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Performer: Lionel Rogg MEDIAEVAL AND RENAISSANCE SOUND. AN INTRODUCTION...: (Review by Edward Strickland) | organ | MEDIAEVAL AND RENAISSANCE SOUNDS, Volume 3: MEDIAEVAL... (Ricercare Ens of Zurich) (Review by Edward Strickland) | chamber organ | PRELUDE BAROQUE: (Review by J. F. Weber) | instruments | THE ORGAN: A Concise Illustrated Guide (Michel Colin) (Review by Haig Mardirosian) | organ | ANONYMOUS: Why Aske You. Muscain (Review by Edward Strickland) | harpsichord | ANONYMOUS: Why Aske You. Muscain (Review by Edward Strickland) | positiv organ | BACH, JOHANN SEBASTIAN: CD 1 (Review by Haig Mardirosian) | organ | BACH, JOHANN SEBASTIAN: Chorals de Noël (Review by Edward Strickland) | organ | BACH, JOHANN SEBASTIAN: Christmas Chorales (Review by George Chien) | organ | BACH, JOHANN SEBASTIAN: Le Dogme En Musique (from Clavierübung III) (Review by Edward Strickland) | organ | BACH, JOHANN SEBASTIAN: Organ Works (Review by Haig Mardirosian) | organ | BACH, JOHANN SEBASTIAN: Passacaglia and Fugue in C minor, BWV 582. Toccata and Fugue in D minor, BWV 565. Fantasias and Fugues (Review by Haig Mardirosian) | organ | BACH, JOHANN SEBASTIAN: The Essential Bach (Review by Edward Strickland) | organ | BACH, JOHANN SEBASTIAN: The Organ Works (Review by Haig Mardirosian) | organ | BIBER, HEINRICH IGNAZ FRANZ VON: Mystery Sonatas (Review by Robert Maxham) | organ | BULL, JOHN: Pavana. Galliarda. Calliarda to My Lord Lumsleys Paven (Review by Edward Strickland) | harpsichord | BULL, JOHN: Pavana. Galliarda. Calliarda to My Lord Lumsleys Paven (Review by Edward Strickland) | positiv organ | BYRD, WILLIAM: Colinno Costúrame. A/mand. Miserere. John Come Kiss Me Now. Gallardas Passamezzo. La Volta (Review by Edward Strickland) | harpsichord | BYRD, WILLIAM: Colinno Costúrame. A/mand. Miserere. John Come Kiss Me Now. Gallardas Passamezzo. La Volta (Review by Edward Strickland) | positiv organ | CLERAMBAULT: Suite du Premier Ton. Suite du Deuxième Ton (Review by Haig Mardirosian) | organ | DU MAGE, PIERRE: Suite du Premier Ton (Review by Haig Mardirosian) | organ | FARNABY, R.: Up Tails All. Quodlings Delight. Pawles Wharf. Fantasia. Tower Hill (Review by Edward Strickland) | harpsichord | FARNABY, R.: Up Tails All. Quodlings Delight. Pawles Wharf. Fantasia. Tower Hill (Review by Edward Strickland) | positiv organ | MUNDAY: Robin (Review by Edward Strickland) | harpsichord | MUNDAY: Robin (Review by Edward Strickland) | positiv organ | REGER, MAX: Fantasy and Fugue on B-A-C-H, Op. 46. Benedictus, Op. 59, No. 9. Fantasy and Fugue in D minor, Op. 135b. Ave Maria, Op. 80, No. 5 (Review by Haig Mardirosian) | organ | REGER, MAX: Fantasy and Fugue on B-A-C-H, Op. 46. Benedictus, Op. 59, No. 9. Fantasy and Fugue in D minor, Op. 135b. Ave Maria, Op. 80, No. 5. Fantasy and Fugue on “Halleluja! Gott zu loben,“ Op. 52, No. 3. Melodia, Op. 129, No. 4 (Review by Adrian Corleonis) | organ | ROGG: Variations on Psalm 91. Two Études. Contrepoints. Introduction, Ricercare, and Toccata. Monodies. Elegy, Partita on “Nun freut euch“ (Review by Kyle Gann) | organ | TOMKINS: A Short Verse (Review by Edward Strickland) | harpsichord | TOMKINS: A Short Verse (Review by Edward Strickland) | positiv organ |
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