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Performer: Kate Lindsey FAIROUZ, MOHAMMED: Refugee Blues. Jeder Mensch. No Orpheus. 3 Fragments of Ibn Khafajah. German Romantic Song. The Stolen Child. After the Revels. We Are Seven. Anabel Lee (Review by Huntley Dent) | mezzo-soprano | HANDEL, GEORGE FRIDERIC: Agrippina Condotta a morire, HWV 110 (Review by Bertil van Boer) | soprano | HANDEL, GEORGE FRIDERIC: Ah! Crudel, nel piano mio, HWV 78 (Review by Bertil van Boer) | mezzo-soprano | HAYDN, FRANZ JOSEPH: Arianna a Naxos, Hob XXVIB (Review by Bertil van Boer) | mezzo-soprano | KORNGOLD, ERICH: Mond, so gehst du wieder auf. Schneeglöckchen (Review by Huntley Dent) | mezzo-soprano | MAHLER, ALMA: Hymne. Die stille Stadt (Review by Huntley Dent) | mezzo-soprano | MASSENET, JULES: Cendrillon (Review by Ken Meltzer) | Prince Charming | MONARI, BARTOLOMEO: La Poppea (Review by Bertil van Boer) | soprano | MONTEVERDI: L’incoronazione di Poppea (Review by Bertil van Boer) | soprano | MOZART: Die Zauberflöte (Review by Joel Kasow) | Three Ladies | MOZART: La clemenza di Tito (Review by Ken Meltzer) | Sesto | SCARLATTI, ALESSANDRO: Il Nerone. La morte di Nerone (Review by Bertil van Boer) | soprano | SCARLATTI, ALESSANDRO: L’Arianna, H 242 (Review by Bertil van Boer) | mezzo-soprano | STRAUSS, RICHARD: Ariadne auf Naxos (Review by James H. North) | Composer | WEILL, KURT: Je ne t’aime pas. Big Mole. Don’t Look Now. Lonely House. Der Abschiedsbrief. Denn wie man sich bettet. Buddy on the Nightshift (Review by Huntley Dent) | mezzo-soprano | WEILL, KURT: Lost in the Stars (Review by Huntley Dent) | mezzo-soprano | WEILL, KURT: Nanna’s Lied. The Threepenny Opera (Review by Huntley Dent) | mezzo-soprano | ZEMLINSKY: Und hat der Tag all seine Qual. Selige Stunde (Review by Huntley Dent) | mezzo-soprano |
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Interviews, Music Matters, & Reviews
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