|
|
Performer: David Oei BACH, P. D. Q.: Liebeslieder Polkas for Mixed Chorus & Piano Five Hands, S. 2/4, Twelve Quite Heavenly Songs for Bargain Counter Tenor, Basso Blotto, and Keyboards, S. 16 (“Arie Proprio Zodicale“) (Review by John Bauman) | Calliope | BACH, P. D. Q.: Liebeslieder Polkas for Mixed Chorus & Piano Five Hands, S. 2/4, Twelve Quite Heavenly Songs for Bargain Counter Tenor, Basso Blotto, and Keyboards, S. 16 (“Arie Proprio Zodicale“) (Review by John Bauman) | chord organ | BACH, P. D. Q.: Liebeslieder Polkas for Mixed Chorus & Piano Five Hands, S. 2/4, Twelve Quite Heavenly Songs for Bargain Counter Tenor, Basso Blotto, and Keyboards, S. 16 (“Arie Proprio Zodicale“) (Review by John Bauman) | harpsichord | BACH, P. D. Q.: Liebeslieder Polkas for Mixed Chorus & Piano Five Hands, S. 2/4, Twelve Quite Heavenly Songs for Bargain Counter Tenor, Basso Blotto, and Keyboards, S. 16 (“Arie Proprio Zodicale“) (Review by John Bauman) | piano | BACH, P. D. Q.: Liebeslieder Polkas, S. 2/4. Twelve Quite Heavenly Songs, S. 16 (Review by John Bauman) | piano | GRIEG, EDVARD: Sonata in A Minor for Cello and Piano, op. 36 (Review by David K. Nelson) | piano | HUSA: 2 Préludes. 5 Poems. Serenade. Recollections. (Review by Paul Ingram) | piano | HUSA: Sonata for Violin and Piano (Review by Walter Simmons) | piano | HUSA: Sonata for Violin and Piano. Piano Sonata No. 2. Twelve Moravian Songs? (Review by Martin Anderson) | piano | LAYMAN: Gravitation I (Review by Walter Simmons) | piano | SCHICKELE: Bestiary (Review by John Bauman) | piano | SCHUMANN: Fantasiestücke for Cello and Piano, op. 73. Adagio and Allegro for Cello and Piano, op. 70. Stücke im Volkston for Cello and Piano, op. 102 (Review by David K. Nelson) | piano | WILDER, ALEC: Sonatas for Horn and Piano (Review by James H. North) | piano |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
