review by Ralph V. Lucano) | tenor | STRAVINSKY, IGOR: Le Chant du Rossingol (Review by Peter J. Rabinowitz) | tenor | SULLIVAN: H.M.S. Pinafore (Review by James Camner) | Ralph Rackstraw | SULLIVAN: Overture in C. (Review by John Bauman) | Frédéric | SULLIVAN: Overture in C. (Review by John Bauman) | tenor | SULLIVAN: Ruddigore (Review by James Camner) | Richard Dauntless | SULLIVAN: Ruddigore. The Tempest (Review by James Camner) | Richard Dauntless | SULLIVAN: Ruddigore. The Tempest (Review by James Camner) | tenor | SULLIVAN: The Gondoliers (Review by James Camner) | Marco | SULLIVAN: The Mikado (Review by James Camner) | Nanki- Poo | SULLIVAN: The Pirates of Penzance (Review by James Camner) | Frédéric | SULLIVAN: The Pirates of Penzance (Review by Paul Orgel) | Frédéric | SULLIVAN: The Tempest (Review by John Bauman) | Richard Dauntless | SULLIVAN: The Tempest (Review by John Bauman) | tenor | SULLIVAN: The Yeomen of the Guard (Review by James Camner) | Colonel Fairfax | SULLIVAN: Trial by Jury (Review by James Camner) | Defendant | TCHAIKOVSKY: Manfred, op. 58 (Review by Peter J. Rabinowitz) | tenor | TIPPETT, MICHAEL: The Midsummer Marriage (Review by Henry Fogel) | Mark | VAUGHAN WILLIAMS: Serenade to Music. The Pilgrim’s Journey (Review by James A. Altena) | tenor | VERDI, GIUSEPPE: I vespri siciliani (Review by Joel Kasow) | tenor | VERDI, GIUSEPPE: La forza del destino (Review by Jon Tuska) | tenor | VERDI, GIUSEPPE: Requiem (Review by Joel Kasow) | tenor | WAGNER, RICHARD: A Faust Overture (Review by Peter J. Rabinowitz) | tenor | WAGNER, RICHARD: Der fliegende Holländer (Review by William H. Youngren) | Steersman | WAGNER, RICHARD: Der fliegende Holländer (Review by Henry Fogel) | Steersman | WAGNER, RICHARD: Der fliegende Holländer (Review by Henry Fogel) | Steersman | WAGNER, RICHARD: Der fliegende Holländer (Review by Henry Fogel) | Steersman | WAGNER, RICHARD: Siegfried Idyll (Review by Peter J. Rabinowitz) | tenor | WALTON, WILLIAM: Partita (Review by James Miller) | Troilus | WALTON, WILLIAM: Troilus and Cressida (Review by James Miller) | Troilus | WALTON, WILLIAM: Troilus and Cressida (Review by James Miller) | Troilus | WEILL, KURT: The Seven Deadly Sins (Review by Peter J. Rabinowitz) | tenor |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|