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Performer: Peter Lika BUSONI, FERRUCCIO: Turandot... (Gerd Albrecht) (Review by James A. Altena) | Dottore Bombasto | ADAM, ADOLPHE: Der Postillon von Lonjumeau (Review by David Johnson) | Alcindor | ADAM, ADOLPHE: Der Postillon von Lonjumeau (Review by David Johnson) | baritone | ADAM, ADOLPHE: Der Postillon von Lonjumeau (Review by David Johnson) | Bijou | BACH, JOHANN SEBASTIAN: Cantata No. 21 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas Geschwinde, ihr wirbelnden Winde, BWV 201 (“Der Streit zwischen Phoebus und Pan“), Zerreisset, zersprenget, zertrümmert die Gruft, BWV205 (“Der zufriedeng-gestelle Äolus“), Lasst uns sorgen, lasst uns wachen, BWV 213 (“Hercules auf dem Scheidewege“) (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas Geschwinde, ihr wirbelnden Winde, BWV 201 (“Der Streit zwischen Phoebus und Pan“), Zerreisset, zersprenget, zertrümmert die Gruft, BWV205 (“Der zufriedeng-gestelle Äolus“), Lasst uns sorgen, lasst uns wachen, BWV 213 (“Hercules auf dem Scheidewege“) (Review by George Chien) | Pan | BACH, JOHANN SEBASTIAN: Magnificat In D, BWV243. Cantata (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Magnificat (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Secular Cantatas (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: St. John Passion (Review by George Chien) | Jesus | BACH, JOHANN SEBASTIAN: St. Matthew Passion, BWV244 (Review by Ralph V. Lucano) | bass | BERLIOZ: Roméo et Juliette (Review by Adrian Corleonis) | bass | BUSONI, FERRUCCIO: Arlecchino, or The Windows—a Theatrical Caprice in One Act, op. 50. Rondò arlecchinesco, for Orchestra, op. 46 (Review by Adrian Corleonis) | bass | BUSONI, FERRUCCIO: Arlecchino, or The Windows—a Theatrical Caprice in One Act, op. 50. Rondò arlecchinesco, for Orchestra, op. 46 (Review by Adrian Corleonis) | Dottore Bombaste | EGK: Peer Gynt (Review by David Johnson) | bass | EGK: Peer Gynt (Review by David Johnson) | Three Merchants | EISLER: Deutsche Sinfonie, op. 50 (Review by James H. North) | bass | FLOTOW, FRIEDRICH VON: Martha (Review by Anthony D. Coggi) | bass | FLOTOW, FRIEDRICH VON: Martha (Review by Anthony D. Coggi) | The Mayor of Richmond | HANDEL/MOZART: Ode auf St. Caecilla. Acis und Galatea (Review by Ralph V. Lucano) | bass | HAYDN, FRANZ JOSEPH: The 7 Last Words of Christ on the Cross (Review by J. F. Weber) | bass | HAYDN, FRANZ JOSEPH: The Creation (Review by Lynn René Bayley) | bass | HAYDN, FRANZ JOSEPH: The Seasons, Hob. XXI (Review by James H. North) | bass | KIENZL: Der Evangelimann (Review by David Johnson) | Night Watchman | MAHLER, GUSTAV: Symphonies Nos. 1, 2, 3, 4, 5, 6, 7 ,8, 9; No. 10 (ed. Cooke); No. 10 (Review by Huntley Dent) | bass | MAHLER, GUSTAV: Symphony No. 8 (Review by Christopher Abbot) | bass | MENDELSSOHN, FELIX: Elias. Paulus (Review by Jerry Dubins) | bass | MENDELSSOHN, FELIX: Paulus (Review by James Miller) | bass | MENDELSSOHN, FELIX: Paulus, op. 36 (Review by Peter J. Rabinowitz) | bass | MOZART: Requiem, K. 626 (Review by George Chien) | bass | MOZART: Vesperae Solennes de Dominica, K. 321 (Review by John Bauman) | bass | ROSSINI: Petite Messe solennelle (Review by John W. Lambert) | bass | ROSSINI: Petite Messe solennelle (Review by Joel Kasow) | bass | SCHUBERT: Die Verschworenen oder Der Häusliche Krieg, D. 787 (Review by David Johnson) | bass | SCHUBERT: Die Verschworenen oder Der Häusliche Krieg, D. 787 (Review by David Johnson) | Count Heribert von Lüdenstein | SCHUBERT: Mass No. 6 in E-Flat, D. 950. Mass No. 4 in C, D. 452. Mass No. 2 in G, D. 167. Magnificat in C, D. 486. Auguste jam coelestium, D. 488. Tantum ergo, D. 460 âno D. 461. Graduale, D. 184. Kyrie, D. 66. Salve Regina, D 106 Offerlorium “Tres sunt,“ D. 181. Tantum ergo, D. 739 (Review by J. F. Weber) | bass | SCHUBERT: Sacred Works, Volume 2 (Review by J. F. Weber) | bass | SCHUMANN: Manfred— Dramatic Poem in Three Acts after Lord Byron, for Soli, Speakers, Chorus, and Orchestra, op. 115 (Review by David Johnson) | bass |
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