|
Performer: William Parker HEARTBEATS: NEW SONGS FROM MINNESOTA FOR THE AIDS... (Maria Jette) (Review by John W. Lambert) | baritone | THE AIDS QUILT SONGBOOK. Songs by Fifteen Composers: (Review by John W. Lambert) | baritone | ARGENTO: From the Diary of Virginia Woolf. The Andrée Expedition (Review by Mike Silverton) | baritone | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | baritone | BACON: Billy In the Darbies (Review by John Ditsky) | baritone | BACON: Billy in the Darbies (Review by Robert C. Marsh) | baritone | BARNETT: Let It Go (Review by Robert Carl) | baritone | BERLIOZ: La damnation de Faust (Review by Huntley Dent) | Brander | BOLCOM, WILLIAM: Vaslav’s Song (Review by Robert Carl) | baritone | BRAHMS, JOHANNES: Songs (Review by Elliott Kaback) | baritone | BRAHMS, JOHANNES: Wir wandelten, Op. 96, No. 2. Feldeinsamkeit, Op. 86, No. 2. Auf dem Kirchhofe, Op. 105, No. 4. Tambourliedchen, Op. 69, No. 5. Ruhe, Süssliebchen, Op. 33, No. 9. Alte Liebe, Op. 72, No. 1. An die Nachtigall, Op. 46, No. 4. Wie bist du, meine Königin, Op. 32, No. 9 (Review by Elliott Kaback) | baritone | BRAHMS, JOHANNES: Wir wandelten. Feldeinsamkeit. Auf dem Kirchhofe. Tambourliedchen. Ruhe, Süssliebchen. Alte Liebe. An die Nachtigall. Wie bist du, meine Königin (Review by Henry Fogel) | baritone | CADMAN, CHARLES WAKEFIELD: Four American Indian Songs, Op 45 (Review by Peter Frank) | baritone | CADMAN, CHARLES WAKEFIELD: Four American Indian Songs, op. 45 (Review by James H. North) | baritone | CARNAHAN: Domination of Black (Review by Robert Carl) | baritone | CHANLER, THEODORE: Four Rhymes from “Peacock Pie. “ (Review by John Ditsky) | baritone | CHANLER, THEODORE: Peacock Pie (Review by Robert C. Marsh) | baritone | COPLAND, AARON: At the River. Long Time Ago. The Boatmen's Dance. Simple Gifts. I Bought me a Cat. The Dodger. The Little Horses. Ching-a-ring-chaw (Review by Henry Fogel) | baritone | COPLAND, AARON: Old American Songs (Review by Elliott Kaback) | baritone | DEBLASIO, CHRIS: Walt Whitman in 1989 (Review by Robert Carl) | baritone | DELLO JOIO, NORMAN: The Listeners (Review by John Ditsky) | baritone | DELLO JOIO, NORMAN: The Listeners (Review by Robert C. Marsh) | baritone | EVETT: Billy in the Darbies (Review by Robert C. Marsh) | baritone | EVETT: Billy in the Darbies (Review by John Ditsky) | baritone | FARWELL, ARTHUR: Navajo War Dance (choral and piano versions); Pawnee Horses; Inketunga's Thunder Song; Song of the Deathless Voices; The Old Man's Love Song (choral and solo voice versions) (Review by Peter Frank) | baritone | FARWELL, ARTHUR: Three Indian Songs, op. 32 (Review by James H. North) | baritone | FINE, IRVING: Childhood Fables for Grownups (Review by Robert C. Marsh) | baritone | FINE, IRVING: Four Songs from “Childhood Fables for Grownups.“ (Review by John Ditsky) | baritone | FRANKLIN: As Imperceptibly As Grief (Review by Robert Carl) | baritone | GRIFFES, CHARLES T.: Das ist ein Brausen und Heulen. Wo ich bin, mich rings umdunkelt. Des Müden Abendlied. Zwei Könige sassen auf Orkadal. The First Snowfall. An Old Song Resung (Review by James H. North) | baritone | GRIFFES, CHARLES T.: Songs (6) (Review by John Ditsky) | baritone | HANDEL, GEORGE FRIDERIC: Arias (Review by George Chien) | baritone | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | bass baritone | HANDEL, GEORGE FRIDERIC: Susanna (Review by David Johnson) | baritone | HANDEL, GEORGE FRIDERIC: Susanna (Review by David Johnson) | Chelsias And Judge | HANDEL, GEORGE FRIDERIC: Susanna (Review by George Chien) | baritone | HARBISON, JOHN: The Flute of Interior Time (Review by Robert Carl) | baritone | HOIBY, LEE: Summer and Smoke (Review by John Ditsky) | baritone | HOIBY, LEE: Summer and Smoke (Review by Robert C. Marsh) | baritone | HOUTZ: The Enticing Lane (Review by Robert Carl) | baritone | IVES, CHARLES: At the River. His Exaltation. Watchman! The Camp Meeting. Sunrise. Chanson de Florian. Rosamunde. Qu'il m'irait bien. Élégie (Review by James H. North) | baritone | IVES, CHARLES: Songs (9) (Review by John Ditsky) | baritone | JENNINGS: The Loons (Review by Robert Carl) | baritone | KALLMAN: When I Am Dead, My Dearest (Review by Robert Carl) | baritone | KERNIS: The Blue Animals (Review by Robert Carl) | baritone | LARSEN, LIBBY: Perineo (Review by Robert Carl) | baritone | MUSTO: Heartbeats (Review by Robert Carl) | baritone | NILES: Songs (3) (Review by John Ditsky) | baritone | NILES: Three Songs on Texts of Thomas Merton (Review by Robert C. Marsh) | baritone | OLSEN: We’re All Pharoahs When We Die (Review by Robert Carl) | baritone | OREM: American Indian Rhapsody (Review by Peter Frank) | baritone | ROREM: Mourning Scene (Review by John Ditsky) | baritone | ROREM: Mourning Scene (Review by Robert C. Marsh) | baritone | VANDERVELDE: Postitive Women (Review by Robert Carl) | baritone | WARD, ROBERT: Ballad (from Pantaloon/He Who Gets Slapped) (Review by John Ditsky) | baritone | WARD, ROBERT: Pantaloon (Review by Robert C. Marsh) | baritone | WILSON, RICHARD: The Second Law (Review by Robert Carl) | baritone |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|