|
|
Performer: Maurice Peress THE BIRTH OF “RHAPSODY IN BLUE“: PAUL WHITEMANS... (Ivan Davis) (Review by William H. Youngren) | conductor | BAER: Mama Loves Papa (Review by Michael Ullman) | conductor | BERLIN, IRVING: Irving Berlin Medley (Review by Michael Ullman) | conductor | BRAHAM: Limehouse Blues (Review by Michael Ullman) | conductor | CAMPRA: Rigadoun (Review by James A. Altena) | conductor | CLARKE, JEREMIAH: Trumpet Voluntary (Review by James A. Altena) | conductor | CORIGLIANO, JOHN: Concerto for Oboe and Orchestra'. Three Irish Folk Song Settings. Poem in October (Review by James H. North) | conductor | CORIGLIANO, JOHN: Concerto for Oboe and Orchestra'. Three Irish Folk Song Settings. Poem in October (Review by James H. North) | harpsichord | CORIGLIANO, JOHN: Concerto for Oboe and Orchestra. Poem in October, for Tenor, Flute, Oboe, String Quartet, and Harpsichord (Review by John Ditsky) | conductor | CORIGLIANO, JOHN: Concerto for Oboe and Orchestra. Poem in October, for Tenor, Flute, Oboe, String Quartet, and Harpsichord (Review by John Ditsky) | harpsichord | CORIGLIANO, JOHN: Poem in October; Oboe Concerto (Review by Walter Simmons) | conductor | DUPRÉ, MARCEL: Poème héroïque (Review by James A. Altena) | conductor | ELGAR: Pomp and Circumstance March No. 1 (Review by Michael Ullman) | conductor | ELLINGTON: Black, Brown, and Beige Suite (orch. Peress). Three Black Kings (orch. Henderson). New Worlda-Comin' (orch. Peress after the original jazz band score by the composer). Harlem (orch. Henderson and Peress) (Review by Paul A. Snook) | conductor | FRIML: Chansonette (Review by Michael Ullman) | conductor | GERSHWIN: I Got Rhythm Variations (Review by Michael Ullman) | conductor | GERSHWIN: Rhapsody in Blue (Review by Michael Ullman) | conductor | GERSHWIN: Strike Up The Band (Review by Michael Ullman) | conductor | GIGOUT: Grand choeur dialogué (Review by James A. Altena) | conductor | GROFE/DEROSE: Russian Rose (Review by Michael Ullman) | conductor | HERBERT, VICTOR: A Suite of Serenades (Review by Michael Ullman) | conductor | IVES, CHARLES: Symphony No. 2. The Unanswered Question. Central Park in the Dark. Tone Roads No. 1. From the Steeples and the Mountains. The Rainbow. Ann Street. Over the Pavements. Tone Roads No. 3. The Pond. All the Way Around and Back. Chromâtimelôdtune (Review by James H. North) | conductor | KARG-ELERT: Lobe den Herren (Review by James A. Altena) | conductor | KARG-ELERT: Triumphal March (Review by James A. Altena) | conductor | KERN: Raggedy Ann (Review by Michael Ullman) | conductor | LOGAN, WENDELL: Pale Moon (Review by Michael Ullman) | conductor | MACDOWELL, EDWARD: To a Wild Rose (Review by Michael Ullman) | conductor | PURCELL, HENRY: Antiphonal Voluntary (Review by James A. Altena) | conductor | RHEINBERGER: Organ Concerto Nos. 1 and 2 (Review by James A. Altena) | conductor | ROCCA, DJ NICK LA: Livery Stable Blues (Review by Michael Ullman) | conductor | ROSE, BERNARD: Linger Awhile (Review by Michael Ullman) | conductor | SCHOENBERGER: Whispering (Review by Michael Ullman) | conductor | SILVER/THOMAS: Yes, We Have No Bananas/So This is Venice (Review by Michael Ullman) | conductor | STRAUSS, RICHARD: Processional Entry (Review by James A. Altena) | conductor | WIDOR: Salvum fac populum tuum (Review by James A. Altena) | conductor |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
