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Performer: Thomas Mohr BRUCH, MAX: Die Loreley (Review by Gavin Dixon) | Otto | BRUCH, MAX: Die Loreley (Review by James A. Altena) | Otto | BUSONI, FERRUCCIO: Arlecchino, or The Window—a theatrical caprice in one act, op. 50. Turandot—a Chinese fable in two acts (Review by Adrian Corleonis) | baritone | BUSONI, FERRUCCIO: Arlecchino, or The Window—a theatrical caprice in one act, op. 50. Turandot—a Chinese fable in two acts (Review by Adrian Corleonis) | Ser Matteo Del Sarto | HOLZBAUER: Tod der Dido (Review by Michael De Sapio) | Jarbas | KIENZL: Don Quixote, op. 50 (Review by Christopher Williams) | Alonzo Quixano | MARSCHNER: Hans Heiling (Review by James H. North) | baritone | MARSCHNER: Hans Heiling (Review by James H. North) | Hans Heiling | MONTEVERDI: Il ritorno d’Ulisse in patria (Review by Lynn René Bayley) | Eumete | STRAUSS, RICHARD: Ariadne auf Naxos (Review by Alex Ross) | Arlecchino | TROJAHN, MANFRED: Enrico (Review by James H. North) | Arialdo | TROJAHN, MANFRED: Enrico (Review by James H. North) | baritone | WEILL, KURT: Die sieben Todsünden (version for low voice, arr. Brückner-Rüggeberg) ; Mahagonny Song-spieř (Review by Nicholas Deutsch) | baritone | WELLESZ: Die Bakchantinnen (Review by Christopher Williams) | Dionysus | WELLESZ: Die Bakchantinnen (Review by James H. North) | Dionysus |
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