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Performer: Stephen Richardson ADÈS: The Tempest (Review by Robert Carl) | Stefano | BACH, JOHANN SEBASTIAN: St. John Passion (Review by J. F. Weber) | Jesus | BARRY, GERALD: Alice’s Adventures Under Ground (Review by David DeBoor Canfield) | bass baritone | BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel) | bass | BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel) | Snug | BRITTEN: Peter Grimes (Review by Lynn René Bayley) | Hobson | BRITTEN: Peter Grimes (Review by Raymond Tuttle) | Hobson | BRITTEN: Peter Grimes (Review by Phillip Scott) | Hobson | BRITTEN: Peter Grimes (Review by Ronald E. Grames) | Hobson | DAVIES, PETER MAXWELL: Taverner (Review by Carson Cooman) | King/Archangel Michael/Captain | GOEHR, ALEXANDER: The Death of Moses (Review by James H. North) | baritone | MACMILLAN, JAMES: Visitatio Sepulchri. Búsqueda (Review by Robert Carl) | singer | PURCELL, HENRY: Ode for the Birthday of Queen Mary II, 1694 (“Come, Ye Sons of Art, Away“). Ode for St. Cecilia's Day, 1683 (“Welcome to All the Pleasures“). The Yorkshire Feast Song, 1690(“OfOld, When Heroes Thought It Base“) (Review by Michael Ullman) | bass | STRAVINSKY, IGOR: The Flood. Abraham and Isaac. Variations (Aldous Huxley in Memoriam). Requiem Canticles (Review by John D. Wiser) | bass | TAN DUN: Tea (Review by Art Lange) | Emperor | TAN DUN: Tea (Review by Art Lange) | Shadow | TAVENER, JOHN: Eis Thanaton. Theophany (Review by Alex Ross) | bass | TAVENER, JOHN: Eis Thanaton. Theophany* (Review by Bernard Jacobson) | bass | TAVENER, JOHN: Fall and Resurrection (Review by Peter J. Rabinowitz) | bass | TAVENER, JOHN: Fall and Resurrection (Review by John Story) | bass | TAVENER, JOHN: We Shall See Him As He Is. Eis Thanaton. Theophany (Review by Ronald E. Grames) | bass | WEILL, KURT: Royal Palace, op.17. Der neue Orpheus, op. 16 (Review by Adrian Corleonis) | Husband | WUORINEN, CHARLES: A Reliquary for Igor Stravinsky (Review by John D. Wiser) | bass |
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