|
|
Performer: Leopold Simoneau LEOPOLD SIMONEAU AND PIERRETTE ALARIE SING MOZART ARIAS AND DUETS: Duets (Review by Anthony D. Coggi) | tenor | BERLIOZ: Grande Messe des morts. Roméo et... (Jean Fournet) (Review by Ken Meltzer) | tenor | BERLIOZ: Grande Messe des morts. Roméo et... (Jean Fournet) (Review by Henry Fogel) | tenor | BRUNO WALTER: The Complete Columbia Album Collection (Bruno Walter) (Review by James A. Altena) | tenor | LEOPOLD SIMONEAU: OPERA ARIAS AND DUETS (Leopold Simoneau) (Review by Ralph V. Lucano) | performance, want list | LEOPOLD SIMONEAU: OPERA ARIAS AND DUETS (Leopold Simoneau) (Review by James Camner) | tenor | MOZART: Die Entführung aus dem Serail (Sir Thomas Beecham) (Review by Alan Swanson) | Belmonte | BACH, JOHANN SEBASTIAN: Mass in B Minor (Review by Peter J. Rabinowitz) | tenor | BACH, JOHANN SEBASTIAN: Mass in b (Review by Peter J. Rabinowitz) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Mortimer H. Frank) | tenor | BERLIOZ: Grande Messe des Morts (Requiem), Op. 5 (Review by ROGER DETTMER) | tenor | BERLIOZ: Grande Messe des morts, Op. 5. Symphonie fantastique, Op. 14 (Review by Adrian Corleonis) | tenor | BERLIOZ: Grande messe des morts. Les nuits d’été (Review by Henry Fogel) | tenor | BERLIOZ: L’enfance du Christ (Review by Huntley Dent) | tenor | BERLIOZ: Requiem (Review by Huntley Dent) | tenor | BIZET: Les Pêcheurs de perles (Review by Lynn René Bayley) | Nadir | BIZET: The Pearl Fishers (Review by Leonard J. Brandt) | Nadir | BIZET: The Pearl Fishers (Review by Leonard J. Brandt) | tenor | BRAHMS, JOHANNES: Ein deutsches Requiem, Op. 45 (Review by Mortimer H. Frank) | tenor | BRITTEN: The Rape of Lucretia (Review by James Miller) | tenor | BRUCKNER, ANTON: Te Deum (Review by Mortimer H. Frank) | tenor | DUPARC: L'Invitation au voyage, La Vie antérieure. Extase. Testament. Sérénade florentine. Le Manoir de Rosemonde. La Vague et la cloche. Lamento. Élégie. Phidylé. Chanson triste. Soupir. Au Pays où se fait la guerre. Sérénade (Review by Adrian Corleonis) | tenor | DUPARC: Melodies (Review by Phillip Scott) | tenor | DUPARC: Mélodies (Review by Adrian Corleonis) | tenor | GAY/PEPUSCH: The Beggars Opera (Review by James Miller) | tenor | GLUCK: Iphigénie en Tauride (Review by James A. Altena) | Pylade | GLUCK: Iphigénie en Tauride (Review by Anthony D. Coggi) | Pylades | GLUCK: Iphigénie en Tauride (Review by Anthony D. Coggi) | tenor | GLUCK: Orfeo ed Euridice (Review by James Miller) | tenor | GLUCK: Orphée et Eurydice (1774 Paris Version) (Review by William H. Youngren) | Orphée | GLUCK: Orphée et Eurydice (1774 Paris Version) (Review by William H. Youngren) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by Bernard Jacobson) | tenor | MONTEVERDI: The Coronation of Poppea (Review by James Miller) | tenor | MOZART: Così fan Tutte (Review by Peter Burwasser) | Ferrando | MOZART: Così fan tutte (Review by Mortimer H. Frank) | Ferrando | MOZART: Così fan tutte (Review by Raymond Tuttle) | Ferrando | MOZART: Così fan tutte (Review by Huntley Dent) | Ferrando | MOZART: Così fan tutte, K. 588 (Review by Philip Hart) | Ferrando | MOZART: Così fan tutte, K. 588 (Review by Mortimer H. Frank) | Ferrando | MOZART: Così fan tutte, K. 588 (Review by Philip Hart) | tenor | MOZART: Così fan tutte, K. 588 (Review by Mortimer H. Frank) | tenor | MOZART: Die Zauberflöte, K. 620 (Review by James Miller) | Tamino | MOZART: Die Zauberflöte, K. 620 (Review by Mortimer H. Frank) | Tamino | MOZART: Die Zauberflöte, K. 620 (Review by James Miller) | tenor | MOZART: Die Zauberflöte, K. 620 (Review by Mortimer H. Frank) | tenor | MOZART: Don Giovanni (Review by Barry Brenesal) | Don Ottavio | MOZART: Don Giovanni (Review by Raymond Tuttle) | Don Ottavio | MOZART: Don Giovanni (Review by Ken Meltzer) | Don Ottavio | MOZART: Don Giovanni (Review by James A. Altena) | Don Ottavio | MOZART: Don Giovanni (Review by Ken Meltzer) | Don Ottavio | MOZART: Don Giovanni, K. 527 (Review by Paul Turok) | Don Ottavio | MOZART: Don Giovanni, K. 527 (Review by Mortimer H. Frank) | Don Ottavio | MOZART: Don Giovanni, K. 527 (Review by Ralph V. Lucano) | Don Ottavio | MOZART: Don Giovanni, K. 527 (Review by James Camner) | Don Ottavio | MOZART: Don Giovanni, K. 527 (Review by Paul Turok) | tenor | MOZART: Don Giovanni, K. 527 (Review by Mortimer H. Frank) | tenor | MOZART: Don Giovanni, K. 527 (Review by Ralph V. Lucano) | tenor | MOZART: Don Giovanni, K. 527 (Review by James Camner) | tenor | MOZART: Don Giovanni, K. 527. Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Die Zauberflöte (Review by Ralph V. Lucano) | Don Ottavio | MOZART: Don Giovanni, K. 527. Concerto No. 20 in D Minor for Piano and Orchestra, K. 466. Die Zauberflöte (Review by Ralph V. Lucano) | tenor | MOZART: Idomeneo (Review by Lynn René Bayley) | Idamante | MOZART: Idomeneo (Review by Boyd Pomeroy) | Idamante | MOZART: Idomeneo, K. 336 (Review by Ralph V. Lucano) | Idamante | MOZART: Idomeneo, K. 336 (Review by Ralph V. Lucano) | tenor | MOZART: Lucia Silla (Review by Michael Ullman) | tenor | MOZART: Requiem in D Minor, K. 626 (Review by Haig Mardirosian) | tenor | MOZART: Requiem (Review by Henry Fogel) | tenor | MOZART: Requiem (Review by Ken Meltzer) | tenor | MOZART: Requiem, K. 626 (Review by Mortimer H. Frank) | tenor | MOZART: Requiem. Kleine Freimaurer-Kantate, K 623. Mauergesang, K 623a. Die Zauberflöte (Review by Paul Orgel) | tenor | MOZART: The Abduction from the Seraglio, K. 384. Arlas? (Review by John Bauman) | Belmonte | MOZART: The Abduction from the Seraglio, K. 384. Arlas? (Review by John Bauman) | tenor | MOZART: The Marriage of Figaro. Così Fan Tutte. Don Giovanni. Idomeneo (Review by James Miller) | tenor | OFFENBACH: Les contes d’Hoffmann (Review by James Miller) | Hoffmann | OFFENBACH: Tales of Hoffmann (Review by James Miller) | Hoffman | OFFENBACH: Tales of Hoffmann (Review by James Miller) | tenor | ROSSINI: La Cenerentola. Le Comte Ory. The Barber of Seville (Review by James Miller) | tenor |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
