|
Performer: Gilles Ragon ANONYMOUS: O Angelorum panis suavissime (Review by Brian Robins) | tenor | BERLIOZ: Elégie. Le Chant des Bretons. Adieu Bessy. Chanson à boire (Review by Lynn René Bayley) | tenor | BERLIOZ: Je crois en vous (Review by Lynn René Bayley) | tenor | BERLIOZ: La Mort d’Ophélie. Toi qui l’animas. Canon libre à la quinte (Review by Lynn René Bayley) | tenor | BERLIOZ: Le Coucher du Sleil. Le Trébuchet (Review by Lynn René Bayley) | tenor | BERLIOZ: Le Jeune Pâtre Breton (Review by Lynn René Bayley) | tenor | BERLIOZ: L’Origine de la harpe. La Belle voyageuse. Petit oiseau (Review by Lynn René Bayley) | tenor | BERLIOZ: Sara la baigneuse (Review by Lynn René Bayley) | tenor | BERLIOZ: Villanelle. Au Cimetière. L’ile inconnue. Hélène (Review by Lynn René Bayley) | tenor | BROSSARD: In convertendo Dominus. Miserere mei, Deus. Canticum eucharisticum pro pace (Review by Brian Robins) | tenor | CAMPRA: Requiem. Miserere (Review by J. F. Weber) | tenor | CARISSIMI: Immensus coeli conditor. O Dulcissime lesu. O Ignis sancte (Review by Brian Robins) | tenor | CAVALLI: La Calisto (Review by David Johnson) | Linfea | CAVALLI: La Calisto (Review by David Johnson) | tenor | CHARPENTIER, MARC-ANTOINE: Le Jugement de Solomon, H.422. In Honorem Sancii Xaverii Canticum, H.355 (Review by J. F. Weber) | tenor | CHARPENTIER, MARC-ANTOINE: Le Malade Imaginaire (Review by J. F. Weber) | countertenor | CHARPENTIER, MARC-ANTOINE: Messe de Minuit, H.9. In Nativitatem Domini Canticum, H.314. Noëls pour les Instruments, H.534, H.531 (Review by J. F. Weber) | countertenor | CHARPENTIER, MARC-ANTOINE: Médée (Review by Anthony D. Coggi) | Jason | CHARPENTIER, MARC-ANTOINE: Médée (Review by Anthony D. Coggi) | tenor | CHERUBINI, LUIGI: Non mi negate. Ave Maria (two versions). Je ne t'aime plus. Le Printemps (Review by David Johnson) | tenor | CHERUBINI, LUIGI: Songs (Review by David Johnson) | tenor | CLERAMBAULT: Secular Cantatas (Review by David Johnson) | tenor | DEBUSSY: Rodrigue et Chimène (Review by David Johnson) | Her-nan | DEBUSSY: Rodrigue et Chimène (Review by David Johnson) | tenor | FOGGIA, FRANCESCO: In tribulationibus, in angusti-ìs (Review by Brian Robins) | tenor | FRESCOBALDI: Toccata and Ricercar. Canzona decimasettima a due bassi (Review by Brian Robins) | tenor | FRESCOBALDI: Toccata settima (Review by Brian Robins) | tenor | GRÉTRY: La Caravane du Caire (Review by David Johnson) | high tenor | GRÉTRY: La Caravane du Caire (Review by David Johnson) | Tamorin | HASSE, J A: Requiem in C (Review by David Johnson) | tenor | JOMMELLI, NICCOLÒ: Armida abbandonata (Review by David Johnson) | Tancredi | JOMMELLI, NICCOLÒ: Armida abbandonata (Review by Brian Robins) | Tancredi | JOMMELLI, NICCOLÒ: Armida abbandonata (Review by David Johnson) | tenor | KAPSBERGER, JOHANN: Toccata arpeggiata’ (Review by Brian Robins) | tenor | KAPSBERGER, JOHANN: Toccata seconda (Review by Brian Robins) | tenor | LEBÈGUE: Puer nobis. Laissez paistre (Review by J. F. Weber) | countertenor | LULLY: Alceste (Review by David Johnson) | Lychas | LULLY: Alceste (Review by David Johnson) | Lychon | LULLY: Alceste (Review by David Johnson) | tenor | LULLY: Alceste (Review by David Johnson) | tenor | LULLY: Armide (Review by David Johnson) | Le Chevalier Danois | LULLY: Armide (Review by David Johnson) | tenor | LULLY: Armide (Review by David Johnson) | Un Amant Fortuné | LULLY: Atys (Review by David Johnson) | tenor | LULLY: L'Amour médecin, Les Plaisirs de l'île enchantée, George Dandin, Monsieur de Pourceaugnac, Pastorale comique, Le Bourgeois gentilhomme, Les Amants magnifiques (Review by David Johnson) | tenor | LULLY: The Comedy-Ballets (Review by David Johnson) | tenor | MARAIS: Alcyone (Review by David Johnson) | tenor | MASSENET, JULES: Manon (Review by Joel Kasow) | Guillot | MASSENET, JULES: Manon (Review by Marc Mandel) | Guillot | MASSENET, JULES: Werther (Review by Joel Kasow) | Schmidt | MEYERBEER: Le Chant du berger. La Nonna. Le Poète mourant. Le Ranz des vaches d'Appenzell. Près de toi (Review by David Johnson) | tenor | MEYERBEER: Songs (Review by David Johnson) | tenor | OFFENBACH: Les contes d'Hoffmann (Review by James Miller) | Andres | OFFENBACH: Les contes d'Hoffmann (Review by James Miller) | Cochenille | OFFENBACH: Les contes d'Hoffmann (Review by James Miller) | Frantz | OFFENBACH: Les contes d'Hoffmann (Review by James Miller) | Pitichinaccio | OFFENBACH: Les contes d'Hoffmann (Review by James Miller) | tenor | RAMEAU, JEAN-PHILIPPE: Platée (Review by David Johnson) | Platée | RAMEAU, JEAN-PHILIPPE: Platée (Review by David Johnson) | tenor | ROPARTZ, JOSEPH-GUY: Le Pays (Review by James H. North) | Tual | SANCES: O Bone lesu (Review by Brian Robins) | tenor | SANCES: Stabat Mater (Review by Brian Robins) | tenor | TRAETTA, TOMMASO: Antigona (Review by Brian Robins) | Adrasto |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|