|
Performer: George Mosley BERKELEY, MICHAEL: Baa Baa Black Sheep (Review by John Story) | Father | BERKELEY, MICHAEL: Baa Baa Black Sheep (Review by John Story) | Father Wolf | BERKELEY, MICHAEL: Baa Baa Black Sheep (Review by John Story) | Messuna’s Husband | HANDEL, GEORGE FRIDERIC: Agrippina (Review by David Johnson) | bass baritone | HANDEL, GEORGE FRIDERIC: Agrippina (Review by David Johnson) | Fallante | HANDEL, GEORGE FRIDERIC: Agrippina (Review by Barry Brenesal) | Pallante | PUCCINI II, GIACOMO: La rondine (Review by Joel Kasow) | Périchaud | PUCCINI II, GIACOMO: La rondine (Review by James Reel) | Périchaud | PURCELL, HENRY: Dido and Aeneas. Ode for St. Cecilia's Day (“Welcome to All the Pleasures“) (Review by Michael Ullman) | Aeneas | PURCELL, HENRY: Dido and Aeneas. Ode for St. Cecilia's Day (“Welcome to All the Pleasures“) (Review by Michael Ullman) | bass | TAVENER, JOHN: Eternity’s Sunrise. Song of the Angel. Petra (Review by David Denton) | baritone | TAVENER, JOHN: Funeral Canticle (Review by David Denton) | baritone |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|