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Performer: Anthony Rooley ALL' ILLUSTRISSIMI SIGNORI FUCCARI, I: (Review by J. F. Weber) | director | ALL' ILLUSTRISSIMI SIGNORI FUCCARI, II: (Review by J. F. Weber) | director | AMOROUS DIALOGUES: (Review by Michael Ullman) | lute | CONCERTO DELLE DONNE: (Review by J. F. Weber) | director | DON QUIXOTE: (Review by David Johnson) | director | DOWLAND, JOHN: Airs, Songs, Pavans (Thomas Binkley lt/cond) (Review by Barry Brenesal) | lt/cond | ENGLISH MADRIGALS AND WEDDING SONGS: (Review by J. F. Weber) | director | LE CHANSONNIER CORDIFORME: (Review by J. F. Weber) | director | LE CHANSONNIER CORDIFORME: (Review by Michael Ullman) | lute | MADRIGALS AND WEDDING SONGS FOR DIANA: (Review by J. F. Weber) | director | MUSIC FROM THE TIME OF CHRISTIAN IV- The Madrigal...: (Review by J. F. Weber) | director | MUSIC OF THE FUGGER TIME: (Review by J. F. Weber) | director | MUSICKE OF SUNDRIE KINDES: (Review by J. F. Weber) | director | PASTORAL DIALOGUES: (Review by Michael Ullman) | lute | PORTRAIT OF EMMA KIRKBY: (Review by J. F. Weber) | director | RENAISSANCE FANTASIAS: (Review by Edward Strickland) | gittern | RENAISSANCE FANTASIAS: (Review by Edward Strickland) | lute | RENAISSANCE FANTASIAS: (Review by Edward Strickland) | vihuela | THE SCYENCE OF LUTYNGE: LOST LUTE WORKS AND TRANSCRIPTIONS (Anthony Rooley) (Review by Elliott S. Hurwitt) | lute | The Cozens Lute Book: (Review by Mortimer H. Frank) | lute | ANONYMOUS: A Poor Soul Sat Sighing; The Dark Is My Delight; O Let Us Howle; Come Live With Me and Be My Love; What Is’t Ye Lack? (Review by Christopher Brodersen) | lute | ANONYMOUS: Fantasie. Matachins. Robin is to the greenwood gone (Review by Edward Strickland) | lute | ANONYMOUS: Go, my flock. 0 dear life. Passava Amor. Sta notte mi sognava. Vuestros ojos. O bella piu (Review by Paul Turok) | director | ANONYMOUS: Lost is my liberty. Migaonne allons (Review by Vincent Alfano) | lute | ANONYMOUS: Lost is my liberty. Mignonne allons (Review by Vincent Alfano) | lute | ANONYMOUS: Mail Symms; Preludium VI (Review by Michael Ullman) | lute | ARCADELT: Madrigals (Review by J. F. Weber) | director | BACHELER, DANIEL: Pavan and Galliard (Review by Michael Ullman) | lute | BARTLET, JOHN: Sweete birds deprive us never (Review by Michael Ullman) | lute | BATCHELAR, DANIEL: To plead my faith (Review by Paul Turok) | director | BENNET, JOHN: All creatures (Review by J. F. Weber) | director | BLOW, JOHN: 11 Songs from Amphion Anglicus (Review by J. F. Weber) | director | BLOW, JOHN: I little thought (Review by David Johnson) | director | BLOW, JOHN: Sappho to the Goddess of Beauty (Review by Lynn René Bayley) | lute | BLOW, JOHN: Stay, gentle Echo (Review by David Johnson) | director | BLOW, JOHN: Venus and Adonis (Review by David Johnson) | conductor | BLOW, JOHN: Welcome every guest. Rise mighty monarch. Horace to Lydia. If mighty wealth. The self-baniched. Musicke's the cordial. A ground (violins). The bud. Sappho to the goddess of love. Horace to his lute. Arms he delights in. Employed all the day (Review by J. F. Weber) | director | BLUNDEVILLE: Beneath this gloomy shade (Review by David Johnson) | director | BONINI, SEVERO: Lamento d'Arianna (Review by J. F. Weber) | director | BUSNOIS: fay moins de bien. Est il mercy de quoy (Review by J. F. Weber) | director | BYRD, WILLIAM: Psalmes, Sonets, and Songs of Sadness and Pietie, 1588 (Review by J. F. Weber) | director | CACCINI-NAUWACH: Amarilli (Review by Lynn René Bayley) | lute | CACCINI-NOTARI: Parlo, misero, o taccio? (Review by Lynn René Bayley) | lute | CACCINI, GIULIO: Amarilli (Review by Lynn René Bayley) | lute | CACCINI, GIULIO: Muove si dolce. Chi mi contort'ahime. lo, che l'età solea viver. Deh chi d'alloro. O che felice giorne (Review by Tom Moore) | chittarone | CACONI: Il Rapimento di Cefalo (Review by Anthony D. Coggi) | chittarone | CAMPION, THOMAS: Come let us sound. When to her lute (Review by Michael Ullman) | lute | CAMPION, THOMAS: Jack and Jone (Review by Christopher Brodersen) | lute | CAMPION, THOMAS: Now hath Flora. Move now. Woo her (Review by J. F. Weber) | director | CAMPION, THOMAS: Though you are young and I am old. Come, cheerful day (Review by Vincent Alfano) | lute | CAMPION, THOMAS: Though you are young and I am old. Come, cheerful day (Review by Vincent Alfano) | lute | CAPIROLA, VINCENZO: Recercare "De tous biend plaine." (Review by Edward Strickland) | lute | CARISSIMI: Lamento di Maria Stuarda (Review by Lynn René Bayley) | lute | CAVENDISH: Come, gentle swains (Review by J. F. Weber) | director | COBB: Dear Will is dead (Review by Elliott S. Hurwitt) | director | COPRARIO: Funeral Teares, RC 136-42. Suites, RC 113 and 116. Three Fantasias (Review by J. F. Weber) | director | COPRARIO: Funeral Teares. Consort Music (Review by J. F. Weber) | director | COPRARIO: Go happy man. While dancing rests. Come ashore. Ellis (Review by J. F. Weber) | director | COPRARIO: Songs of Mourning. Consort Music (Review by J. F. Weber) | director | COPRARIO: Songs of Mourning; 4 Fantasias; 2 Suites. Plus Discography (Review by J. F. Weber) | lute | COSTA, FRANCISCO ANTONIO: Pianto d'Arianna (Review by J. F. Weber) | director | DALZA, JOAN AMBROSIO: Three Tastari de corde e Recercare (Review by Edward Strickland) | lute | DANYEL: Like as the lute delights (Review by Michael Ullman) | lute | DANYEL: Mistress Anne Grene Her Leaves Be Greene (Review by Michael Ullman) | lute | DANYEL: Songs for the Lute, Viol and Voice, 1606 (Review by Michael Ullman) | conductor | DANYEL: Songs for the Lute, Viol and Voice, 1606 (Review by Michael Ullman) | lute | DANYEL: Time, cruel Time. He whose desires are still abroad (Review by Vincent Alfano) | lute | DANYEL: Time, cruel time. He whose desires are still abroad (Review by Vincent Alfano) | lute | D'INDIA: 12 Madrigals for Five Voices (Book VIII), (Review by J. F. Weber) | director | D'INDIA: Diana (Questo dardo, quest'arco). Amico, hai vinto. Piangono al pianger mio. Lamento d'Olimpia (Misera me!). Torna il sereno Zefiro. Sfere fermate (Review by J. F. Weber) | chittarone | D'INDIA: Madrigals (Review by J. F. Weber) | chittarone | D'INDIA: Six Vocal Works (Review by J. F. Weber) | chittarone | D'INDIA: Six vocal works (Review by J. F. Weber) | chittarone | D'INDIA: Vocal Works (Review by J. F. Weber) | chittarone | DLUGORAJ, ALBERT: Fantasia (Review by Edward Strickland) | lute | DOWLAND, JOHN: A Musicall Banquet 1670 (Review by Paul Turok) | director | DOWLAND, JOHN: A Pilgrimes Solace (Review by Mortimer H. Frank) | director | DOWLAND, JOHN: Awake, sweet love. Can she excuse my wrongs? All ye whom Love. Dear, if you change. Semper Dowland semper dolens. Mister Dowland's midnight. Sorrow, stay! Die not before thy day. Mourn! Mourn! woeful heart. Now cease my wandering eyes. Behold a wonder here. The lowest trees. Me, me, and none but me. Farewell, too fair. Earl of Derby His Galliard. Mistress Winter's Jump. Stay, Time. Shall I strive. Thou mighty God (Review by Tom Moore) | lute | DOWLAND, JOHN: Awake, sweet love. Can she excuse my wrongs? All ye whom Love. Dear, if you change. Semper Dowland semper dolens. Mister Dowland's midnight. Sorrow, stay! Die not before thy day. Mourn! Mourn! woeful heart. Now cease my wandering eyes. Behold a wonder here. The lowest trees. Me, me, and none but me. Farewell, too fair. Earl of Derby His Galliard. Mistress Winter's Jump. Stay, Time. Shall I strive. Thou mighty God (Review by Tom Moore) | orpharion | DOWLAND, JOHN: Can she excuse my wrongs? (Review by Bernard Jacobson) | lute | DOWLAND, JOHN: Can shee excuse. O sweet woods. It was a time. I saw my lady weepe. Flow my tear-es. Sorrow stay. Dye not before thy day. Mourne, mourne, day is with darknesse. Fine knacks for ladies. Farewell too faire. Time stands still. Behold a wonder here. Daphne was not so chaste. Me me and none but me. When Phoebus first did Daphne love. Say love if ever thou didst find. His golden locks. Time's eldest sonne. Farre from triumphing Court (Review by James Reel) | lute | DOWLAND, JOHN: Come again. Would my conceits. Shall I strive. Woeful heart. Sleep wayward thoughts. Toss not my soul. From silent night. Go nightly cares. Sorrow stay. In darkness let me dwell. Thou mighty God (Review by Brian Robins) | director | DOWLAND, JOHN: Come again. Would my conceits. Shall I strive. Woeful heart. Sleep wayward thoughts. Toss not my soul. From silent night. Go nightly cares. Sorrow stay. In darkness let me dwell. Thou mighty God (Review by Brian Robins) | lute | DOWLAND, JOHN: Complete Lute Music (Review by Mortimer H. Frank) | lute | DOWLAND, JOHN: Consort Music (Review by Mortimer H. Frank) | director | DOWLAND, JOHN: Fancy; Frogg Galliard; Lachrimae Pavan (Review by Michael Ullman) | lute | DOWLAND, JOHN: Fantasia No. 6 (Review by Edward Strickland) | lute | DOWLAND, JOHN: Far from triumphing court. Lady, If you spite me. In darkness let me dwell (Review by Paul Turok) | director | DOWLAND, JOHN: First Booke of Songs (Review by Mortimer H. Frank) | director | DOWLAND, JOHN: His golden locks Time hath to silver turned. It was a time when silly bees could speak. Far from triumphing Court. Flow not so fast, ye fountains. Time stands still (Review by Vincent Alfano) | lute | DOWLAND, JOHN: His golden locks Time hath to silver turned. It was a time when silly bees could speak. Far from triumphing Court. Flow not so fast, ye fountains. Time stands still (Review by Vincent Alfano) | lute | DOWLAND, JOHN: In this trembling shadow. I saw my Ladye weep (Review by Michael Ullman) | lute | DOWLAND, JOHN: Mr. Henry Noel/Lamentations; Psalms and Sacred Songs (Review by Mortimer H. Frank) | director | DOWLAND, JOHN: THE ENGLISH ORPHEUS (Review by Tom Moore) | lute | DOWLAND, JOHN: THE ENGLISH ORPHEUS (Review by Tom Moore) | orpharion | DOWLAND, JOHN: Third Book of Songs (1603) (Review by Mortimer H. Frank) | director | DOWLAND, JOHN: Welcome, black Night (Review by J. F. Weber) | director | DUFAY, GUILLAUME: Dona gentile. Vostre bruit. Le serviteur hault guerdonné. je ne veis onques la pareille (Review by J. F. Weber) | director | DUNSTABLE: O rosa bella (Review by J. F. Weber) | director | EAST: Hence stars! You meaner beauties (Review by J. F. Weber) | director | ECCLES, JOHN: Fixt on the fair Miranda's eyes. Releive, the fair Belinda said. Come, let us howle. Let us revell and roar. Hey hoe! (Review by David Johnson) | director | ECCLES, JOHN: Semele (Review by Brian Robins) | conductor | EDWARDS, RICHARD: Where grypinge griefs (Review by Michael Ullman) | lute | FERRABOSCO I, ALFONSO: Fantasia (Review by Edward Strickland) | lute | FERRABOSCO II, ALFONSO: Pavan (Review by Vincent Alfano) | lute | FERRABOSCO II, ALFONSO: Pavan (Review by Vincent Alfano) | lute | FORD, THOMAS: Go, passions, to the cruel fair (Review by Vincent Alfano) | lute | FORD, THOMAS: Go, passions, to the cruel fair (Review by Vincent Alfano) | lute | FRANCESCO DA MILANO: Ricercar No. 13. Fantasia No. 42 (Review by Edward Strickland) | lute | FRYE, WALTER: Tout a par moy (Review by J. F. Weber) | director | GESUALDO: Madrigals, Book 5 (Review by J. F. Weber) | director | GHIZEGHEM, HAYNE VAN: De tous bien pigine (Review by J. F. Weber) | director | GIBBONS, CHRISTOPHER/LOCKE, MATTHEW: Cupid and Death (Review by David Johnson) | conductor | GIBBONS, ORLANDO: Long live fair Oriana (Review by J. F. Weber) | director | GILES, THOMAS: Triumph now (Review by J. F. Weber) | director | GRABBE: First Book of Madrigals (Review by J. F. Weber) | director | GRABBE: First Book of Madrigals (Review by J. F. Weber) | director | GUÉDRON: Si le parler. Ce penser. Vous que le bonheur rappelle (Review by Paul Turok) | director | HALES: O eyes, leave off your weeping (Review by Paul Turok) | director | HALL, WILLIAM: These full two hours now (Review by David Johnson) | director | HANDFORD: Now each creature (Review by Vincent Alfano) | lute | HANDFORD: Now each creature (Review by Vincent Alfano) | lute | HILTON: Bound by the neere conjunction (Review by Elliott S. Hurwitt) | director | HOLBORNE, ANTHONY: My heavy sprite (Review by Paul Turok) | director | HOLBORNE, ANTHONY: Pavan, Galliard. Heres Paternus, Muy Linda. Internum, Galliard. Paradizo, The Sighes. The Image of Melancholly, Ecce Quam bonum. Pavana Ploravìt, Sic semper soleo. The Funerals, Galliard. Almayne, The Honeysuckle, As it fell on a holie eve, Heigh ho holiday (Review by Edward Strickland) | director | HOLBORNE, ANTHONY: Pawns and Galliards 1599 (Review by Edward Strickland) | director | HOLLIS: John Blundeville’s Last Farewell (Review by Michael Ullman) | lute | HUME, CAPTAIN TOBIAS: Tobacco, Tobacco (Review by Christopher Brodersen) | lute | HUWET, GREGORIUS: Fantasia (Review by Edward Strickland) | lute | IVES, CHARLES: Lament and mourne (Review by Elliott S. Hurwitt) | director | JENKINS, JOHN: Why in this shade of night? (Review by Elliott S. Hurwitt) | director | JONES, ROBERT: If in this flesh (Review by Michael Ullman) | lute | JONES, ROBERT: Might I redeem my errors (Review by Bernard Jacobson) | lute | JONES, ROBERT: The First Booke of Songes (1600) (Review by Tom Moore) | lute | JONES, ROBERT: The Muses Sardin (Review by Tom Moore) | lute | KING, ROBERT: False, foolish Heart! No; to what purpose (Review by David Johnson) | director | KING, WILLIAM: I wonder what those lovers mean. What Mines of Sulphur. Go bid the Needle. It gave a pit'eous groan (Review by David Johnson) | director | LANIER: Bring away. The Marigold (Review by J. F. Weber) | director | LASSUS: Le lagrime de San Pietro (Review by J. F. Weber) | director | LAURENZINI: Fantasia (Review by Michael Ullman) | lute | LAWES, HENRY: Cease you jolly Shepherds (Review by Elliott S. Hurwitt) | director | LAWES, HENRY: Psalms, Ayres, and Dialogues (Review by J. F. Weber) | conductor | LAWES, HENRY: Sitting by the Streams, 16 other pieces (Review by J. F. Weber) | director | LAWES, WILLIAM: Ariadne’s Lament (Review by Lynn René Bayley) | lute | LAWES, WILLIAM: Come, heavy heart. Charon, O Charon. Charon, O gentle Charon. Orpheus, O Orpheus. Tis not Boy. When death shall snatch us. The Catts as other creatures doe. Musicke, the Master of thy Art. How like a widow? (Review by Brian Robins) | director | LAWES, WILLIAM: Come, heavy heart. Charon, O Charon. Charon, O gentle Charon. Orpheus, O Orpheus. Tis not Boy. When death shall snatch us. The Catts as other creatures doe. Musicke, the Master of thy Art. How like a widow? (Review by Brian Robins) | lute | LAWES, WILLIAM: Dialogues, Psalmes, and Elegies (Review by Mortimer H. Frank) | director | LAWES, WILLIAM: Gather your rosebuds (Review by Vincent Alfano) | lute | LAWES, WILLIAM: Gather your rosebuds (Review by Vincent Alfano) | lute | LAWES, WILLIAM: In Loving Memory (Review by Elliott S. Hurwitt) | director | LAWES, WILLIAM: Lord, as the Hart. Out of the honour of the Deep. Praise the Lord. How like a widow. How long wilt thou forget. Ne irascaris Domine. Gloria Patri et Filio. Perfect and Endless Circles. Amarilis, tear thy hair. Come Adonis, come away. He that will not love. Why soe pall and wan. Ye Feinds and Furies. Gather your Rosebuds. Mustek, the Master of thy Art is dead (Review by Elliott S. Hurwitt) | director | LOCKE, MATTHEW: Break, distracted heart (Review by Brian Robins) | director | LOCKE, MATTHEW: Break, distracted heart (Review by Brian Robins) | lute | LOTTI: Four Madrigals (Review by J. F. Weber) | director | LUPO: Shows and nightly revels. Time that leads (Review by J. F. Weber) | director | MARTIN, RICHARD: Change thy mind since she doth change (Review by Paul Turok) | director | MAYNARD: The XII Wonders of the World (Review by J. F. Weber) | director | MAYNARD: The XII Wonders of the World (Review by Christopher Brodersen) | lute | MEGLI: Se di farmi morire? (Review by Paul Turok) | director | MILAN: Fantasias (Review by Edward Strickland) | lute | MONTEVERDI: Chiome d'oro. O come sei gentile. Se pur destina. Non è de gentil core. Ohimè, dov'è il mio ben. Lament of Penelope, lo son pur. Cantate Domino. Sancta Maria. Laudate Dominum. Venite sitientes. Exulta filia Sion. O bone Jesu. Iste confessor (Review by J. F. Weber) | director | MONTEVERDI: Con che soavità. Vorrei baciarti. Tempro la cetra. Mentre vaga. Come dolce hoggi. Chiome d'oro. S'el vostro cor. Ohimè dov'è il mio ben. Ogni amante. Parlo, miser'o taccio (Review by J. F. Weber) | director | MONTEVERDI: Five Vocal Works (Review by J. F. Weber) | chittarone | MONTEVERDI: Five vocal works (Review by J. F. Weber) | chittarone | MONTEVERDI: Lamento d'Arianna (solo). Lamento d'Arianna à 5. Pianto della Madonna (Review by J. F. Weber) | director | MONTEVERDI: Lamento della ninfa (Review by Bernard Jacobson) | director | MONTEVERDI: Madrigali erotici (Review by J. F. Weber) | director | MONTEVERDI: Madrigals (Review by J. F. Weber) | chittarone | MONTEVERDI: Madrigals (Review by J. F. Weber) | director | MONTEVERDI: Madrigals, Book 2 (1590) (Review by J. F. Weber) | director | MONTEVERDI: Madrigals, Book 3 (1592) (Review by J. F. Weber) | director | MONTEVERDI: Madrigals, Book 6 (Review by J. F. Weber) | director | MONTEVERDI: Madrigals, Book 8 —Balli (Review by J. F. Weber) | director | MONTEVERDI: Quel sguardo sdegnosetto. Ohimè ch'io cado. Lamento d'Olimpia (Voglio morire). Voglio di vita uscir. Maladetto sia l'aspetto (Review by J. F. Weber) | chittarone | MONTEVERDI: Soprano Duets and Solos (Review by J. F. Weber) | director | MONTEVERDI: Vocal Works (Review by J. F. Weber) | chittarone | MONTEVERDI: Volgendo il ciel. Combattimento di Tancredi e Clorinda. Il ballo delle Ingrate (Review by J. F. Weber) | director | MORLEY: Deep lamenting. Leave now my eyes (Review by Brian Robins) | director | MORLEY: Deep lamenting. Leave now my eyes (Review by Brian Robins) | lute | MORLEY: I saw my Ladye weeping (Review by Michael Ullman) | lute | MORTON, ROBERT: Le souvenir de vous me tue. N'aray ie jamais mieulx (Review by J. F. Weber) | director | MUDARRA: Conde claros (Review by Edward Strickland) | lute | NARVÁEZ, DE: Mille regrets de Josquin. Baxa de contrapunto (Review by Edward Strickland) | lute | NAUWACH: Tempesta di dolcezza (Review by Lynn René Bayley) | lute | NOTARI: Ahi, che s’accresce in me (Review by Lynn René Bayley) | lute | NOTARI: Love and Languishment (Review by J. F. Weber) | director | OCKEGHEM: L'autre de L'antan. Ma bouche rit (Review by J. F. Weber) | director | PARI, CLAUDIO: Il Lamento d'Arianna (Review by J. F. Weber) | director | PARSONS: Joan Quoth John (Review by Christopher Brodersen) | lute | PIGOTT: Ask me not (Review by David Johnson) | director | PILKINGTON: Rest sweet nymphs. Come all ye. Mustek deare sollace (Review by Michael Ullman) | lute | PULIASCHI: Locar sopra gl'abissi, i fondamenti. Pace non truovo. Dunque è pur ver ch'io viva. Occhi meco piangete. Dovrò dunque partire. Deh mirate luce ingrata (Review by Anthony D. Coggi) | chittarone | PULIASCHI: Locar sopra gl'abissi. Pace non truovo. Dunque è pur ver ch'io viva. Occhi meco piangete. Dovrò dunque partire. Deh mirate luce ingrate (Review by Tom Moore) | chittarone | PURCELL, DANIEL: On yonder Bed Supinely Laid. Underneath a gloomy shade (Review by David Johnson) | director | PURCELL, HENRY: Hark! Hark! How All Things. Crown the Altar, Deck the Shrine. If Music Be the Food of Love. Not All My Torments. plaint 'O, O Let Me Weep!). I Attempt from Love's Sickness to Fly. Olinda in the Shades Unseen. Urge Me No More. Bess of Bedlam. Lovely, Lovely Albina. Sweeter Than Roses. Dear Pretty Youth. When First Amintas Sued fora Kiss. The Cares of Lovers. An Evening Hymn. Ye Gentle Spirits of the Air (Review by Elliott Kaback) | lute | PURCELL, HENRY: Hark! Hark! How all things. Crown the altar, deck the shrine. If music be the food of love. Not all my torments. O let me weep. I attempt from love's sickness to fly. Olinda in the shades unseen. Urge me no more. Bess of Bedlam. Lovely, lovely Albína. Sweeter than roses. Dear pretty youth. When first Amintas sued for a kiss. The cares of lovers. Ye gentle spirits of the air. An Evening Hymn (Review by Michael Ullman) | lute | PURCELL, HENRY: I Came, I saw, and was undon. They say youre angry. No; to what purpose. She loves, and she confesses (Review by David Johnson) | director | PURCELL, HENRY: In all our Cinthia's shining sphere. Tell me why. As Amoret and Thyrsis lay. Fair Iris. Go tell Amynta. Why, my Daphne. What can we poor females do? Love and despair. In some kind dream. What a sad fate. Lost is my quiet. Stript of their green. You say 'tis love. For love ev'ry creature is formed (Review by J. F. Weber) | lute | PURCELL, HENRY: In all our Cinthia’s shining sphere. Tell me why. As Amoret and Thyrsis lay. Fair Iris and her swain. Why, my Daphne, why complaining? What can we poor females do? Love and despair. In some kind dream. What a sad fate is mine. Lost is my quiet for ever. Stript of their green our groves appear. You say ’tis love. For love ev’ry creature is formed by his nature (Review by Michael Ullman) | lute | PURCELL, HENRY: No, no, no, resistance is but vain. Sweeter than Roses. Lovely Albina. Let the dreadfull Engines. From Rosie Bow'rs. Love thou canst hear. The Fatal Hour. Lost is my Quiet. Bacchus is a Pow'r divine (Review by David Johnson) | director | PURCELL, HENRY: Songs and Airs (Review by Elliott Kaback) | lute | PURCELL, HENRY: Songs and Dialogues (Review by J. F. Weber) | lute | PURCELL, HENRY: Songs and Dialogues (Review by Michael Ullman) | lute | PURCELL, HENRY: The Blessed Virgin’s Expostulation (Review by Lynn René Bayley) | lute | RASCARINI, F. M.: Lasciatemi morire (Review by J. F. Weber) | director | RAVENSCROFT: The Cryers Song of Cheape-Slde. A Round of Three Country Dances in One. Martin said to his man. Wee be souldlers three. Yonder comes a courteous knight. Of all the birds that ever I see. A wooing song of a yeoman of Kent's Sonne. Browning Madame. Three blinde mice. To morrow the fox will come to town. Viol Fancy à S. Fantasia No. 4. Fancy No.1. The crowning of Belphebe. The marriage of the f rogge and the mouse. Musing mine owns sette all alone. Laboravl In gemitu meo. Ne laeteris inimica mea. There were three ravens. Hodge Trllllndle to his Zweet hort Malkyn (Review by Tom Moore) | director | RAVENSCROFT: There Were Three Ravens (Review by Tom Moore) | director | RAVENSCROFT: There were 3 ravens (Review by Bernard Jacobson) | director | RAVENSCROFT: Yonder Comes a Courteous Knight (Review by Christopher Brodersen) | lute | REGGIO: Now by my love. By Heav'n I'll tell her boldly. 'Tis well, 'tis well, with them. Then like some wealthy Island. I thought, I'll swear. Unhurt, untoucht. 'Tis a strange kind of Igno'rance. Though all thy gestures (Review by David Johnson) | director | ROMANI, EQUITIS: Exercitium (Review by Michael Ullman) | lute | ROMANO, CACCINI DETTO: Dovrò dunque morire? Amarilli mia bella (Review by Paul Turok) | director | ROSSETER: What then is love but mourning? (Review by Vincent Alfano) | lute | ROSSETER: What then is love but mourning? (Review by Vincent Alfano) | lute | SARACINI: Toccata (Review by Lynn René Bayley) | lute | SCARLATTI, ALESSANDRO: Seven Madrigals (Review by J. F. Weber) | director | SCHÜTZ, HEINRICH: Il Primo Libro de Madrigali (1611). (Review by J. F. Weber) | director | SCHÜTZ, HEINRICH: Madrigals, op. 1 (Review by J. F. Weber) | director | SCHÜTZ, HEINRICH: Madrigals, op. 1 (Review by J. F. Weber) | director | SERMISY: Las, je m’y plains (Review by Brian Robins) | director | SERMISY: Las, je m’y plains (Review by Brian Robins) | lute | SMYTHE, THOMAS: 2 Galliards (Review by Michael Ullman) | lute | SPINACINO, FRANCESCO: Three Recercan (Review by Edward Strickland) | lute | STROZZI: L’astratto (Review by Lynn René Bayley) | lute | TESSIER: In a grove (Review by Paul Turok) | director | TOMKINS: O let me live for true love. Weep no more (Review by Brian Robins) | director | TOMKINS: O let me live for true love. Weep no more (Review by Brian Robins) | lute | TROMBONCINO: 16 Frottole (Review by J. F. Weber) | director | VECCHI: Uhumore musicale. La Caccia d’Amore (Review by Brian Robins) | director | VERRIJT: Flammae divinae (Review by Brian Robins) | director | VERSO, ANTONIO IL: Lasciatemi morire (Review by J. F. Weber) | director | WARD, JOHN: First Set of English Madrigals. 4 Fantasias (Review by Christopher Brodersen) | lute | WEELKES: Cease sorrows now (Review by Brian Robins) | director | WEELKES: Cease sorrows now (Review by Brian Robins) | lute | WEELKES: Hark! all ye lovely saints. As Vesta was (Review by J. F. Weber) | director | WELDON: Nature Framed Thee (Review by Lynn René Bayley) | lute | WELDON: The appointed Hour. Take, O take those Lips away (Review by David Johnson) | director | WERT: The Seventh Book of Madrigals (1581) (Review by J. F. Weber) | director | WILBYE, JOHN: The Lady Oriana (Review by J. F. Weber) | director | WILSON, JOHN: O doe not now lament and cry (Review by Elliott S. Hurwitt) | director |
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