|
|
Performer: Heinz Rehfuss ERNEST ANSERMET: The Stereo Years (Ernest Ansermet) (Review by Richard A. Kaplan) | bass | IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Ken Meltzer) | Oreste | IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Huntley Dent) | Oreste | IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Phillip Scott) | Oreste | IGOR MARKEVITCH: THE PHILIPS LEGACY (Igor Markevitch) (Review by Ken Meltzer) | bass | IGOR MARKEVITCH: THE PHILIPS LEGACY (Igor Markevitch) (Review by Huntley Dent) | bass | IGOR MARKEVITCH: THE PHILIPS LEGACY (Igor Markevitch) (Review by Phillip Scott) | bass | Le nozze di Figaro, K. 492: (Review by Ralph V. Lucano) | baritone | Le nozze di Figaro, K. 492: (Review by Ralph V. Lucano) | Count | MAHLER, GUSTAV: Des Knaben Wunderhorn... (Maureen Forrester) (Review by Henry Fogel) | bass | BACH, JOHANN SEBASTIAN: Christmas Oratorio (Review by J. F. Weber) | bass | BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV232 (Review by Ralph V. Lucano) | bass | BECK, CONRAD: Hommages—Two Pieces for Orchestra (Review by Paul A. Snook) | bass | BEETHOVEN, LUDWIG VAN: Egmont Overture (Review by James A. Altena) | bass | BEETHOVEN, LUDWIG VAN: Fidelio (Review by Barry Brenesal) | Pizarro | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Mortimer H. Frank) | bass | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by James A. Altena) | bass | BERG, ALBAN: Lulu (two act version, with Variations and Adagio) (Review by Peter J. Rabinowitz) | baritone | BERG, ALBAN: Lulu (two act version, with Variations and Adagio) (Review by Peter J. Rabinowitz) | Dr. Schön | BRAHMS, JOHANNES: Feldeinsamkeit, op. 86, no. 2. Vergebliches Ständchen, op. 84, no. 4. Mein Mädel hat einen Rosenmund (Review by Ralph V. Lucano) | baritone | BRAHMS, JOHANNES: Liebeslieder-Walzer, op. 52. Neue Liebeslieder-Walzer, op. 65. Feldeinsamkeit, op. 86, no. 2. Vergebliches Ständchen, op. 84, no. 4. Mein Mädel hat einen Rosenmund (Review by Ralph V. Lucano) | baritone | BRITTEN: Cantata Academica (Review by Paul A. Snook) | bass | BUSONI, FERRUCCIO: Turandot Suite, op. 41 (Review by David Johnson) | baritone | BUSONI, FERRUCCIO: Turandot Suite, op. 41 (Review by David Johnson) | Ottone | CHÁVEZ, CARLOS: Tambuco, for Seven Percussionists (Review by Paul A. Snook) | bass | DEBUSSY: Pelléas et Mélisande (Review by Richard A. Kaplan) | baritone | DEBUSSY: Pelléas et Mélisande (Review by James Miller) | Golaud | DITTERSDORF, KARL DITTERS VON: Arcifanfano, King of Fools or It's Always Too Late to Learn (Review by David Johnson) | bass | DITTERSDORF, KARL DITTERS VON: Arcifanfano, King of Fools or It's Always Too Late to Learn (Review by David Johnson) | Furibondo | DÖHL: Conductus, for Four Percussionists (Review by Paul A. Snook) | bass | DUTILLEUX: Mystère de l'instant (Review by Paul A. Snook) | bass | FALLA, MANUEL DE: Atlantida (Review by James Miller) | baritone | FORTNER, WOLFGANG: Variations for Large Chamber Orchestra (Review by Paul A. Snook) | bass | HANDEL, GEORGE FRIDERIC: Samson (Review by Jerry Dubins) | Harapha | HENZE, HANS WERNER: Double Concerto for Oboe, Harp, and Strings (Review by Paul A. Snook) | bass | KELTERBORN: Visions Sonores, for Seven Percussionists and Seven Instruments (Obbligato) (Review by Paul A. Snook) | bass | MAHLER, GUSTAV: Des Knaben Wunderhorn (Review by David Hurwitz) | baritone | MAHLER, GUSTAV: Des Knaben Wunderhorn. Rückert-Lieder (Review by James A. Altena) | bass | MAHLER, GUSTAV: Des Knaben Wunderhorn. Rückert-Lieder (Review by Paul Orgel) | bass | MARTIN, FRANK: 6 Monologe aus Jedermann (Review by Henry Fogel) | baritone | MARTIN, FRANK: Concerto for Cello and Orchestra (Review by Paul A. Snook) | bass | MARTIN, FRANK: Le Vin Herbé, Oratorio in Three Parts after “The Romance of Tristan and Iseut“ by Joseph Bédier, for 12 solo voices, 7 strings and piano (Review by John D. Wiser) | baritone | MARTIN, FRANK: Le Vin Herbé—Oratorio in Three Parts after “The Romance of Tristan and Iseult“ by Joseph Bédier, for Twelve Solo Voices, Seven Strings, and Piano (Review by John D. Wiser) | baritone | MARTIN, FRANK: Sechs Monologe aits “Jedermann.“ Trois chants de Noël. Drei Minnelieder (Review by John D. Wiser) | baritone | MARTIN, FRANK: Six Monologs from "Jedermann"Drey Minnelieder. Trois Chants de Noël. Eight Preludes for Piano. Ballade for Flute and Piano. Ballade for Cello and Piano (Review by John D. Wiser) | baritone | MARTIN, FRANK: Six Monologs of Everyman. Three Minneleider. Three Songs of Christmas (Review by ROGER DETTMER) | baritone | MILHAUD: Sacred Service for Saturday Morning (in Hebrew) (Review by David Hurwitz) | baritone | MONTEVERDI: L'Orfeo (Review by David Johnson) | baritone | MONTEVERDI: L'Orfeo (Review by David Johnson) | Ottone | MORET: Visitations, for Soprano, Mezzo-Soprano, Tenor, Organs, Piano, and Seven Percussionists (Review by Paul A. Snook) | bass | MUSSORGSKY: Songs and Dances of Death (Review by Henry Fogel) | baritone | OFFENBACH: Les contes d’Hoffmann (Review by James Miller) | Coppélius | OFFENBACH: Les contes d’Hoffmann (Review by James Miller) | Dapertutto | OFFENBACH: Les contes d’Hoffmann (Review by James Miller) | Dr. Miracle | OFFENBACH: Les contes d’Hoffmann (Review by James Miller) | Lindorf | RAVEL: L’heure espagnole (Review by James Miller) | baritone | RAVEL: L’heure espagnole (Review by Richard A. Kaplan) | baritone | RIHM, WOLFGANG: Dunkles Speil, for Four Percussionists and Small Orchestra (Review by Paul A. Snook) | bass | SCARLATTI, ALESSANDRO: Griselda (Review by David Johnson) | baritone | SCARLATTI, ALESSANDRO: Griselda (Review by David Johnson) | Ottone | SCARLATTI, ALESSANDRO: Griselda (Review by Lynn René Bayley) | Ottone | SCHUBERT: Der Strom. Der Wanderer, D 649 (Review by Henry Fogel) | baritone | SCHUBERT: Frühlingsglaube, D. 686. Der Lindenbaum, D.911, no. 5. Der Wanderer, D. 489. Der Wanderer an den Mond, D. 870. An die Laute, D. 90S. Der Doppelgänger, D. 957, no. 7 (Review by Ralph V. Lucano) | baritone | SCHUBERT: Totengräbers Heimwehe. Auf der Donau. Fischerweise. Der zürnende Barde. Gruppe aus dem Tartarus (Review by Henry Fogel) | baritone | SCHUMANN: Widmung, op. 25, no. 1. Du bist wie eine Blume, op. 25, no. 24. Dle Lotosblume, op. 25, no. 7. Die beiden Grenadiere, op. 49, no. 1 (Review by Ralph V. Lucano) | baritone | STRAVINSKY, IGOR: Apollon musagète. Oedipus Rex. Symphonies d'instruments à vent. Capriccio. Jeu de cartes. Symphony in Three Movements (Review by Art Lange) | Creon | STRAVINSKY, IGOR: Apollon musagète. Symphonies of Wind Instruments. Oedipus Rex (Review by Lynn René Bayley) | Creon | STRAVINSKY, IGOR: Apollon musagète. Symphonies of Wind Instruments. Oedipus Rex (Review by Lynn René Bayley) | Messenger | STRAVINSKY, IGOR: Oedipus Rex. Symphonies for Wind Instruments (Review by James H. North) | Creon | STRAVINSKY, IGOR: Oedipus Rex. Symphonies for Wind Instruments (Review by James H. North) | Messenger | VOGEL, WLADIMIR: Composition for Chamber Orchestra (Review by Paul A. Snook) | bass | WAGNER, RICHARD: A Faust Overture (Review by David Johnson) | baritone | WAGNER, RICHARD: A Faust Overture (Review by David Johnson) | Ottone | WOLF, HUGO: Der Tambour. Der Rattenfänger (Review by Ralph V. Lucano) | baritone | WOLF, HUGO: Wohl denk’ich oft. Alles endet, was entsteht. Fühle mein Seele. Der Freund. Der Musikant. Verschwiegene Liebe. Gesang Weylas. Storchenbotschaft (Review by Henry Fogel) | baritone |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
