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Performer: Ian Partridge A GARDIN FOR DELIGHTS: (Review by J. F. Weber) | tenor | A PETER WARLOCK MERRY-GO-DOWN: (Review by Huntley Dent) | tenor | ARS BRITANNICA. Old Hall Manuscript; Madrigals;...: (Review by J. F. Weber) | director | ERNEST ANSERMET: The Stereo Years (Ernest Ansermet) (Review by Richard A. Kaplan) | tenor | NOW MAKE WE MERTHE- MEDIEVAL ENGLISH LYRICS, ROUNDS,...: (Review by Richard Burke) | tenor | SCHUBERT: Im Frühling. Erster Verlust. Dass... (Ian Partridge) (Review by Huntley Dent) | piano | SIR CRISTEMAS: (Review by George Chien) | Soloist | THE ETON CHOIRBOOK: (Review by J. F. Weber) | tenor | The Triumphs of Oriana: (Review by Mortimer H. Frank) | director | ANONYMOUS: One More River. The Lady's Birthday (arr. Warlock). Spoken (Review by Adrian Corleonis) | tenor | ARNE, THOMAS: Artaxerxes (Review by David Johnson) | Artabanes | ARNE, THOMAS: Artaxerxes (Review by James Camner) | Artabanes | ARNE, THOMAS: Artaxerxes (Review by Barry Brenesal) | Artabanes | ARNE, THOMAS: Artaxerxes (Review by David Johnson) | tenor | ARNE, THOMAS: Artaxerxes (Review by James Camner) | tenor | BACH, JOHANN SEBASTIAN: Cantata 147. Chorales and Chorale Preludes for Advent and Christmas. The 6 Motets (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Magnificat in D, BWV 243 (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: No. 3. Cantatas (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: St. John Passion, BWV245 (Review by Ralph V. Lucano) | Evangelist | BACH, JOHANN SEBASTIAN: St. John Passion, BWV245 (Review by Ralph V. Lucano) | tenor | BARTLET, JOHN: Of all the birds (Review by Tom Moore) | tenor | BEETHOVEN, LUDWIG VAN: An die Hoffnung, Op. 32. Neue Liebe, neues Leben, Op. 75, No. 2 Ich liebe dich, WoO 123. Mailied, Op. 52, No. 4. Busslied, Op. 48, No. 5. Der Zufriedene, Op. 75, No. 6, Resignation, WoO 149. Der Kuss. Op. 7 28. Adelaide, Op. 46. An die ferne Geliebte, Op. 98. Der Wachtelschlag, WoO 129. Aus Goethes Faust, Op. 75, No. 3. Andenken, WoO 136. Wonne der Wehmut, Op. 83, No. 1. Sehnsucht, Op. 83, No. 2. Mit einen gemalten Band, Op. 83, No. 3 (Review by Vincent Alfano) | tenor | BEETHOVEN, LUDWIG VAN: An die Hoffnung, Op. 32. Neue Liebe, neues Leben, Op. 75, No. 2. Aus Goethes Faust, Op. 75, No. 3.Der Zufriedene, Op. 75, No. 6. Ich liebe dich, WoO. 123. Mailied, Op. 52, No. 4. Busslied, Op. 48, No. 5. Resignation, WoO. 149. Der Kuss, Op. 128. Adelaide, Op 46. An die ferne Geliebte, Op. 98. Der Wachtelschlag, WoO. 129. Andenken, WoO. 1 36 Wonne der Wehmut, Op. 83, No. 1. Sehnsucht, Op. 83, No. 2. Mit einem gemalten Band, Op. 83, No. 3 (Review by John Bauman) | tenor | BEETHOVEN, LUDWIG VAN: Lieder (Review by John Bauman) | tenor | BEETHOVEN, LUDWIG VAN: Songs (Review by Vincent Alfano) | tenor | BERKELEY, LENNOX: Theme and Variations, op. 77. Sonatina. Songs of the Half-Light, op. 65 (Review by John D. Wiser) | tenor | BERLIOZ: Roméo et Juliette (Review by Huntley Dent) | tenor | BERNERS: 3 Songs. Valse. Red Roses and Red Noses. Come on, Algeron (Review by Henry Fogel) | tenor | BERNERS: Polka. Lieder Album—Three Songs in the German Manner. Le poisson d’or. Dispute entre le papillon et le crapaud. Trois chansons. Trois petites marches funèbres. Three English Songs. Fragments psychologiques. Dialogue between Tom Filuter and His Man by Ned the Dog Stealer. March. The Expulsion from Paradise (Review by Henry Fogel) | tenor | BOULANGER, LILI: Psalm 130, "Du fond de l’abîme" (Review by Walter Simmons) | tenor | BRITTEN: Serenade (Review by Paul Ingram) | tenor | BRITTEN: Songs from the Chinese, op. 58. Nocturnal, op. 70. 5 Folksongs (Review by John D. Wiser) | tenor | BRITTEN: Winter Words (Review by Michael Ullman) | tenor | BRITTEN: Winter Words, op. 52 (Review by Michael Ullman) | tenor | BUSH: Song Cycles (Review by John Ditsky) | tenor | BYRD, WILLIAM: Come woeful Orpheus (Review by J. F. Weber) | director | BYRD, WILLIAM: Fantasia a 4 (Review by Tom Moore) | tenor | BYRD, WILLIAM: In nominee (Review by Tom Moore) | tenor | BYRD, WILLIAM: La verginella (Review by Tom Moore) | tenor | BYRD, WILLIAM: Lullaby (Review by Tom Moore) | tenor | BYRD, WILLIAM: Rejoice unto the Lord. In fields abroad. Fair Britain Isle. Though I be brown. O Lord how vain (Review by Tom Moore) | tenor | BYRD, WILLIAM: Susanna Fair. My mistress had a little dog. Though Amaryllis dance in green (Review by Tom Moore) | tenor | BYRD, WILLIAM: Ye sacred muses (Review by Tom Moore) | tenor | CALDARA, A: Stabat Mater (Review by George Chien) | tenor | CAMPION, THOMAS: All looks be pale. Jacke and Jone. Thrice tosse these oaken ashes (Review by Tom Moore) | tenor | CAMPION, THOMAS: Never weather-beaten sail. Jack and Ione. A secret love (Review by J. F. Weber) | director | CAMPION, THOMAS: Songs (Review by Mortimer H. Frank) | tenor | CHARPENTIER, MARC-ANTOINE: Te Deum in D; Magnificat in D Minor (Review by J. F. Weber) | tenor | CHIRBURY: Agnus Dei. Record 2 (Review by J. F. Weber) | director | COOKE, JOHN: Alma proles (Review by J. F. Weber) | director | DAMETT: Salve porta paradisi (Review by J. F. Weber) | director | DAVY: The Passion According to St. Matthew (Review by J. F. Weber) | Evangelist | DELIUS: Hidden Love. The Birds' Story. The Nightingale Has a Lyre of Gold. The Homeward Way. Young Venevil. Twilight Fancies (Review by Adrian Corleonis) | tenor | DOWLAND, JOHN: A shepherd in a shade. Fine knacks for ladies. Where sin sore wounding. I must complain. Sweet, stay awhile. Mr. Dowland's midnight. Now oh now I needs must part (Review by J. F. Weber) | director | DOWLAND, JOHN: My Lady Hunsdon's Puffe. Mrs. White's Nothinge (transcribed for piano by Warlock) (Review by Adrian Corleonis) | tenor | DOWLAND, JOHN: Songs (Review by Mortimer H. Frank) | tenor | DOWLAND, JOHN: The lowest trees have tops. Unquiet thoughts. Can she excuse my wrongs? Love those beams. Wilt thou, unkind, thus reave me? In darkness let me dwell (Review by Tom Moore) | tenor | DUNSTABLE: Crux fidells. O crux gloriosa. Gaude virgo. Albanus roseo rutilât (Review by J. F. Weber) | director | FARRAR, ERNEST: O mistress mine! (Review by Walter Simmons) | tenor | FERRABOSCO II, ALFONSO: Have You Seen But a White Lily Grow (Review by Adrian Corleonis) | tenor | FINZI: Farewell to Arms (Review by Ian Lace) | tenor | FINZI: Farewell to Arms. Two Milton Sonnets. Let Us Garlands Bring. In Terra Pax (Review by Walter Simmons) | tenor | FINZI: Intimations of Immortality (Review by Walter Simmons) | tenor | FINZI: Intimations of Immortality, Ode for Tenor, Chorus & Orchestra (Review by John W. Charles) | tenor | FINZI: To a Poet, Op. 13a (Review by Walter Simmons) | tenor | FINZI: Two Milton Sonnets (Review by Ian Lace) | tenor | FORD, THOMAS: Since first I saw. There is a lady (Review by J. F. Weber) | director | FORD, THOMAS: There is a lady sweet and kind (Review by Tom Moore) | tenor | FOREST: Qualis est dilectus (Review by J. F. Weber) | director | GILL: In Memoriam (Review by Walter Simmons) | tenor | GIULIANI, MAURO: Lieder, op. 89 (Review by Ralph V. Lucano) | tenor | GURNEY: All night under the moon (Review by Ronald E. Grames) | tenor | GURNEY: Down by the Salley Gardens (Review by Ronald E. Grames) | tenor | GURNEY: Nine of the clock (Review by Ronald E. Grames) | tenor | GURNEY: Severn Meadows (Review by Ronald E. Grames) | tenor | GURNEY: Sleep. Down by the salley gardens. Hawk and Buckel (Review by Walter Simmons) | tenor | GURNEY: The Fields Are Full. Severn Meadows. Desire in Spring. The Singer. An Epitaph. The Folly of Being Comforted. Bread and Cherries. All Night under the Moon. Down by the Saiiey Gardens. Snow. The Cloths of Heaven. Brown Is My Love (Review by Adrian Corleonis) | tenor | HANDEL, GEORGE FRIDERIC: Alexander's Feast (Review by David Johnson) | tenor | HANDEL, GEORGE FRIDERIC: Alexander's Feast. Concerto in 8b for Harp, Strings, and Continuo, op. 4, no. 6. Concerto in G Minor for Organ, Strings, and Continuo, op. 4, no. J (Review by Ralph V. Lucano) | tenor | HANDEL, GEORGE FRIDERIC: Alexander’s Feast. Harp Concerto in B♭, op. 4/6 (Review by Brian Robins) | tenor | HANDEL, GEORGE FRIDERIC: Chanclos Anthems (Review by J. F. Weber) | tenor | HANDEL, GEORGE FRIDERIC: Chandes Anthems, Volume 4 (Review by J. F. Weber) | tenor | HANDEL, GEORGE FRIDERIC: Chandos Anthems, Volume 2 (Review by J. F. Weber) | tenor | HANDEL, GEORGE FRIDERIC: Chandos Anthems (Review by J. F. Weber) | tenor | HANDEL, GEORGE FRIDERIC: Esther (first version) (Review by James A. Altena) | Mordecai | HANDEL, GEORGE FRIDERIC: La Resurrezione (The Resurrection) (Review by John Bauman) | San Giovanni | HANDEL, GEORGE FRIDERIC: La Resurrezione (The Resurrection) (Review by John Bauman) | tenor | HANDEL, GEORGE FRIDERIC: La resurrezione (Review by James A. Altena) | San Giovanni | HANDEL, GEORGE FRIDERIC: Nisi Dominus. Stlete venti. Dixit Dominus (Review by Ralph V. Lucano) | tenor | HANDEL, GEORGE FRIDERIC: O be joyful in the Lord. In the Lord put I my trust. Have mercy upon me. O sing unto the Lord a new song. I will magnify thee. As pants the hart for cooling streams. My song shall be always. O come, let us sing unto the Lord. O praise the Lord with one consent. The Lord is my light. Let God arise (Review by Michael Carter) | tenor | HANDEL, GEORGE FRIDERIC: Organ Concerto in g, op. 4/1 (Review by Brian Robins) | tenor | HANDEL, GEORGE FRIDERIC: The Triumph of Time and Truth (Review by J. F. Weber) | tenor | HANDEL, GEORGE FRIDERIC: The Triumph of Time and Truth (Review by J. F. Weber) | tenor | HOLST, GUSTAV: The Perfect Fool—Ballet, Op. 39. Egdon Heath, Op. 47. Beni Mora, Op. 29, No. 1. St. Paul's Suite, Op. 29, No. 2. Short Festival Te Deum, H. 145*. Psalm 86, H. 117, No. 2. Brook Green Suite, H. 190 (Review by John Ditsky) | tenor | JONES, ROBERT: Love is a bable. There was a wyly ladde (Review by Tom Moore) | tenor | JONES, ROBERT: Thinkst thou Kate (Review by J. F. Weber) | director | MILFORD: If it's ever spring again. The Colour. So sweet love seemed (Review by Walter Simmons) | tenor | MONTEVERDI: Sacred Vocal Music (Review by J. F. Weber) | tenor | MONTEVERDI: Sacred vocal music (Review by J. F. Weber) | tenor | MONTEVERDI: Su le penne de' venti. Confìtebor tibi. Iste confessor. Laudate Dominum. Confìtebor tibi. Confìtebor tibi. Ab aeterno ordinata sum. Nisi Dominus. Deus tuorum militum (Review by J. F. Weber) | tenor | MONTEVERDI: Su le penne. Confitebor II. Iste confessor II. Laudate Dominum IV. Confitebor V. Confitebor III alla francese. Ab aeterno. Nisi Dominus I. Deus tuorum militum II (Review by J. F. Weber) | tenor | MORLEY: Hark jolly shepherds. Die now, my heart. You black bright stars (Review by J. F. Weber) | director | MORLEY: It was a lover and his lass. Thyrsis and Milla. Come, sorrow, come (Review by Tom Moore) | tenor | PILKINGTON: Care for thy soul. Record 3 (Review by J. F. Weber) | director | PILKINGTON: Diaphenia. Down-a-down (Review by J. F. Weber) | director | PILKINGTON: Rest, sweet nymphs (Review by Tom Moore) | tenor | POWER, LEONEL: Credo (Review by J. F. Weber) | director | PURCELL, HENRY: Anthems. March and Canzona (Review by Michael Ullman) | tenor | PURCELL, HENRY: Incidental Music from Oedipus. Christchurch Bells. I gave her cakes and ale. 'Tis wine was made to rule the day. He that drinks is immoral. Tom the Taylor. Sir Walter. Arise ye subterranean winds. Lost is my quiet for ever. When the cock begins to crow. My lady's coachman John. As Roger last night. Hark, how the wild musicians. Not all my torments. Laudate Cecíliám (Review by Michael Ullman) | tenor | PURCELL, HENRY: Songs (Review by Michael Ullman) | tenor | PURCELL, HENRY: Sweeter Than Roses. Ah! How Sweet It Is To Love. Oh! Leade Me To Some Peaceful Gloom. Music For A While. If Music Be The Food of Love. Man, That Is For Woman Made. I Attempt From Love's Sickness To Fly. I See She Flies Me Ev'rywhere. Take Not A Woman's Anger III. Since From Dear Astraea's Sight. I'll Sail Upon The Dog-star. A Morning Hymn. Let The Night Perish. Lord, What Is Man, Lost Man. The Earth Trembled. Crown The Altar. An Evening Hymn. A New Ground (Review by Michael Ullman) | tenor | PURCELL, HENRY: Sweeter than roses. Ah! How sweet it is to love. Oh! Lead me to some peaceful gloom. Music for a while. If music be the food of love. Man, that is for woman made. I attempt from love’s sickness to fly. I see she flies me everywhere. Take not a woman’s anger. Since from dear Astraea’s sight. I’ll sail upon the dog-star. A morning hymn. Let the night perish. Lord, what is man. The Earth trembled. Crown the altar. An Evening Hymn. A New Ground (Review by Michael Ullman) | tenor | PURCELL, HENRY: The Fairy Queen (Review by Heuwell Tircuit) | tenor | PURCELL, HENRY: The Fairy-Queen (ed. Britten, Holst) (Review by Huntley Dent) | tenor | PURCELL, HENRY: The Tempest (Review by Huntley Dent) | tenor | PYCARD: Gloria (Review by J. F. Weber) | director | RAVENSCROFT: Malt's Come Down. The Maid She Went A-Milking. By a Bank as I Lay. Jinkin the Jester. What Hap Had I to Marry a Shrow. He That Will an Alehous Keep (Review by Adrian Corleonis) | tenor | ROSSETER: When Laura Smiles (Review by Adrian Corleonis) | tenor | ROSSETER: When Laura smiles. What then is love but mourning? (Review by Tom Moore) | tenor | SCARLATTI, ALESSANDRO: Vespers of St. Cecilia (Review by J. F. Weber) | tenor | SCHOENBERG, ARNOLD: Die Jakobsleiter, Erwartung, Op. 17, Die glückliche Hand, Op. 18. Four Lieder with Orchestra, Op. 22. Chamber Symphonies (Review by John W. N. Francis) | tenor | SCHUBERT: Das Fischermädchen (Review by Huntley Dent) | tenor | SCHUBERT: Der blinde Knabe. Über Wildemann. Vor meiner Wiege. Bei dir allein! Die Liebe hat gelogen. Nähe des Geliebten. Alinde. Ihr Bild (Review by Huntley Dent) | tenor | SCHUBERT: Heidenröslein. Morgenlied. Nachtstück. Ungeduld. Schäfers Klagelied. Hänflings Liebeswerbung. Der Wanderer. Die zürnende Diana (Review by Ralph V. Lucano) | tenor | SCHUBERT: Im Frühling. Erster Verlust. Dass sie hier gewesen. Der Einsame. Nachtviolen. An mein Herz. Die gefangenen Sänger. An den Mond, D 193 (Review by Huntley Dent) | tenor | SCHUBERT: Nacht und Träume (Review by Huntley Dent) | tenor | SCHUBERT: Piano Quintet in A, D 667, “Trout”. Die schöne Müllerin, D 795 (Review by Colin Clarke) | tenor | SCHUBERT: Sei mir gegrüsst (Review by Huntley Dent) | tenor | SCHUBERT: Stimme der Liebe (Review by Huntley Dent) | tenor | SCHUBERT: Winterreise, D. 911 (Review by Ralph V. Lucano) | tenor | SCHUMANN: Lieder (Review by Marc Mandel) | tenor | SPOHR, LOUIS: Lieder, op. 37 (Review by Ralph V. Lucano) | tenor | TOMKINS: O let me die for true love. Oyez, has any found a lad? (Review by J. F. Weber) | director | VAUGHAN WILLIAMS: On Wenlock Edge Ten Blake Songs (Review by John D. Wiser) | tenor | VAUGHAN WILLIAMS: On Wenlock Edge (Review by Adrian Corleonis) | tenor | VAUGHAN WILLIAMS: Serenade to Music' In the Fen Country. The Lark Ascending. Norfolk Rhapsody No. Í. English Folksong Suite (arr. Gordon Jacob). Fantasia on "Greensleeves" (Review by John D. Wiser) | tenor | VAUGHAN WILLIAMS: The Pilgrim's Progress (Review by Walter Simmons) | tenor | VAUGHAN WILLIAMS: The Twilight People. How Can the Tree but Wither. Four Nights. Nocturne. A Clear Midnight Joy, Shipmate. The New Ghost. Motion and Stillness. The Water Mill (Review by Adrian Corleonis) | tenor | VIVALDI, ANTONIO: Dixit Dominus, RV.594. Stabat Mater, RV.621 (Review by Nils Anderson) | tenor | VIVALDI, ANTONIO: Gloria in D, RV 589 (Review by George Chien) | tenor | VIVALDI, ANTONIO: Gloria in D, RV 589 (Review by Brian Robins) | tenor | WARD, JOHN: Retire, my troubled soul. O my thoughts surcease (Review by J. F. Weber) | director | WARLOCK: Maltworms. Piggesnie. Hey Troly Loly Lo. Fill the Cup, Philip. In an Arbour Green. Sweet Content. Peter Warlock's Fancy. I asked a thief to steal me a peach. Jillian of Berry. My Gostly Fader. Away to Twiver. From Capriol (Review by Adrian Corleonis) | tenor | WARLOCK: Passing By. Pretty Ring Time. Sweet-and-twenty. Rest Sweet Nymphs. Sleep. Away to Twiver. The Frostbound Wood. Yarmouth Fair. Balulalow. Julian of Berry. After Two Years. My Own Country (Review by Adrian Corleonis) | tenor | WARLOCK: The Curlew (Review by Adrian Corleonis) | tenor | WARLOCK: The Curlew (Review by John D. Wiser) | tenor | WEELKES: Those sweet delightful lilies. Some men desire spouses. Come sirrah Jack hoi Come, let's begin to revel 't out (Review by J. F. Weber) | director | WEILL, KURT: Kleine Dreigroschenmusik. Concerto for Violin and Wind Orchestra, Op. 12. Mahagonny Songspiel (“Das kleine Mahagonny“) (Review by John D. Wiser) | tenor | WHYTHORNE: As Thy Shadow Itself Apply'th (Review by Adrian Corleonis) | tenor | WILBYE, JOHN: Lady, when I behold. As matchless beauty. Weep o mine eyes (Review by J. F. Weber) | director | WORDSWORTH: String Quartet No. 5 in G Minor, Op. 63. String Quartet No. 6, Op. 75. Three Wordsworth Songs for Tenor and String Quartet, Op. 45 (Review by John D. Wiser) | tenor |
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