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Performer: Peter Rundel BARRAQUE: Concerto... (Sylvain Cambreling) (Review by Robert Carl) | conductor | NONO; ASSIS, DE: (Review by Joe Cadagin) | conductor | ADÁMEK: Follow Me (Concerto for Violin and Orchestra). Where Are You? (Review by Mark Novak) | conductor | ANDRIESSEN, LOUIS: Racconto dall’Inferno (Review by James H. North) | conductor | ASSIS, DE: unfolding waves … con luigi nono (Review by Joe Cadagin) | conductor | BARDEN: Études 1–3. anatomy (Review by David DeBoor Canfield) | conductor | BERIO: SOLO (Review by James Reel) | conductor | FELDMAN, MORTON: Orchestra. Elemental Procedures (Review by Marc Medwin) | conductor | FELDMAN, MORTON: Routine Investigations (Review by Marc Medwin) | conductor | FURRER: Piano Concerto (Review by Robert Carl) | conductor | GOEBBELS, HEINER: D& C. Surrogate (Review by Robert Kirzinger) | conductor | GOEBBELS, HEINER: In the Country of Last Things (Review by Robert Kirzinger) | conductor | GOEBBELS, HEINER: Suite for Sampler and Orchestra (Review by Robert Kirzinger) | conductor | GOEBBELS, HEINER: Surrogate Cities (Review by Robert Kirzinger) | conductor | GOEBBELS, HEINER: The Horatian—3 Songs (Review by Robert Kirzinger) | conductor | HAAS, GEORG FRIEDRICH: Nacht (Review by James H. North) | conductor | HINDEMITH, PAUL: Kammermusik No. 1 for Twelve Solo Instruments, op. 24, no. 1. Kammermusik No. 2 for Obbligato Piano and Twelve Solo Instruments, op. 36, no. V. Kammermusik No. 3 for Obbligato Cello and Ten Solo Instruments, op. 36, no. 2. Kammermusik No. 4 for Violin and Large Chamber Orchestra, op. 36, no. 3. Kammermusik No. 5 for Viola and Large Chamber Orchestra, op. 36, no. 4. Kammermusik No. 6 for Viola d'amore and Chamber Orchestra, op. 46, no. 1. Kammermusik No. 7 for Organ and Chamber Orchestra, op. 46, no. 2 (Review by James H. North) | violin | HINDEMITH, PAUL: Kammermusiken (Review by James H. North) | violin | JARRELL: Aus Bebung. Assonance III. … mais les images restent …. … Es bleibt eine zitternde Bebung … (Nachlese III) (Review by Joe Cadagin) | conductor | KAGEL: Orchestrion-Straat (Review by James H. North) | conductor | REICH, STEVE: City Life. Eight Lines. New York Counterpoint. Violin Phase (Review by Christopher Abbot) | conductor | RIHM, WOLFGANG: La musique creuse le ciel (Review by Robert Carl) | conductor | SCIARRINO, SALVATORE: Sui poemi concentrici I, II, III (Review by Robert Carl) | conductor | SHARP: On Corlear’s Hook (Review by Robert Carl) | conductor | SMOLKA: Rush (Hour in Celestial Streets) (Review by James H. North) | conductor | STOCKHAUSEN, KARL-HEINZ: Michaels Reise Um Die Erde (Act II from Donnerstag aus Licht) (Review by Gavin Dixon) | conductor | TELEMANN, GEORG PHILIPP: Concerto Grosso In B-Flat for Two Flutes, Oboe, Violin, Strings, and Continuo (a); Concerto in E for Flute, Strings, and Contìnuo (b); Concerto in E Minor for Two Flutes, Strings, and Continuo (c); Concerto in B Minor for Flute, Strings, and Continuo (d) (Review by Nils Anderson) | violin | TELEMANN, GEORG PHILIPP: Concerto Grosso in B-Flat for Two Flutes, Oboe, Violin, Strings, and Continuo ; Concerto in E for Flute, Strings, and Continuo ; Concerto in E Minor for Two Flutes, Strings, and Continuo ; Concerto in B Minor for Flute, Strings, and Continuo (Review by Nils Anderson) | violin | TURNAGE: Blood on the Floor (Review by Robert Carl) | conductor | TURNAGE: Yet Another Set To (Review by James Reel) | conductor | WOLFF, CHRISTIAN G.: John, David. Rhapsody (Review by Robert Carl) | conductor | XENAKIS, IANNIS: Troorkh (Review by James Reel) | conductor | ZIMMERMANN, BERND ALOIS: Antiphonen. Omnia tempus habent. Présence (Review by Benjamin Pernick) | violin |
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