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Performer: Christopher Maltman THE SONGS OF ROBERT SCHUMANN, Vol. 5: Additional settings of Heine texts including Belsatzar, Die feindlichen Brüder, Die beiden Grenadiere, Tragödie, Der arme Peter, and others (Review by Marc Mandel) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow) | baritone | THE SONGS OF ROBERT SCHUMANN, Vol. 5: Dichterliebe (Review by Marc Mandel) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow) | baritone | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow) | baritone | THE SOLDIER: From Severn to Somme (Christopher Maltman) (Review by Huntley Dent) | baritone | ADAMS, JOHN: The Death of Klinghoffer (Review by Raymond Tuttle) | Captain | ADÈS: America, a Prophecy, op. 19. Brahms, op. 21. The Fayrfax Carol. Fool's Rhymes, op. 5.“January Writ. Life Story, op. 8. The Lover in Winter. Oh thou, who didst with pitfall and with gin, op. 3b. (Review by John Story) | baritone | BACH, JOHANN SEBASTIAN: St. Matthew Passion (1727 version) (Review by James A. Altena) | bass | BERG, ALBAN: Wozzeck (Review by Peter J. Rabinowitz) | Wozzeck | BERLIOZ: Benvenuto Cellini (Weimar version) (Review by Adrian Corleonis) | Fieramosca | BERLIOZ: L'enfance du Christ (Review by Adrian Corleonis) | Joseph | BERLIOZ: Roméo et Juliette. Cléopâtre (Review by Huntley Dent) | baritone | BRAHMS, JOHANNES: A German Requiem (Review by Henry Fogel) | baritone | BRITTEN: Canticles l-V (Review by Bernard Jacobson) | baritone | BRITTEN: Peter Grimes (Review by Lynn René Bayley) | Ned Keene | BRITTEN: The Rape of Lucretia (Review by Lynn René Bayley) | Tarquinius | BRITTEN: The Rape of Lucretia (Review by Andrew Quint) | Tarquinius | BRITTEN: War Requiem (Review by Ronald E. Grames) | baritone | BRITTEN: War Requiem (Review by J. F. Weber) | baritone | BRITTEN: War Requiem (Review by Raymond Tuttle) | baritone | BROWNE, WILLIAM DENIS: Diaphenia. Epitaph on Salathiel Pavy. To Gratiana dancing and singing (Review by Henry Fogel) | baritone | BUTTERWORTH: Bredon Hill. Oh far enough are sky and plain. When the lad for longing sighs. On the idle hill of summer. With rue my heart is laden. A Shropshire Lad (Review by Henry Fogel) | baritone | COUPERIN, FRANÇOIS: (arr. Adès) Les baricades mystérieuses? (Review by John Story) | baritone | DEBUSSY: Nuit d'étoiles. Fleur des blés. Voici que le printemps. Mandoline. 5 Poèmes de Baudelaire. 3 Mélodies. Fêtes galantes (Seríes 2). 3 Ballades de François Villon (Review by Marc Mandel) | baritone | DEBUSSY: Songs (Review by Marc Mandel) | baritone | DEBUSSY: Tragédie. Jane. Rondeau. Rondel chinois. La fille aux cheveux de lin Arabesque. Les papillons. Séguidille. Nuits blanches. Nuit sans fin. Lorsqu’elle est entrée. Fantoches. En sourdine. Mandoline. Clair de lune. Pantomime. Flots, palmes, sables. Coquetterie posthume. Chanson espagnole (Review by David Cutler) | baritone | DONIZETTI: Rita (Review by Joel Kasow) | Gasparo | DURUFLÉ, MAURICE: 4 Motets on Gregorian Themes (Review by George Chien) | baritone | DURUFLÉ, MAURICE: Requiem (Review by George Chien) | baritone | FAURÉ, GABRIEL: Les matelots. Seule! Chanson du pêcheur. Barcarolle. Tarentelle. Au bord de l'eau. Les berceaux. Au cimetière. Larmes. 5 mélodies "de Venise." Pleurs d'or. Accompagnement. La fleur qui va sur l'eau. Mirages. C'est la paix. L'horizon chimérique (Review by Marc Mandel) | baritone | FAURÉ, GABRIEL: Les matelots. Seule. Chanson du pêcheur Barcarolle. Tarentelle.“ Au bord de l'ea. tes berceaux. Au cimitière. Larmes. 5 mélodies “de Venise.“ Pleurs d'or. Accompagnement. La fleur qui va sur l'eau.Mirages. C'est la paix. L'horizon chimérique (Review by Adrian Corleonis) | baritone | FAURÉ, GABRIEL: Mai.“ Puisque'ici-bas toute âme. Dans les ruines d'une abbaye.“ Lydia.“ L'absent“ Chant d'automne.“ Tristesse. Après un rêve. Le voyageur. Sérénade toscane. Automne. La fée aux chansons. Noël.“ Clair de lune.“ Spleen.“ Il est né, le divin enfant. En prière. Prison. Dans la forêt de septemre.“ Chanson, op. 94. Le jardin clos (complete) (Review by Marc Mandel) | baritone | FAURÉ, GABRIEL: Mai.“ Puisque'ici-bas toute âme. Dans les ruines d'une abbaye.“ Lydia.“ L'absent“ Chant d'automne.“ Tristesse. Après un rêve. Le voyageur. Sérénade toscane. Automne. La fée aux chansons. Noël.“ Clair de lune.“ Spleen.“ Il est né, le divin enfant. En prière. Prison. Dans la forêt de septemre.“ Chanson, op. 94. Le jardin clos (complete) (Review by Adrian Corleonis) | baritone | FAURÉ, GABRIEL: Puisque j'ai mis ma lèvre. Tristesse d'Olympio. Hymne, op. 7/2. Sylvie, op. 6/3. Poème d'un jour, op. 21 Nell, op. 18/1. Worre amour, op.23/2. Le secret, op. 23/3. Chanson d'amour, op. 27/1. Fleur jetée, op. 39/1. Les présents, op. 46/1. Shylock, op. 57 (Review by Adrian Corleonis) | baritone | FINZI: Let Us Garlands Bring, op. 18 (Review by Martin Anderson) | baritone | FORMAN: (arr. Adès) Cardiac Arrest™ (Review by John Story) | baritone | FRASER-SIMSON, HAROLD: The Maid of the Mountains (Review by David Denton) | Beppo | GOODALL: Eternal Light (Review by Steven E. Ritter) | baritone | GRUNENWALD: Tu es Petrus. Psalm 129, “De profundis” (Review by George Chien) | baritone | GURNEY: 4 Shakespeare Songs (orch. Finzi) (Review by Martin Anderson) | baritone | GURNEY: By a Bierside (orch. Howells) (Review by Martin Anderson) | baritone | GURNEY: In Flanders (orch. Howells) (Review by Martin Anderson) | baritone | HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Barry Brenesal) | Achilla | HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by James Reel) | Achilla | HONEGGER, ARTHUR: Cantate de Noël (Review by Paul Orgel) | baritone | JONES, SIDNEY: The Geisha (Review by George Jellinek) | Fairfax | LEONCAVALLO, RUGGERO: Zazá (Review by James A. Altena) | Cascart | MACMILLAN, JAMES: St. John Passion (Review by Ronald E. Grames) | baritone | MAHLER, GUSTAV: Symphony No. 1. Lieder eines fahrenden Gesellen (Review by Christopher Abbot) | baritone | MEYERBEER: L’etoile du Nord (Review by Nicole De Sapio) | Gritzenko | MOZART: Così fan Tutte (Review by James Forrest) | Guglielmo | MOZART: Così fan tutte (Review by Alan Swanson) | Guglielmo | MOZART: Don Giovanni (Review by Henry Fogel) | Don Giovanni | ORFF: Carmina burana (Review by Lynn René Bayley) | baritone | ORFF: Carmina burana (Review by Ronald E. Grames) | baritone | ORFF: Carmina burana (Review by J. F. Weber) | baritone | PARRY, HUBERT: The North Wind. The Soldier’s Tent (Review by Martin Anderson) | baritone | POULENC, FRANCIS: Chansons gaillardes (Review by Joel Kasow) | baritone | POULENC, FRANCIS: Cocardes. Metamorphoses. Chansons gaillardes. A Sa Guitare. Epitaphe sur un texte de Malherbe. 3 poèmes de Louise de Vilmorin. Bleuet. Dernier poème. Rosemonde. Fiançailles pour rire. Parisiana. La Courte paille (Review by Joel Kasow) | baritone | POULENC, FRANCIS: Rosemonde (Review by Joel Kasow) | baritone | PURCELL, HENRY: Dido and Aeneas (Review by Bertil van Boer) | Aeneas | PURCELL, HENRY: Dido and Aeneas (Review by Michael Ullman) | Aeneas | SCHUBERT: Die schöne Müllerin (Review by Huntley Dent) | baritone | SCHUBERT: Schwanengesang (Review by Huntley Dent) | baritone | SCHUBERT: Winterreise (Review by Huntley Dent) | baritone | SCHUMANN: Der Wanderern Der Wanderer in der Sagemühle (Review by John Story) | baritone | SCHUMANN: Liederkreis, op. 24. Frühe Lieder, WoO 21. An Anna (ii). Hirtenknabe. Im Herbste. Der Fischer.''* Die nächtliche Heerschau? Ein Gedanke? Der Reiter und der Bodensee? Schlusslied des Narren.* Dem roten Röslein. Der frohe Wandersmann?- Nur ein lächelnder Blick.™ Trost im Gesang.“ Die rote Hanne. Der deutsche Rhein. C (Review by John Story) | baritone | SCHUMANN: Sehnsucht.' Die Weinenden Der Fischer.' Im Herbste.' Kurzes Erwachen.' An Anna I.' Gesanges Erwachen.' An Anna II.' (Review by Marc Mandel) | baritone | SCHUMANN: Songs, Vol. 8 (Review by Marc Mandel) | baritone | SOMERVELL: A Broken Arc (Review by Henry Fogel) | baritone | STANFORD, CHARLES VILLIERS: 2 Songs of Faith, op. 97/4. op 97/5 (Review by Martin Anderson) | baritone | STANFORD, CHARLES VILLIERS: Chieftain of Tyrconnell (Review by Martin Anderson) | baritone | STANFORD, CHARLES VILLIERS: Prince Madoc’s Farewell. The Fairy Lough, op. 77/2 (Review by Martin Anderson) | baritone | STRAUSS, RICHARD: Songs (Review by James Miller) | baritone | VAUGHAN WILLIAMS: Songs of Travel (Review by Henry Fogel) | baritone | VAUGHAN WILLIAMS: Symphony No. 1, “A Sea Symphony“ (Review by William Zagorski) | baritone | VAUGHAN WILLIAMS: Symphony No. 1, “A Sea Symphony”. Serenade to Music (Review by Huntley Dent) | baritone | VAUGHAN WILLIAMS: Symphony No. 1, “A Sea Symphony”. Serenade to Music (Review by Steven Kruger) | baritone | VAUGHAN WILLIAMS: Symphony No. 1, “A Sea Symphony”. Serenade to Music (Review by James A. Altena) | baritone | WAGNER, RICHARD: Das Liebesverbot (Review by Gavin Dixon) | Friedrich | WARLOCK: And Wilt Thou Leave Me Thus? (Review by Adrian Corleonis) | baritone | WARLOCK: Bethlehem Down (Review by Adrian Corleonis) | baritone | WARLOCK: Bright Is the Ring of Words (Review by Adrian Corleonis) | baritone | WARLOCK: Captain Stratton’s Fancy (Review by Adrian Corleonis) | baritone | WARLOCK: Mr Belloc’s Fancy (Review by Adrian Corleonis) | baritone | WARLOCK: My Gostly Fader (Review by Adrian Corleonis) | baritone | WARLOCK: Peter Warlock’s Fancy (Review by Adrian Corleonis) | baritone | WARLOCK: Peterisms (Review by Adrian Corleonis) | baritone | WARLOCK: The Frostbound Wood (Review by Adrian Corleonis) | baritone | ZEMLINSKY: A Florentine Tragedy. A Florentine Tragedy (Review by Huntley Dent) | Simone | ZEMLINSKY: A Florentine Tragedy. A Florentine Tragedy (Review by Jerry Dubins) | Simone |
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