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Performer: Jamie MacDougall THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ammenlied, D 122. We/ tausend Sterne prangen, D 642 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Der Abend, D 108 Die Nacht (no D number) (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Die Befreier Europas in Paris, D 104 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Dithyrambe, D 47 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Entra l’uomo allor che nasce, D 33/1,2 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Erinnerungen, D 98 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Geisternähe, D 100 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Klaglied, D 23 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Lebenstraum (Gesang in C); D 1A, D 39 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: L’incanto degli occhi, D 990E (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Misero pargoletto, D 42/1B (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: O combats, o désordre, D Anh II,3/2 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ombre amene, amiche piante (La Serenata); D 990F (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Pensa, che questo istante, D 76 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Quell’ innocente figlio, D 17/1,2 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Rien de la nature, D Ann 11,3/1 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Serbate o Dei custodi, D 35 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Son fra l’onde, D 78 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Totengräberlied, D 44 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Trinklied, D 75 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow) | tenor | BOUGHTON: Bethlehem (Review by Peter J. Rabinowitz) | Nubar | BOUGHTON: Bethlehem (Review by Peter J. Rabinowitz) | tenor | BRIDGE, FRANK: The Songs of Frank Bridge (Review by Joel Kasow) | tenor | BRITTEN: Complete Folksong Arrangements (Review by John Bauman) | tenor | BRITTEN: The Sally Gardens. Little Sir William. The Bony Earl o'Moray. O can ye sew cushions?. The Trees They Grow So High. The Ash Grove. Oliver Cromwell. The Plough Boy. There's none to soothe. Sweet Polly Oliver . The Miller of Dee. The Foggy, Foggy Dew. O Waly, Waly. Come you not from Newcastle?. The Brisk Young Widow. Sally in our Alley. The Lincolnshire Poacher. Early one mornings . Ca' the yowes. I will give my love an apple. Sailorboy. Master Kilby. The Soldier and the Sailor“*. Bonny at Morn . The Shooting of his Dear . Lord! I married me a wife. She's like the swallow . Lemady. Bonny at morn. I was lonely and forlorn. David of the White Rock. The False Knight upon the road . Bird Scarer's Song. La Noël passée. Voici le Printemps . Fileuse. Le roi s'en va-t'en chasse. Le belle est au jardin d'amour . Il est quelqu'un sur terre . Eho! Eho!. Quand j'étais chez mon père. Avenging and bright. Sail on, sail on. How sweet the answer. The Minstrel Boy. At the mid hour of night. Rich and Rare. Dear Harp of my Country! Oft in the stilly (sic!) night. The Last Rose of Summer,. O the sight entrancing (Review by John Bauman) | tenor | HANDEL, GEORGE FRIDERIC: Almira, Königen von Castilien (Review by Ralph V. Lucano) | Fernando | HANDEL, GEORGE FRIDERIC: Almira, Königen von Castilien (Review by Ralph V. Lucano) | tenor | HANDEL/MOZART: Acis und Galatea (Review by Ralph V. Lucano) | Acis | HANDEL/MOZART: Acis und Galatea (Review by Ralph V. Lucano) | tenor | HAYDN, FRANZ JOSEPH: Scottish Songs (for George Thomson), Vol. 1 (Review by James H. North) | tenor | HAYDN, FRANZ JOSEPH: Scottish Songs (for George Thomson), Vol. 2 (Review by James H. North) | tenor | JANÁČEK, LEOŠ: Choral Works (Review by James H. North) | tenor | JANÁČEK, LEOŠ: Nursery Rhymes. Kašpar Rucký. The 70,000. The Wolf's Trail. Elegy on the Death of My Daughter Olga. Songs of Hradčany . Ave Maria. Our Father (Review by James H. North) | tenor | MACCUNN: Land of the Mountain and the Flood. The Dome Dens o' Yarrow. The Ship o' the Fiend. Jeanie Deans (Review by Martin Anderson) | tenor | MACCUNN: Land of the Mountain and the Flood. The Dome Dens o' Yarrow. The Ship o' the Fiend. Jeanie Deans (Review by David Johnson) | tenor | MÁRQUEZ: Dibujos sobre un Puerto for Tenor and Harp. Máscaras (Review by Mark Novak) | tenor | MENOTTI: The Death of Orpheus (Review by Robert Carl) | tenor | MOZART: Mass in C, K. 317 (“Coronation“). Exsulate, jubilate, K. 165. Vesperae solennes de confessore, K. 339 (Review by J. F. Weber) | tenor | PURCELL, HENRY: Dido and Aeneas (Review by Michael Ullman) | Sailor | PURCELL, HENRY: King Arthur (Review by Michael Ullman) | tenor | SCHUBERT: Complete Songs, Volume 22 (Review by David Johnson) | tenor | SCHUBERT: Trinklied, D. 148. Morgenlied, D. 266. Ansie, D. 288. Das Mädchen aus der Fremde, D. 252. Der Abend, D. 221. Punschlied, D. 277. An die Sonne, D. 272. Das Leben ist ein Traum, D. 269. Die drei Sänger, D. 329. Die Erscheinung, D. 229. Das Abendroth, D. 236. Genügsamkeit, D. 143. An Rosa (I), D. 315. An Rosa (II), D. 316. Das Bild, D. 155. Furcht der Geliebten (An Cidli), D. 285. Skolie, D. 306. Cora an die Sonne, D. 263. Die Sterne, D. 313. Lob des Tokayers, D. 248. Vaterlandslied, D. 287. Gebet während der Schlacht, D. 171. Hermann und Thusnelda, D. 322. Selma und Selmar, D. 286b. Lorma, D. 327. Cronna, D. 282. Hymne an den Unendlichen, D. 232. Das Grab, D. 330 (Review by David Johnson) | tenor |
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