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Performer: Daniel Norman THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ammenlied, D 122. We/ tausend Sterne prangen, D 642 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Bootgesang, D 835 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Coronach, D 836 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Dass sie hier gewesen!, D 775 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Der Abend, D 108 Die Nacht (no D number) (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Sieg, D 805 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der Tanz, D 826 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Der zürnende Barde, D 785 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Die Befreier Europas in Paris, D 104 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Die Wallfahrt, D 778A (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Dithyrambe, D 47 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Du bist die Ruh, D 776 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Entra l’uomo allor che nasce, D 33/1,2 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Erinnerungen, D 98 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gebet, D 815 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Geisternähe, D 100 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gondelfahrer, D 809 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Gott in der Natur, D 757 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Greisengesang, D 778 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Klaglied, D 23 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lachen und Weinen, D 777 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Lebenstraum (Gesang in C); D 1A, D 39 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied des gefangenen Jägers, D 843 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Lied eines Kriegers, D 822 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: L’incanto degli occhi, D 990E (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Misero pargoletto, D 42/1B (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: O combats, o désordre, D Anh II,3/2 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ombre amene, amiche piante (La Serenata); D 990F (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Pensa, che questo istante, D 76 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Pilgerweise, D 789 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Quell’ innocente figlio, D 17/1,2 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Rien de la nature, D Ann 11,3/1 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Schwestergruss, D 762 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Serbate o Dei custodi, D 35 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Son fra l’onde, D 78 (Review by Joel Kasow) | tenor | SCHUBERT, 1822-1825—The Hyperion Schubert Edition, Vol. 35: Togengräbers Heimwehe, D 842 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Totengräberlied, D 44 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Trinklied, D 75 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow) | tenor | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow) | tenor | THE NMC SONGBOOK: (Review by Robert Carl) | tenor | ANONYMOUS: How should I. Hampton Court Masque. Vuestros ojos. Corranto Lady Riche. My little sweet darling. A la volta Mistress Lettice Rich. Stay sweet awhile. A toy. He is dead and gone, lady (Review by Brian Robins) | tenor | ARGENTO: Jonah and the Whale (Review by Jeremy Marchant) | tenor | ARNE, THOMAS: Artaxerxes (Review by Barry Brenesal) | Rimenes | ARNE, THOMAS: Artaxerxes (Review by Bertil van Boer) | Rimenes | BARTLET, JOHN: Surcharged with discontent. The thrush did pipe full clear. Then Hesperus on high (Review by Brian Robins) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9, “Choral” (Review by Andrew Quint) | tenor | BRITTEN: Canticles, opp. 40, 51, 86, 89 (Review by Alan Swanson) | tenor | BRITTEN: The Heart of the Matter, op. 55 (Review by Alan Swanson) | tenor | BRITTEN: Who are these children? If it’s ever spring again. Dawtie’s Devotion. The Gully. The Children and Sir Nameless. Tradition. Ca’ the yowes (Review by Lynn René Bayley) | tenor | BRITTEN: Winter Words. Burns Songs (Review by Lynn René Bayley) | tenor | BRUCKNER, ANTON: Motets (Review by William Zagorski) | tenor | BRUCKNER, ANTON: Os justi. Locus iste. Libera me. Ave maria. Ecce sacerdos. Vexilla regis. Salvum fac populum tuum. Afferentur regi. Pange lingua. Tøta puiçhra es. Virga Jesse, Imeni David, lam lucis orto sidere. Tantum ergo. Christus factus est (Review by William Zagorski) | tenor | BYRD, WILLIAM: Weeping full sore. In fields abroad (Review by Brian Robins) | tenor | COPRARIO: Funeral Teares (Review by Brian Robins) | tenor | DEAN, BRETT: Winter Songs (Review by John Story) | tenor | DOWLAND, JOHN: Mr Dowland's Midnight. My Lady Rich's Galliard. Come when I call (Review by Brian Robins) | tenor | HOLBORNE, ANTHONY: The funerals (Review by Brian Robins) | tenor | JANÁČEK, LEOŠ: Choral Works (Review by James H. North) | tenor | JANÁČEK, LEOŠ: Nursery Rhymes. Kašpar Rucký. The 70,000. The Wolf's Trail. Elegy on the Death of My Daughter Olga. Songs of Hradčany . Ave Maria. Our Father (Review by James H. North) | tenor | JONES, ROBERT: O he is gone. And is it night? (Review by Brian Robins) | tenor | NIELSEN, CARL: Wind Quintet, op. 41 (Review by John Story) | tenor | PÄRT: Quintettino, op. 13 (Review by John Story) | tenor | SCHUBERT: Der Vatermörder, D 10; Klaglied, D 23; Die Schatten, D 50; Gretchen am Spinnrade, D 118; Erlkönig, D 328; Litanei auf das Fest Aller Seelen, D 343; Die Blumensprache, D 519; Lob der Tränen, D 711; Die Götter Griechenlands, D 677; Frühlingsglaube, D 686; Der Blumen Schmerz, D 731; Nachtviolen, D 752; Auf dem Wasser zu singen, D 774; Abendstern, D 806; Auf der Brücke, D 853; Im Frühling, D 882; Frühlingslied, D 919; Der Winterabend, D 938; Die Taubenpost, D 965a (Review by Jerry Dubins) | tenor | TESSIER: Casche toy. Au joly bois. Reveillez vous (Review by Brian Robins) | tenor | TÜÜR: Archetectonics I (Review by John Story) | tenor | VASKS, PETERĪS: Music for a deceased friend (Review by John Story) | tenor | WOOD, HUGH: Scenes from Comus (Review by James H. North) | tenor | WOOD, HUGH: Symphony (Review by James H. North) | tenor |
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