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Performer: Oscar Pettiford ART TATUM: KNOCKIN’ MYSELF OUT: Tea for Two (Review by Lynn René Bayley) | double bass | BUD POWELL: BIRDLAND 1953 (Bud Powell) (Review by Art Lange) | double bass | BUD POWELL: BIRDLAND 1953 (Bud Powell) (Review by Lynn René Bayley) | double bass | BRANDT, JOBST VOM: Atlantic (Review by Lynn René Bayley) | cello | BRANDT, JOBST VOM: Atlantic (Review by Lynn René Bayley) | double bass | CARMICHAEL: The Nearness of You (Review by Lynn René Bayley) | cello | CARMICHAEL: The Nearness of You (Review by Lynn René Bayley) | double bass | CHRISTIAN, CHARLIE: A Smo-o-oth One (Review by Lynn René Bayley) | cello | CHRISTIAN, CHARLIE: A Smo-o-oth One (Review by Lynn René Bayley) | double bass | ELLINGTON: A Tonal Group (Review by Lynn René Bayley) | double bass | ELLINGTON: Caravan. In a Mellow Tone. Solid Old Man. Rugged Romeo. Sono. Air-Conditioned Jungle. Pitter Panther Patter. Take the “A” Train. Magenta Haze. Diminuendo in Blue/Transbluency (Review by Lynn René Bayley) | double bass | ELLINGTON: Crescendo in Blue. Suburbanite. I’m Just a Lucky So and So (Review by Lynn René Bayley) | double bass | ELLINGTON: Riffin’ Drill. Black, Brown & Beige (Review by Lynn René Bayley) | double bass | ELLINGTON: Sophisticated Lady (Review by Lynn René Bayley) | cello | ELLINGTON: Sophisticated Lady (Review by Lynn René Bayley) | double bass | GERSHWIN: But Not for Me (Review by Lynn René Bayley) | cello | GERSHWIN: But Not for Me (Review by Lynn René Bayley) | double bass | GOODE-BAKER-ABLES: Edge of Love (Review by Lynn René Bayley) | cello | GOODE-BAKER-ABLES: Edge of Love (Review by Lynn René Bayley) | double bass | HAMMERSCHMID, HANS: Big Hassle (Review by Lynn René Bayley) | cello | HAMMERSCHMID, HANS: Big Hassle (Review by Lynn René Bayley) | double bass | HUBBEL: Poor Butterfly (Review by Lynn René Bayley) | cello | HUBBEL: Poor Butterfly (Review by Lynn René Bayley) | double bass | JONES, TERENCE: Golden Touch (Review by Lynn René Bayley) | cello | JONES, TERENCE: Golden Touch (Review by Lynn René Bayley) | double bass | KERN: All the Things You Are (2 vers.) (Review by Lynn René Bayley) | cello | KERN: All the Things You Are (2 vers.) (Review by Lynn René Bayley) | double bass | KERN: Yesterdays (Review by Lynn René Bayley) | cello | KERN: Yesterdays (Review by Lynn René Bayley) | double bass | KOLLER: Anusia (Review by Lynn René Bayley) | cello | KOLLER: Anusia (Review by Lynn René Bayley) | double bass | KOLLER: O.P (Review by Lynn René Bayley) | cello | KOLLER: O.P (Review by Lynn René Bayley) | double bass | KUEHN, MIKEL: Minor Plus a Major (Review by Lynn René Bayley) | cello | KUEHN, MIKEL: Minor Plus a Major (Review by Lynn René Bayley) | double bass | MULLIGAN: Sextette (Review by Lynn René Bayley) | cello | MULLIGAN: Sextette (Review by Lynn René Bayley) | double bass | PETTIFORD, OSCAR: Blues in the Closet (2 vers.) (Review by Lynn René Bayley) | cello | PETTIFORD, OSCAR: Blues in the Closet (2 vers.) (Review by Lynn René Bayley) | double bass | PETTIFORD, OSCAR: Cable Car. Tricatism. Rides Again (Review by Lynn René Bayley) | cello | PETTIFORD, OSCAR: Cable Car. Tricatism. Rides Again (Review by Lynn René Bayley) | double bass | PETTIFORD, OSCAR: My Little Cello (Review by Lynn René Bayley) | cello | PETTIFORD, OSCAR: My Little Cello (Review by Lynn René Bayley) | double bass | TRADITIONAL: Another One; Minor Seventh Heaven; Stardust; Bohemia After Dark; Oscalypso; Scorpio; Titoro; Don't Squawk; Kamman's A'Comin'. Recorded in New York City, August 12, 1955 (Review by Andrew Sussman) | double bass | WALLER, FATS/WILLIAMS: Squeeze Me (Review by Lynn René Bayley) | double bass |
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