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Performer: Peter Rose ABRAHAMSEN: The Snow Queen (Review by Robert Carl) | Clock | ABRAHAMSEN: The Snow Queen (Review by Robert Carl) | Reindeer | ABRAHAMSEN: The Snow Queen (Review by Robert Carl) | Snow Queen | BEETHOVEN, LUDWIG VAN: Fidelio (Review by James A. Altena) | Rocco | BEETHOVEN, LUDWIG VAN: Missa Solemnis (Review by Peter J. Rabinowitz) | bass | BERLIOZ: La damnation de Faust (Review by Adrian Corleonis) | Brander | BRITTEN: A Midsummer Night's Dream (Review by Michael Fine) | Bottom | DONIZETTI: Lucia of Lammermoor (Review by Henry Fogel) | Raimondo | DUKAS: Ariane et Barbe-Bleue (Review by Adrian Corleonis) | Barbe-bleue | DUKAS: Ariane et Barbe-Bleue (Review by Joel Kasow) | Barbe-bleue | DVOŘÁK, ANTONIN: Requiem (Review by Boyd Pomeroy) | bass | ELGAR: The Dream of Gerontius (Review by Colin Anderson) | bass | ELGAR: The Holly and the Ivy. Variations on an Original Theme, “Enigma” (Review by Colin Anderson) | bass | GOLDSCHMIDT, BERTHOLD: Beatrice Cenci. Four Songs (Review by James H. North) | bass | GOLDSCHMIDT, BERTHOLD: Beatrice Cenci. Four Songs (Review by James H. North) | Cardinal Camillo | HAYDN, FRANZ JOSEPH: Die Schöpfung (The Creation) (Review by Huntley Dent) | bass | JANÁČEK, LEOŠ: From the House of the Dead (Review by James H. North) | Alexandr Petrovič Gorjančikov | MAHLER, GUSTAV: Symphony No. 8 (Review by Marc Medwin) | bass | MOZART: Adagio and Fugue in c, K 456 (Review by Raymond Tuttle) | bass | MOZART: Adagio and Fugue (Review by Lynn René Bayley) | bass | MOZART: Die Entführung aus dem Serail (Review by Brian Robins) | Osmin | MOZART: Die Entführung aus dem Serail (Review by Bernard Jacobson) | Osmin | MOZART: La Clemenza di Tito (Review by Barry Brenesal) | Publio | MOZART: Requiem (ed. Levin) (Review by Raymond Tuttle) | bass | MOZART: Requiem (ed. Levin). Adagio and Fugue in c, K 456 (Review by George Chien) | bass | MOZART: Requiem (Review by Lynn René Bayley) | bass | PFITZNER, HANS: Palestrina (Review by Barry Brenesal) | Pius Iv | PFITZNER, HANS: Palestrina (Review by Bill White) | Pius Iv | ROSSINI: The Barber of Seville (performed in English) (Review by Henry Fogel) | Basilio | ROSSINI: The Barber of Seville (performed in English) (Review by Henry Fogel) | bass | SHOSTAKOVICH: Symphony No. 14. Six Poems of Marina Tsvetayeva, op. 143a (Review by Huntley Dent) | bass | SHOSTAKOVICH: Symphony No. 14. Six Verses of Marina Tsvetayeva (Review by Henry Fogel) | bass | SMETANA: The Bartered Bride (Review by Barry Brenesal) | Kecal | STRAUSS, RICHARD: Der Rosenkavalier (Review by Huntley Dent) | Ochs | SULLIVAN: Ivanhoe (Review by Ronald E. Grames) | Cedric | SULLIVAN: Ivanhoe (Review by Barry Brenesal) | Cedric | VERDI, GIUSEPPE: Aida (in English) (Review by Marc Mandel) | The King | VERDI, GIUSEPPE: Ernani (Review by Henry Fogel) | de Silva | WAGNER, RICHARD: Das Rheingold (Review by Gavin Dixon) | Fasolt | WAGNER, RICHARD: Das Rheingold (Review by Huntley Dent) | Fasolt | WAGNER, RICHARD: Das Rheingold (Review by Joshua Cohen) | Fasolt | WAGNER, RICHARD: Siegfried (Review by Huntley Dent) | Fafner | WAGNER, RICHARD: Tristan und Isolde (Review by Andrew Quint) | King Marke |
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