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Performer: Michel Sénéchal Die Entführung aus dem Serail, K. 384: (Review by Ralph V. Lucano) | Pedrillo | Die Entführung aus dem Serail, K. 384: (Review by Ralph V. Lucano) | tenor | ERNEST ANSERMET: The Stereo Years (Ernest Ansermet) (Review by Richard A. Kaplan) | tenor | BERLIOZ: Roman Carnival Overture (Review by James Miller) | tenor | BERLIOZ: Romeo and Juliet. Harold in Italy (Review by James Miller) | tenor | BERLIOZ: Roméo et Juliette. Lélio (Review by James Miller) | tenor | BIZET: Ivan IV (Review by Anthony D. Coggi) | tenor | BIZET: Ivan IV (Review by Anthony D. Coggi) | Young Bulgar | BOIELDIEU: La Dame Blanche (Review by Henry Fogel) | Georges Brown | BOIELDIEU: La Dame Blanche (Review by Henry Fogel) | tenor | BOIELDIEU: La dame blanche (Review by Joel Kasow) | Brown | CILÈA: Adriana Lecouvreur (Review by Bob Rose) | L’abate | DEBUSSY: L'Enfant prodigue. La Damoiselle élue. Trois ballades de François Villon (orch ?). Le Martyre de Saint Sébastien (Review by Peter J. Rabinowitz) | tenor | DVOŘÁK, ANTONIN: Rusalka (Review by Barry Brenesal) | Gamekeeper | GLUCK: Orphée et Eurydice (Review by James Camner) | Platée | GLUCK: Orphée et Eurydice (Review by James Camner) | tenor | GOUNOD, CHARLES: Mireille (Review by Anthony D. Coggi) | tenor | GOUNOD, CHARLES: Mireille (Review by Anthony D. Coggi) | Vincent | GRÉTRY: Zémire et Azor (Review by Barry Brenesal) | Azor | LANDOWSKI: Montségur—Opera in Two Acts and Eleven Tableaux (Review by John Ditsky) | baritone | LANDOWSKI: Montségur—Opera in Two Acts and Eleven Tableaux (Review by John Ditsky) | Bertrand Martin | MASSENET, JULES: Manon (Review by David L. Kirk) | Guillot de Morfontaine | MASSENET, JULES: Manon (Review by Barry Brenesal) | Guillot de Morfontaine | MASSENET, JULES: Thaïs (Review by Henry Fogel) | Nicias | MASSENET, JULES: Thaïs (Review by George Jellinek) | Nicias | MASSENET, JULES: Thaïs (Review by Henry Fogel) | tenor | MESSIAEN: Saint François d'Assise (Review by Kyle Gann) | Brother Elie | MESSIAEN: Saint François d'Assise (Review by Kyle Gann) | tenor | MOZART: Abduction from the Seraglio, K. 384 (Review by Anthony D. Coggi) | Pedrillo | MOZART: Abduction from the Seraglio, K. 384 (Review by Anthony D. Coggi) | tenor | MOZART: Le nozze di Figaro (Review by George Jellinek) | Don Basilio | OFFENBACH: La Belle Hélène (Review by James Miller) | Menelaus | OFFENBACH: La belle Helene (Review by Joel Kasow) | Menelas | OFFENBACH: Les contes d'Hoffmann (Review by Joel Kasow) | Andres | OFFENBACH: Les contes d'Hoffmann (Review by Joel Kasow) | Cochenille | OFFENBACH: Les contes d'Hoffmann (Review by James Miller) | Frante | OFFENBACH: Les contes d'Hoffmann (Review by Joel Kasow) | Frantz | OFFENBACH: Les contes d'Hoffmann (Review by Joel Kasow) | Pitichinaccio | OFFENBACH: Les contes d'Hoffmann (Review by James Miller) | tenor | OFFENBACH: Orpheus aux Enfers (Orpheus in Hades)—Fairy Opera (Review by John Ditsky) | Orpheus | OFFENBACH: Orpheus aux Enfers (Orpheus in Hades)—Fairy Opera (Review by John Ditsky) | tenor | OFFENBACH: Orpheus in the Underworld (Review by Leonard J. Brandt) | Orpheus | POULENC, FRANCIS: Dialogues des Carmélites (Review by Joel Kasow) | L’aumonier | POULENC, FRANCIS: Dialogues des Carmélites (Review by James H. North) | tenor | POULENC, FRANCIS: Dialogues des Carmélites (Review by James H. North) | The Chaplain | POULENC, FRANCIS: Journal de mes mélodies (Review by Royal S. Brown) | tenor | PUCCINI II, GIACOMO: Madama Butterfly (Review by Joel Kasow) | Goro | PUCCINI II, GIACOMO: Madama Butterfly (Review by Arthur Lintgen) | Goro | PUCCINI II, GIACOMO: Tosca (Review by John Yohalem) | Spoletta | PUCCINI II, GIACOMO: Tosca (Review by John Yohalem) | tenor | PUCCINI II, GIACOMO: Turandot (Review by Barry Brenesal) | Altoum | PUCCINI II, GIACOMO: Turandot (Review by John Yohalem) | Emperor Altoum | PUCCINI II, GIACOMO: Turandot (Review by John Yohalem) | tenor | RAMEAU, JEAN-PHILIPPE: Platée (Review by James Camner) | Platée | RAMEAU, JEAN-PHILIPPE: Platée (Review by James Camner) | tenor | RAVEL: L'Enfant et les Sortileges (Review by James Miller) | Frog | RAVEL: L'Enfant et les Sortileges (Review by James Miller) | Little Old Man | RAVEL: L'Enfant et les Sortileges (Review by James Miller) | Teapot | RAVEL: L'Enfant et les Sortileges (Review by James Miller) | tenor | RAVEL: L'Heure espagnole. Don Quichotte à Dulcinée (Review by James Miller) | tenor | RAVEL: L'Heure espagnole. Don Quichotte à Dulcinée (Review by James Miller) | Torquemada | RAVEL: L'enfant et les sortileges. Ma mère l'oye (Review by Barry Brenesal) | La Rainette | RAVEL: L'enfant et les sortileges. Ma mère l'oye (Review by Barry Brenesal) | Le petit vlellard | RAVEL: L'enfant et les sortileges. Ma mère l'oye (Review by Barry Brenesal) | Le Théière | ROSSINI: Le Comte Ory (Review by David Johnson) | Count Ory | ROSSINI: Le Comte Ory (Review by David Johnson) | Le Comte Ory | ROSSINI: Le Comte Ory (Review by David Johnson) | tenor | ROSSINI: Le Comte Ory (Review by David Johnson) | tenor | SAUGUET: Les Caprices de Marianne (Review by James H. North) | Coelio | SAUGUET: Les Caprices de Marianne (Review by James H. North) | tenor | TCHAIKOVSKY: Eugene Onegin (Review by Joel Kasow) | M Triquet |
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