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Performer: John Potter CONDUCTUS, VOL. 1: Music & Poetry from Thirteenth-Century... (John Potter) (Review by J. F. Weber) | tenor | CONDUCTUS, VOL. 2: Music & Poetry from Thirteenth-Century... (John Potter) (Review by J. F. Weber) | tenor | CONDUCTUS, VOL. 3: Music & Poetry from 13th-Century... (John Potter) (Review by J. F. Weber) | tenor | IN DARKNESS LET ME DWELL: MUSIC OF JOHN DOWLAND (John Potter) (Review by Tom Moore) | tenor | JOHNNY, COCK THY BEAVER- POPULAR MUSIC-MAKING...: (Review by Brian Robins) | voice | ANONYMOUS: Flos regalis virginalis. O Maria, stella maris. Quern trina polIuit. Dou way Robyn/Sancta Mater. Veni creator spiritus (Review by John Story) | tenor | ANONYMOUS: Gedenke doch, mein Geist zürucke. Musette No. 22. Erbauliche Gedanken eines Tobackrauchers. Wie wohl ist mir, o Freund der Seelen. Menuet No. 14. Schaff's mit mir, Gott. Willst du dein Herz mir schenken. Warum betrübst du dich. Menuet No. 36. Menuet No. 15. So ott ich meine Tobackspfeife (instrumental reprise) (Review by Elliott S. Hurwitt) | tenor | ANONYMOUS: How should I. Hampton Court Masque. Vuestros ojos. Corranto Lady Riche. My little sweet darling. A la volta Mistress Lettice Rich. Stay sweet awhile. A toy. He is dead and gone, lady (Review by Brian Robins) | tenor | ANONYMOUS: Inviolata. Obsecro te. Benedicta es (Review by Raymond Tuttle) | vocal | ANONYMOUS: Inviolata. Obsecro te. Benedicta es (Review by J. F. Weber) | vocal | ANONYMOUS: Miri it is while sumer Hast. Dance (Review by Elliott S. Hurwitt) | tenor | ANONYMOUS: O divina virgo. Salve virgo pia. Regina sovrana. Oi mi lasso (Review by J. F. Weber) | tenor | BACH, CARL PHILIPP EMANUEL: Marche. Polonaise. Marche. Polonaise (Review by Elliott S. Hurwitt) | tenor | BACH, JOHANN SEBASTIAN: Christ lag in Todesbanden, BWV 277 (Review by Robert Maxham) | tenor | BACH, JOHANN SEBASTIAN: Christ lag in Todesbanden, BWV 277 (Review by William Zagorski) | tenor | BACH, JOHANN SEBASTIAN: Christ lag in Todesbanden, BWV 277 (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: Den Tod niemand zwingen kunnt, BWV 277 (Review by Robert Maxham) | tenor | BACH, JOHANN SEBASTIAN: Den Tod niemand zwingen kunnt, BWV 277 (Review by William Zagorski) | tenor | BACH, JOHANN SEBASTIAN: Den Tod niemand zwingen kunnt, BWV 277 (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: Morimur (Review by Robert Maxham) | tenor | BACH, JOHANN SEBASTIAN: Morimur (Review by William Zagorski) | tenor | BACH, JOHANN SEBASTIAN: Morimur (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: Notenbüchlein für Anna Magdalena Bach (1725) (Review by Elliott S. Hurwitt) | tenor | BACH, JOHANN SEBASTIAN: Nun lob, meine Seel, den Herren, BWV 389 (Review by Robert Maxham) | tenor | BACH, JOHANN SEBASTIAN: Nun lob, meine Seel, den Herren, BWV 389 (Review by William Zagorski) | tenor | BACH, JOHANN SEBASTIAN: Nun lob, meine Seel, den Herren, BWV 389 (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: St. John Passion (Review by Robert Maxham) | tenor | BACH, JOHANN SEBASTIAN: St. John Passion (Review by William Zagorski) | tenor | BACH, JOHANN SEBASTIAN: St. John Passion (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by Robert Maxham) | tenor | BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by William Zagorski) | tenor | BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: Violin Partita No. 2. Cantata, BWV 136 (Review by Robert Maxham) | tenor | BACH, JOHANN SEBASTIAN: Violin Partita No. 2. Cantata, BWV 136 (Review by William Zagorski) | tenor | BACH, JOHANN SEBASTIAN: Violin Partita No. 2. Cantata, BWV 136 (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: Violin Partita No. 2 (Review by Robert Maxham) | tenor | BACH, JOHANN SEBASTIAN: Violin Partita No. 2 (Review by William Zagorski) | tenor | BACH, JOHANN SEBASTIAN: Violin Partita No. 2 (Review by Brian Robins) | tenor | BACH, JOHANN SEBASTIAN: Wachet auf, ruft uns die Stimme. O Ewigkeit du Donnerwort. Wer nur den lieben Gott läßt walten. Gib dich zufrieden und sei stille. Prelude and Fugue in C (The Well-Tempered Clavier). Dir, dir Jehova (Chorale No. 39). Aria No. 26 (Goldberg Variations). Ich habe genug!—Schlummert ein, ihr matten Augen (Review by Elliott S. Hurwitt) | tenor | BACH, JOHANN SEBASTIAN: Wo soll ich fliehen hin, BWV 89 (Review by Robert Maxham) | tenor | BACH, JOHANN SEBASTIAN: Wo soll ich fliehen hin, BWV 89 (Review by William Zagorski) | tenor | BACH, JOHANN SEBASTIAN: Wo soll ich fliehen hin, BWV 89 (Review by Brian Robins) | tenor | BANKS, TONY: Follow thy fair sun. The cypress curtain of the night (Review by Carla Maria Verdino-Süllwold) | tenor | BANKS, TONY: Follow thy fair sun. The cypress curtain of the night (Review by Raymond Tuttle) | tenor | BARTLET, JOHN: Surcharged with discontent. The thrush did pipe full clear. Then Hesperus on high (Review by Brian Robins) | tenor | BERGMAN, ERIK: Nox, for Baritone, Mixed Chorus, Flute, English Horn, and Percussion. Bim Bam Bum, for Narrator, Tenor, Male Chorus, Flute, and Percussion. Fåglarna, for Baritone, Five Solo Voices, Male Chorus, Percussion, and Celesta. Hathor Suite, for Soprano, Baritone, Mixed Chorus, and Instrumental Ensemble (Review by Stephen Ellis) | tenor | BERGMAN, ERIK: Nox, for Baritone, Mixed Chorus, Flute, English Horn, and Percussion. Bim Bam Bum, for Narrator, Tenor, Male Chorus, Flute, and Percussion. Fåglarna, for Baritone, Five Solo Voices, Male Chorus, Percussion, and Celesta. Hathor Suite, for Soprano, Baritone, Mixed Chorus, and Instrumental Ensemble (Review by Stephen Ellis) | tenor | BRUMEL: Missa Victimae paschali laudes. Ave virgo gloriosa. Mater patris. Nativitas unde gaudia. O Crux ave spes unica (Review by J. F. Weber) | tenor | BUSATTI: Angela siete (Review by Michael Ullman) | tenor | BYRD, WILLIAM: Weeping full sore. In fields abroad (Review by Brian Robins) | tenor | CAMPION, THOMAS: Follow thy fair sun. Oft have I sighed. The cypress curtain of the night (Review by Carla Maria Verdino-Süllwold) | tenor | CAMPION, THOMAS: Follow thy fair sun. Oft have I sighed. The cypress curtain of the night (Review by Raymond Tuttle) | tenor | COPRARIO: Funeral Teares (Review by Brian Robins) | tenor | COUPERIN, FRANÇOIS: Rondeau No. 6 (“Les Bergeries“) (Review by Elliott S. Hurwitt) | tenor | DOWLAND, JOHN: Mr Dowland's Midnight. My Lady Rich's Galliard. Come when I call (Review by Brian Robins) | tenor | FIELD, AMBROSE: Being Dufay (Review by Steven E. Ritter) | tenor | HERINGMAN: Preludes I–V (Review by Raymond Tuttle) | vocal | HERINGMAN: Preludes I–V (Review by J. F. Weber) | vocal | HOLBORNE, ANTHONY: The funerals (Review by Brian Robins) | tenor | HONG, S.: Missa Lumen de lumine (Review by John Story) | tenor | HUMFREY: O give thanks. O Lord my God. Have mercy upon me. By the waters of Babylon. Lift up your heads. Hear, O Heav'ns. Hear my prayer. Hear my crying. Like as the hart (Review by J. F. Weber) | tenor | HUMFREY: Verse Anthems (Review by J. F. Weber) | tenor | JOHNSON, ROBERT: Care-charming sleep. Have you seen buta bright lily grow. As I walked forth (Review by Michael Ullman) | tenor | JONES, JOHN PAUL: Amores Pasados (Review by Carla Maria Verdino-Süllwold) | tenor | JONES, JOHN PAUL: Amores Pasados (Review by Raymond Tuttle) | tenor | JONES, ROBERT: O he is gone. And is it night? (Review by Brian Robins) | tenor | JOSQUIN DES PREZ: Inviolata. Absalon fili mi. Obsecro te. Salve regina. Benedicta es. Nymphes de Bois (Review by Raymond Tuttle) | vocal | JOSQUIN DES PREZ: Inviolata. Absalon fili mi. Obsecro te. Salve regina. Benedicta es. Nymphes de Bois (Review by J. F. Weber) | vocal | MOERAN: Oh fair enough are sky and plain (Review by Carla Maria Verdino-Süllwold) | tenor | MOERAN: Oh fair enough are sky and plain (Review by Raymond Tuttle) | tenor | MONTEVERDI: Amor dov'è la fe' (Review by Michael Ullman) | tenor | MOODY: Passion and Resurrection (Review by Richard Burke) | tenor | MOUTON, JEAN: Nesciens mater (Review by Raymond Tuttle) | vocal | MOUTON, JEAN: Nesciens mater (Review by J. F. Weber) | vocal | PÄRT: Passio Domini nostri Jesu Christi secundum Joannem (Review by Paul Rapoport) | tenor | PÄRT: Passio Domini nostri Jesu Christi secundum Joannem (Review by Edward Strickland) | tenor | PEROTINUS: Dum sigillum. Beata viscera (Review by John Story) | tenor | PETZOLD: Menuet No. 4. Menuet No. 5 (Review by Elliott S. Hurwitt) | tenor | PICFORTH: In nomine 1 and 2 (Review by Carla Maria Verdino-Süllwold) | tenor | PICFORTH: In nomine 1 and 2 (Review by Raymond Tuttle) | tenor | PURCELL, HENRY: She loves and she confesses (Review by Michael Ullman) | tenor | RORE, CIPRIANO DE: Ancor che col partire (Review by Michael Ullman) | tenor | SANCES: Accenti queruli (Review by Michael Ullman) | tenor | STING: Bury me deep in the greenwood (Review by Carla Maria Verdino-Süllwold) | tenor | STING: Bury me deep in the greenwood (Review by Raymond Tuttle) | tenor | STOELZEL: Bist du bei mir (Review by Elliott S. Hurwitt) | tenor | STUBBS: Refrains 1-3 (Review by Michael Ullman) | tenor | TESSIER: Casche toy. Au joly bois. Reveillez vous (Review by Brian Robins) | tenor | VICTORIA, TOMÁS LUIS DE: Missa Surge Propera. O magnum mysterium (Review by Raymond Tuttle) | vocal | VICTORIA, TOMÁS LUIS DE: Missa Surge Propera. O magnum mysterium (Review by J. F. Weber) | vocal | WARLOCK: Sleep (Review by Carla Maria Verdino-Süllwold) | tenor | WARLOCK: Sleep (Review by Raymond Tuttle) | tenor | WILBYE, JOHN: Weep, weep, mine eyes (Review by Michael Ullman) | tenor |
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