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Performer: Kimberly Marshall

BACH AND THE FRENCH INFLUENCE: (Review by Haig Mardirosian)

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HOW EXCELLENT IS THY NAME: Musical Devotions of... (Erik Contzius) (Review by David Denton)

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SIENNESE SPLENDOR—ORGAN MUSIC OF THE ITALIAN RENAISSANCE: (Review by Pierre Dubois)

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THE FIRST PRINTED ORGAN MUSIC: (Review by Carson Cooman)

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THE FIRST PRINTED ORGAN MUSIC: (Review by Carson Cooman)

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THE FIRST PRINTED ORGAN MUSIC: (Review by James A. Altena)

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ALAIN, JEHAN: Première fantaisie. Deuxième fantaisie (Review by Carson Cooman)

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ALAIN, JEHAN: Première fantaisie. Deuxième fantaisie (Review by Carson Cooman)

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ALAIN, JEHAN: Second Fantasy. Variations on a Theme of Jannequin (Review by Haig Mardirosian)

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ANDRÉE: Organ Symphony in b (Review by Haig Mardirosian)

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ANONYMOUS: 4 Frottole. 3 Renaissance Dances (from Intabolature nova). 4 Frottole (Review by Michael Carter)

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ANONYMOUS: Agincourt Carole. Susanna van Soldt Notebook. Verses on the Veni Creator (Review by Haig Mardirosian)

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ANONYMOUS: Maria zart. Magnificat quinti toni (Review by James A. Altena)

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BACH, JOHANN SEBASTIAN: Fantasia in C, BWV 573 (as completed by Wolfgang Stockmeier) (Review by Haig Mardirosian)

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BACH, JOHANN SEBASTIAN: Fantasy in G, BWV 572, “Piece d’orgue” (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Fantasy in G, BWV 572, “Piece d’orgue” (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Fantasy in c, BWV 562 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Fantasy in c, BWV 562 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Fantasy in g, BWV 542 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Fantasy in g, BWV 542 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Fugue on the Magnificat, BWV 733 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Fugue on the Magnificat, BWV 733 (Review by Lynn René Bayley)

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BACH, JOHANN SEBASTIAN: Fugue on the Magnificat, BWV 733 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Jesu meine Freude, BWV 1105. Machs mit mir, Gott, nach deiner Güt, BWV95 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Jesu meine Freude, BWV 1105. Machs mit mir, Gott, nach deiner Güt, BWV95 (Review by Lynn René Bayley)

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BACH, JOHANN SEBASTIAN: Jesu meine Freude, BWV 1105. Machs mit mir, Gott, nach deiner Güt, BWV95 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Jesu meine Freude, BWV 1105; Machs mit mir, Gott, nach deiner Gut, BWV 957; Lobt Gott, ihr Christen, allzugleich, BWV 732; Toccata, Adagio, and Fugue in C, BWV 564; Fugue on the Magnificat, BWV 733; Toccata and Fugue in d, BWV 565; Nun komm der Heiden Heiland, BWV 659 (Review by Michael Carter)

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BACH, JOHANN SEBASTIAN: Lobt Gott, ihr Christen, allzugleich, BWV 732 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Lobt Gott, ihr Christen, allzugleich, BWV 732 (Review by Lynn René Bayley)

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BACH, JOHANN SEBASTIAN: Lobt Gott, ihr Christen, allzugleich, BWV 732 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Magnificat (Review by James A. Altena)

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BACH, JOHANN SEBASTIAN: Nun komm der Heiden Heiland, BWV 149 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Nun komm der Heiden Heiland, BWV 149 (Review by Lynn René Bayley)

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BACH, JOHANN SEBASTIAN: Nun komm der Heiden Heiland, BWV 149 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Toccata and Fugue in d, BWV 565 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Toccata and Fugue in d, BWV 565 (Review by Lynn René Bayley)

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BACH, JOHANN SEBASTIAN: Toccata and Fugue in d, BWV 565 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Toccata, Adagio and Fugue in C, BWV 564 (Review by Carson Cooman)

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BACH, JOHANN SEBASTIAN: Toccata, Adagio and Fugue in C, BWV 564 (Review by Lynn René Bayley)

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BACH, JOHANN SEBASTIAN: Toccata, Adagio and Fugue in C, BWV 564 (Review by Carson Cooman)

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BERTOLDO, SPERINDIO: Frais et gaillard (after Clemens non Papa). Un gai berger (after Crequillon). Canzon francese. Ricercar del Sesto Tono (Review by Michael Carter)

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BOWEN, YORK: Fantasia, op. 136 (Review by Haig Mardirosian)

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BRUNA, PABLO: Tiento sobre la letania de la Virgen (Review by James A. Altena)

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BUXTEHUDE: Canzonetta in G, BuxWV 171 (Review by Carson Cooman)

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BUXTEHUDE: Canzonetta in G, BuxWV 171 (Review by Lynn René Bayley)

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BUXTEHUDE: Canzonetta in G, BuxWV 171 (Review by Carson Cooman)

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BUXTEHUDE: Chaconne in e, BuxWV 160 (Review by Carson Cooman)

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BUXTEHUDE: Chaconne in e, BuxWV 160 (Review by Lynn René Bayley)

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BUXTEHUDE: Chaconne in e, BuxWV 160 (Review by Carson Cooman)

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BUXTEHUDE: Magnificat noni toni (Review by James A. Altena)

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BUXTEHUDE: Magnificat noni toni, BuxWV 205 (Review by Carson Cooman)

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BUXTEHUDE: Magnificat noni toni, BuxWV 205 (Review by Lynn René Bayley)

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BUXTEHUDE: Magnificat noni toni, BuxWV 205 (Review by Carson Cooman)

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BUXTEHUDE: Nun komm der Heiden Heiland, BuxWV 211 (Review by Carson Cooman)

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BUXTEHUDE: Nun komm der Heiden Heiland, BuxWV 211 (Review by Lynn René Bayley)

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BUXTEHUDE: Nun komm der Heiden Heiland, BuxWV 211 (Review by Carson Cooman)

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BUXTEHUDE: Praeludium in g, BuxWV 149 (Review by Carson Cooman)

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BUXTEHUDE: Praeludium in g, BuxWV 149 (Review by Lynn René Bayley)

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BUXTEHUDE: Praeludium in g, BuxWV 149 (Review by Carson Cooman)

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BUXTEHUDE: Prelude, Fugue and Chaconne in C, BuxWV 137 (Review by Carson Cooman)

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BUXTEHUDE: Prelude, Fugue and Chaconne in C, BuxWV 137 (Review by Lynn René Bayley)

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BUXTEHUDE: Prelude, Fugue and Chaconne in C, BuxWV 137 (Review by Carson Cooman)

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BUXTEHUDE: Prelude, Fugue, and Ciacona in C, BuxWV 137; Ciacona in c, BuxVW 160; Canzonetta in G, BuxWV 171; Magnificat noni toni, BuxWV 205; Toccata in d, BuxWV 155; Nun komm der Heiden Heiland, BuxWV 211 ; Praeludium in g, BuxWV 149 (Review by Michael Carter)

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CAVAZZONI, GIROLAMO: Il e bel e bon (after Passereau). Fait d'argens (after Josquin de Pres). Ricercar (Review by Michael Carter)

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CAVAZZONI, MARCO ANTONIO: Plus de regres. Recercare primo. Salve virgo. Madame vous aves mon cuor. Perdone moi sie folie. Lautre yor per un matin (Review by Michael Carter)

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CHEN YI: Momentum. Chinese Folk Dance Suite. Dunhuang Fantasy. Romance and Dance. Tu (Review by Art Lange)

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CORREA DE ARAUXO, FRANCISCO: Todo el mundo (Review by James A. Altena)

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DUPRÉ, MARCEL: Prelude and Fugue in B, op. 7, no. 1 (Review by Haig Mardirosian)

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DUPRÉ, MARCEL: Variations on a Noel (Review by Haig Mardirosian)

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DURUFLÉ, MAURICE: Prelude and Fugue on the Name of Alain, op. 7 (Review by Haig Mardirosian)

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FERRABOSCO I, ALFONSO: Fancy (Review by Carson Cooman)

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FERRABOSCO I, ALFONSO: Fancy (Review by Carson Cooman)

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FRANCK, CÉSAR: Cantabile (Review by Haig Mardirosian)

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FRANCK, CÉSAR: Fantaisie in C (Version III) (Review by Carson Cooman)

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FRANCK, CÉSAR: Fantaisie in C (Version III) (Review by Carson Cooman)

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KARG-ELERT: Cathedral Windows (Review by Haig Mardirosian)

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MENDELSSOHN-HENSEL, FANNY: Prelude for Organ (Review by Haig Mardirosian)

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MESSIAEN: Les Eaux de la Grace. Combat de la Mort et de la Vie (Review by Haig Mardirosian)

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MOZART: Fantasy in d, K 397 (Review by Carson Cooman)

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MOZART: Fantasy in d, K 397 (Review by Carson Cooman)

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NEWMAN, ANTHONY: A Fansye (Review by Carson Cooman)

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NEWMAN, ANTHONY: A Fansye (Review by Carson Cooman)

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PRICE, FLORENCE B.: Suite No. 1 (Review by Haig Mardirosian)

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REGER, MAX: Symphonie Fantasia and Fugue, op. 57. York (Review by Haig Mardirosian)

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SANDRESKY: Maria zart, a Triptych (Review by James A. Altena)

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SANDRESKY: Mass L’Homme armé (Review by Haig Mardirosian)

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SCHEIDEMANN: Magnificat VI toni (Review by James A. Altena)

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SCHLICK: Salve regina. Maria zart (Review by James A. Altena)

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SMYTH, ETHEL: Prelude and Fugue (Review by Haig Mardirosian)

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SWEELINCK: Fancy chromatica (Review by Carson Cooman)

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SWEELINCK: Fancy chromatica (Review by Carson Cooman)

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