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Performer: Michel Roux BERLIOZ: La damnation de Faust... (Igor Markevitch) (Review by Huntley Dent) | Mephistopheles | IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Ken Meltzer) | bass | IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Huntley Dent) | bass | IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Phillip Scott) | bass | IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Ken Meltzer) | Mephistopheles | IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Huntley Dent) | Mephistopheles | IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Phillip Scott) | Mephistopheles | BERLIOZ: L'Enfance du Christ—Trilogie sacrée, op. 25 (Review by Adrian Corleonis) | baritone | BERLIOZ: L'Enfance du Christ—Trilogie sacrée, op. 25 (Review by Adrian Corleonis) | Joseph | BERLIOZ: La Damnation de Faust (Review by Christopher Abbot) | Mephistopheles | BERLIOZ: The Damnation of Faust (Review by Adrian Corleonis) | baritone | BERLIOZ: The Damnation of Faust (Review by Adrian Corleonis) | Mephistopheles | BIZET: Carmen (Review by James Miller) | baritone | BIZET: Carmen (Review by Leonard J. Brandt) | Escamillo | BIZET: Carmen (Review by James Miller) | Escamillo | BIZET: Carmen (Review by James Miller) | Escamillo | BIZET: Carmen (Review by Leonard J. Brandt) | voice | BIZET: Carmen (Review by James Miller) | baritone | BIZET: Carmen (Review by James Miller) | Escamillo | BIZET: Ivan IV (Review by Anthony D. Coggi) | baritone | BIZET: Ivan IV (Review by Anthony D. Coggi) | Ivan IV | BIZET: Les Pêcheurs de perles. Ivan IV (Review by Henry Fogel) | baritone | BIZET: Les Pêcheurs de perles. Ivan IV (Review by Henry Fogel) | Ivan IV | DEBUSSY: Pelléas and Mélisande (Review by James Miller) | baritone | DEBUSSY: Pelléas and Mélisande (Review by James Miller) | baritone | DEBUSSY: Pelléas and Mélisande (Review by James Miller) | Golaud | DEBUSSY: Pelléas and Mélisande (Review by James Miller) | Golaud | DEBUSSY: Pelléas et Mélisande (Review by James Miller) | baritone | DEBUSSY: Pelléas et Mélisande (Review by James Miller) | Golaud | GANNE: Hans, le joueur de flûte. Les Saltimbanques (Review by David Mason Greene) | baritone | GANNE: Hans, le joueur de flûte. Les Saltimbanques (Review by David Mason Greene) | Grand Pinguin | GOUNOD, CHARLES: Roméo et Juliette (Review by Paul Orgel) | Capulet | GRÉTRY: Richard Coeur-de-lion (Review by James Camner) | Le Devin | IBERT: Le Chevalier errant (Review by Craig Zeichner) | bass | IBERT: The Knight-Errant—Choreographic Epic in Four Tableaus after Cervantes (Review by John Ditsky) | bass | MASSENET, JULES: Werther (Review by Bob Rose) | Le Balli | MOZART: Mass in C, K. 317 (“Coronation) ;Exsultate Jubilate, K. 165; Mass in C Minor, K. 427 (“Great“) (Review by Mortimer H. Frank) | bass | OFFENBACH: La Belle Hélène—Comic Opera (Review by John Ditsky) | Agamemnon | OFFENBACH: La Vie Parisienne (Review by Anthony D. Coggi) | The Baron | ROUSSEAU, JEAN-JACQUES: Le Devin du village (Review by James Camner) | Le Devin | ROUSSEAU, JEAN-JACQUES: Le devin du village' (Review by James Camner) | Le Devin | THOMAS, AMBROISE: Mignon (Review by Joel Kasow) | Lothario |
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