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Performer: Marianne Schroeder GALINA USTVOLSKAYA 3. Piano Sonatas Nos. 1-6: (Review by Mike Silverton) | piano | BRAXTON, ANTHONY: Composition 101. Composition 13SP. Composition 99B ( + 97C, 117E, 117H & 118H). Composition 107* (Review by Scott Wheeler) | piano | CAGE, JOHN: 45' for a Speaker. 45' für einen Sprecher. 34'46.776“ for a Pianist. 31'57.9864“ for a Pianist. 2T10.554“ for a Percussionist. 26'1.1499“ for a String Player. 4/33” (No. 2) (0’00”). Two. Music for Five (Review by Mike Silverton) | piano | CAGE, JOHN: Atlas Eclipticalis. Concert for Piano and Orchestra. Hymnkus. Solo for Voice 22. Imitations Ifi. Solo for Voice 79. Music for Six. Sonata for Clarinet. Five. Totem Ancestor. Sonata for Two Voices“. A Valentine out of Season. Seven (Review by Art Lange) | piano | FELDMAN, MORTON: For John Cage (Review by Alex Ross) | piano | FELDMAN, MORTON: Intermission 5. Piano Piece (to Philip Guston). Vertical Thoughts 4. Piano. Palais de Mari (for Francesco Ciamente) (Review by Mike Silverton) | piano | FELDMAN, MORTON: Patterns in a Chromatic Field (Review by Mike Silverton) | piano | SCELSI: Suites for Piano (Review by Kyle Gann) | piano | SCELSI: Un Adieu. Sonata No. 2. Sonata No. 3. Suite No. 8(“Bot-Ba“) (Review by Scott Wheeler) | piano | SCELSI: Un Adieu. Sonata No. 2. Sonata No. 3. Suite No. 8(“Bot-Ba“) (Review by Mike Silverton) | piano | SCHROEDER: Lasciando (Review by Art Lange) | piano | STIEBLER: Klavierstück ’87.. (Review by Robert Kirzinger) | piano | STIEBLER: Three in One, for Bass Flute and Tape. Trio '89, for Cello, Piano, and Percussion. Sequenz II, for Celio and Tape (Review by Mike Silverton) | piano | USTVOLSKAYA: Twelve Preludes for Piano. Grand Duet for Cello and Piano Composition No. 1 —Dona Nobis Pacem, for Piano, Piccolo, and Tuba (Review by Mike Silverton) | piano |
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