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Performer: Jan Opalach CURTIS-SMITH: Gold Are My Flowers... (Joe Miller) (Review by Colin Clarke) | baritone | BACH, JOHANN SEBASTIAN: Cantatas Gottes Zeit ist die allerbeste Zeit, BWV 106, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas Herz und Mund und Tat und Leben, BWV 147, Ein feste Burg ist unser Gott, BWV80 (Review by Edward Strickland) | bass | BACH, JOHANN SEBASTIAN: Cantatas Ich will den Kreuzstab gerne tragen, BWV 56, Ich habe genug, BWV 82, Der Friede sei, BWV 158 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas Jesu, der du meine Seele, BWV 78, Was Gott tut, das ¡st wohlgetan, BWV99, Liebster Gott, wenn wird ich sterben, BWV 8 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas Wachet auf, ruft uns die Stimme, BWV 140, Jauchzet Gott in allen Landen, BWV 51 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Magnificat, BWV 243 (Review by Edward Strickland) | bass | BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV 232 (Review by Edward Strickland) | bass | BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV 232 (Review by J. F. Weber) | bass | BEASER: Chorale Variations. Piano Concerto. The Seven Deadly Sins (Review by Walter Simmons) | bass baritone | BEETHOVEN, LUDWIG VAN: Cantata (Review by James H. North) | bass | BEETHOVEN, LUDWIG VAN: Der glorreiche Augenblick, op. 136. Cantata on the Elevation of Leopold II to Imperial Dignity, WoO 88 (Review by David Johnson) | bass baritone | CARTER, ELLIOTT: Choral Music. The Choral Masters Series, Volume I (Review by Dean P. Suzuki) | narrator | CARTER, ELLIOTT: Tarentella. Emblems. The Harmony of Morning. Heart Not so Heavy as Mine. Musicians Wrestle Everywhere. To Music. The Defense of Corinth (Review by Dean P. Suzuki) | narrator | GRIFFES, CHARLES T.: Songs (Review by James Miller) | baritone | HANDEL, GEORGE FRIDERIC: Acts and Galatea (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Acts and Galatea (Review by Ralph V. Lucano) | Polyphemus | HANDEL, GEORGE FRIDERIC: Greatest arias (Review by Ralph V. Lucano) | bass | HANDEL, GEORGE FRIDERIC: Imeneo (Review by David Johnson) | Argénio | HANDEL, GEORGE FRIDERIC: Imeneo (Review by David Johnson) | baritone | HOBSON: 2 Lyric Pieces (Review by Robert Kirzinger) | bass baritone | HOBSON: 2 Lyric Pieces (Review by Peter Burwasser) | bass baritone | HOBSON: 3 Portraits. 2 Isorhythms (Review by John Story) | baritone | HOBSON: 3 Songs (Review by Robert Kirzinger) | bass baritone | HOBSON: 3 Songs (Review by Peter Burwasser) | bass baritone | HOBSON: Cantilena Infinita (Review by Robert Kirzinger) | bass baritone | HOBSON: Cantilena Infinita (Review by Peter Burwasser) | bass baritone | HOBSON: Concerto for 3 Groups (Review by John Story) | baritone | HOBSON: Contours (Review by John Story) | baritone | HOBSON: Octet (Review by John Story) | baritone | HOBSON: Trio 1966 (Review by Robert Kirzinger) | bass baritone | HOBSON: Trio 1966 (Review by Peter Burwasser) | bass baritone | HOBSON: Trio (Review by Robert Kirzinger) | bass baritone | HOBSON: Trio (Review by Peter Burwasser) | bass baritone | HOFFMANN, GEORG MELCHIOR: German Magnificat in A minor (Review by George Chien) | bass | HOFFMANN, GEORG MELCHIOR: German Magnificat (Review by Edward Strickland) | bass | KERNIS: Brilliant Sky, Infinite Sky. Love Scenes. Morningsongs (Review by Alex Ross) | bass baritone | SALERNI, PAUL: Tony Caruso’s Final Broadcast (Review by Henry Fogel) | Engineer | SALERNI, PAUL: Tony Caruso’s Final Broadcast (Review by Phillip Scott) | Engineer | SALERNI, PAUL: Tony Caruso’s Final Broadcast (Review by David DeBoor Canfield) | Engineer | SALERNI, PAUL: Turns. Bad Pets. The Animals Struck with the Plague. Regimen Sanitatis. Two Partita. Generations. Concertino (Review by David DeBoor Canfield) | bass baritone | SALERNI, PAUL: Turns. Bad Pets. The Animals Struck with the Plague. Regimen Sanitatis. Two Partita. Generations. Concertino (Review by Henry Fogel) | bass baritone | SCHUBERT: Liebesbotschaft, D. 957, no. 1. Das Rosenband, D. 280. Willkommen und Abschied, D. 767. Fischerweise, D. 881. Ganymed, D. 544. Nachtstück, D. 672. Abschied, D. 957, no. 7. Das Fischermädchen, D. 957, no. 10. Der Winterabend, D. 938. Im Frühling, D. 882. Der Musensohn, D. 764. Sehnsucht, D. 636. Die Taubenpost, D. 957, no. 14 (Review by Ralph V. Lucano) | bass baritone | SCHUBERT: Lieder (Review by Ralph V. Lucano) | bass baritone | SPIES, CLAUDIO: Five Sonnet-Settings. Animula Vagula, Blandula. Bagatelle. Three Songs on Poems by May Swenson. Four Dadivas (Review by John Ditsky) | bass | STRAVINSKY, IGOR: L’histoire du soldat (Review by James H. North) | narrator | STRAVINSKY, IGOR: Octet (Review by James H. North) | narrator | STRAVINSKY, IGOR: Pulcinella (complete ballet music). Renard. Suites Nos. 1 and 2 for Small Orchestra. Ragtime for Eleven Instruments (Review by John D. Wiser) | bass | WOLPE, STEFAN: Suife im Hexachord, for Oboe and Clarinet. Quintet with Voice. Piece in 3 Pans, for Piano and Sixteen Instruments (Review by Mike Silverton) | bass baritone |
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