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Performer: Ana Quintans LES NOCES ROYALES DE LOUIS XIV: A Royal Wedding (Vincent Dumestre) (Review by Bertil van Boer) | soprano | ALMEIDA, LAURINDO: La Spinalba (Review by Alan Swanson) | Spinalba | CHARPENTIER, MARC-ANTOINE: David et Jonathas (Review by Bertil van Boer) | Jonathas | CHARPENTIER, MARC-ANTOINE: Judicium Salomonis (Review by Brian Robins) | soprano | CHARPENTIER, MARC-ANTOINE: Motet pour une longue offrande (Review by Brian Robins) | soprano | CÔRTE-REAL: Mr. Sergio Azevedos’ Prelude. Mr. Antonio Pinho Vargas his Pavan. Mr. Artur Ribeiro’s Air. Mr. Mats Lidstrom his Fantasia. Sir Christopher Bochmann his atonal transition. Mr. Eurico Carrapatoso’s Fugue. Lady Maria João’s Improvisation. I know not what tomorrow will bring (Review by Michael Ullman) | soprano | DOWLAND, JOHN: Come again!. Sweet Love Doth Now invite. Flow, My Tears. Awake, sweet love. I saw my Lady weep. Shall I Sue. Weep ye no more, sad fountains. Time stands still (Review by Michael Ullman) | soprano | DURÓN, SEBASTIÁN: Coronis (Review by Raymond Tuttle) | Coronis | FAURÉ, GABRIEL: Requiem (1893) (Review by Adrian Corleonis) | soprano | FAURÉ, GABRIEL: Tantum ergo (Review by Adrian Corleonis) | soprano | MONTEVERDI: L’Orfeo (Review by J. F. Weber) | La Speranza | MONTEVERDI: L’Orfeo (Review by J. F. Weber) | Proserpina | PURCELL, HENRY: Dido and Aeneas (Review by Bill White) | Belinda | PURCELL, HENRY: Dido and Aeneas (Review by Bertil van Boer) | Second Witch | PURCELL, HENRY: Dido and Aeneas (Review by Michael Ullman) | Second Witch | RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by Daniel Morrison) | L’Amour | RAMEAU, JEAN-PHILIPPE: Les Indes galantes (Review by Daniel Morrison) | L’Amour | RAMEAU, JEAN-PHILIPPE: Les Indes galantes (Review by Daniel Morrison) | Zaïre |
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