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Performer: Robert McCormick LIPTAK: Concerto for Piano and Percussion... (Eunmi Ko) (Review by David DeBoor Canfield) | conductor | ADAMS, DANIEL: Between (Review by Robert Schulslaper) | percussion | ADAMS, DANIEL: Between (Review by Art Lange) | percussion | ADAMS, DANIEL: Between (Review by Robert Schulslaper) | percussion | ADAMS, DANIEL: Twilight Remembered (Review by Paul Ingram) | percussion | BISSELL, PAUL: Archipelago (Review by Paul Ingram) | percussion | BUSS, HOWARD: Pipe Dream (Review by Paul Ingram) | percussion | BUSS, HOWARD: Stellar Visions (Review by Robert Schulslaper) | percussion | BUSS, HOWARD: Stellar Visions (Review by Art Lange) | percussion | BUSS, HOWARD: Stellar Visions (Review by Robert Schulslaper) | percussion | CARTER, ELLIOTT: Esprit rude Il/esprit doux II (Review by Paul Ingram) | percussion | DUSMAN: Dindirindin (Review by Mike Silverton) | percussion | FULLER, WESLEY: Four Phases for Three (Review by Paul Ingram) | percussion | FULLER, WESLEY: The Camargo Trio, for Piano, Percussion, and Computer (Review by Mike Silverton) | percussion | GOULD, MORTON: Billion Dollar Baby (Review by Nicholas Deutsch) | vocals | GOULD, MORTON: Million Dollar Baby (Review by Nicholas Deutsch) | vocals | HEUSER: Still Life with Fruit (Review by Paul Ingram) | percussion | JOLIVET: Pipeaubec (Review by Paul Ingram) | percussion | JONES, HILTON KEAN: Silver Set (Review by Paul Ingram) | percussion | KARPEN, RICHARD: Terra Infirma, for Computer-Realized Tape (Review by Mike Silverton) | percussion | KENNAN: Night Soliloquy (Review by Paul Ingram) | percussion | LAZAROF: Asymptotes (Review by Paul Ingram) | percussion | LEE, CHIHCHUN CHI-SUN: ThiN-O-O (Review by Robert Schulslaper) | percussion | LEE, CHIHCHUN CHI-SUN: ThiN-O-O (Review by Art Lange) | percussion | LEE, CHIHCHUN CHI-SUN: ThiN-O-O (Review by Robert Schulslaper) | percussion | LEE, GUI SOOK: Stillness. Ostinato in Springtime. The Movement. Moving On. Refrain (Review by David DeBoor Canfield) | conductor | LEWIS, JAMES: Tamanera (Review by Robert Schulslaper) | percussion | LEWIS, JAMES: Tamanera (Review by Art Lange) | percussion | LEWIS, JAMES: Tamanera (Review by Robert Schulslaper) | percussion | LIFCHITZ, MAX: 3 Songs. Canto de Paz. Three Concerted Madrigals. Rhythmic Soundscape No. 6. Piano Silhouettes (Review by Colin Clarke) | percussion | LIFCHITZ, MAX: Dos Danzas. Rhythmic Soundscape No. 5. Music for Percussion. Transformations No. 3. Inner Pulse. Pulsations (Review by Colin Clarke) | conductor | MONTAGUE: 2 Dirges, 3 Dances (Review by Robert Schulslaper) | percussion | MONTAGUE: 2 Dirges, 3 Dances (Review by Art Lange) | percussion | MONTAGUE: 2 Dirges, 3 Dances (Review by Robert Schulslaper) | percussion | MOROSS: Parade (Review by Nicholas Deutsch) | vocals | NELSON, JON CHRISTOPHER: Waves of Refraction, for Guitar and Tape (Review by Mike Silverton) | percussion | RELLER: McDuo (Review by Robert Schulslaper) | percussion | RELLER: McDuo (Review by Art Lange) | percussion | RELLER: McDuo (Review by Robert Schulslaper) | percussion | RISSET, JEAN-CLAUDE: Eight Sketches (Review by Mike Silverton) | percussion | SAARIAHO: NoaNoa, for Flute and Electronics (Review by Mike Silverton) | percussion | SHAPEY: Movement of Varied Movements (Review by Paul Ingram) | percussion | WEISGALL: Tangents (Review by Robert Schulslaper) | percussion | WEISGALL: Tangents (Review by Art Lange) | percussion | WEISGALL: Tangents (Review by Robert Schulslaper) | percussion |
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