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Performer: Zoot Sims MILES DAVIS AT NEWPORT 1955–1975: The Bootleg Series Vol. 4: Ah-Leu-Cha. Straight, No Chaser. Fran-Dance. Two Bass Hit. Bye Bye Blackbird. The Theme. Gingerbread Boy. All Blues. Stella By Starlight. R.J. Seven Steps to Heaven. The Theme / Closing Announcement by Leonard Feather. Spoken Introduction by Del Shields. Gingerbread Boy. Footprints. ’Round Midnight. So What. The Theme / Closing Announcement by Del Shields. Miles Runs The Voodoo Down. Sanctuary. It’s About That Time / The Theme. Spoken Introduction by Ronnie Scott / Band Warming Up. Turnaroundphrase. Tune In. Ife. Untitled Original. Tune In 5 / Closing Announcement by Ronnie Scott (Review by Marc Medwin) | tenor saxophone | MILES DAVIS AT NEWPORT 1955–1975: The Bootleg Series Vol. 4: Directions. Mtume. What I Say. Sanctuary. It’s About That Time. Bitches Brew. Funky Tonk. Sanctuary (Review by Marc Medwin) | tenor saxophone | MILES DAVIS AT NEWPORT 1955–1975: The Bootleg Series Vol. 4: Spoken Introduction by Willis Conover (Review by Marc Medwin) | tenor saxophone | MILES DAVIS AT NEWPORT 1955–1975: The Bootleg Series Vol. 4: Spoken Introductions by Duke Ellington and Gerry Mulligan. Hackensack. ’Round Midnight. Now’s The Time (Review by Marc Medwin) | tenor saxophone | Zoot Sims: Passion Flower (Zoot Sims) (Review by Andrew Sussman) | singer | ARNHEIM-LYMAN-FREED: I Cried for You (Review by Lynn René Bayley) | tenor saxophone | BARRIS: I Surrender, Dear (Review by Lynn René Bayley) | alto saxophone | BARRIS: I Surrender, Dear (Review by Lynn René Bayley) | tenor saxophone | BATTLE-EVANS: Doggin’ Around (Review by Lynn René Bayley) | tenor saxophone | BEST, DENZIL: Allen’s Alley (Review by Lynn René Bayley) | alto saxophone | BEST, DENZIL: Allen’s Alley (Review by Lynn René Bayley) | clarinet | BEST, DENZIL: Allen’s Alley (Review by Lynn René Bayley) | tenor saxophone | CANNON, HUGHIE: Bill Bailey, Won’t You Please Come Home? (Review by Lynn René Bayley) | tenor saxophone | DE PAUL, GENE: I’ll Remember April (Review by Lynn René Bayley) | alto saxophone | DE PAUL, GENE: I’ll Remember April (Review by Lynn René Bayley) | tenor saxophone | DUKE-LATOUCHE-FETTER: Taking a Chance on Love (Review by Lynn René Bayley) | tenor saxophone | EDISON, HARRY/BASIE, COUNT: Jive at Five (Review by Lynn René Bayley) | tenor saxophone | GILLESPIE: Groovin’ High (Review by Lynn René Bayley) | tenor saxophone | HAMMERSCHMID, HANS: Blue Night (Review by Lynn René Bayley) | alto saxophone | HAMMERSCHMID, HANS: Blue Night (Review by Lynn René Bayley) | clarinet | HAMMERSCHMID, HANS: Blue Night (Review by Lynn René Bayley) | tenor saxophone | HAMMERSCHMID, HANS: Minor Meeting for Two Clarinets (Review by Lynn René Bayley) | alto saxophone | HAMMERSCHMID, HANS: Minor Meeting for Two Clarinets (Review by Lynn René Bayley) | clarinet | HAMMERSCHMID, HANS: Minor Meeting for Two Clarinets (Review by Lynn René Bayley) | tenor saxophone | HAMMERSCHMID, HANS: Open Door (Review by Lynn René Bayley) | alto saxophone | HAMMERSCHMID, HANS: Open Door (Review by Lynn René Bayley) | clarinet | HAMMERSCHMID, HANS: Open Door (Review by Lynn René Bayley) | tenor saxophone | JOLSON/ROSE/DESYLVA: Avalon (Review by Lynn René Bayley) | tenor saxophone | KERN: All the Things You Are (Review by Lynn René Bayley) | alto saxophone | KERN: All the Things You Are (Review by Lynn René Bayley) | clarinet | KERN: All the Things You Are (Review by Lynn René Bayley) | tenor saxophone | NOBLE-CAMPBELL: Goodnight, Sweetheart (Review by Lynn René Bayley) | tenor saxophone | OVERSTREET-HIGGINS: There’ll Be Some Changes Made (Review by Lynn René Bayley) | tenor saxophone | RODGERS, RICHARD: Fallin’ in Love (Review by Lynn René Bayley) | alto saxophone | RODGERS, RICHARD: Fallin’ in Love (Review by Lynn René Bayley) | tenor saxophone | SCHERTZINGER: Tangerine (Review by Lynn René Bayley) | alto saxophone | SCHERTZINGER: Tangerine (Review by Lynn René Bayley) | clarinet | SCHERTZINGER: Tangerine (Review by Lynn René Bayley) | tenor saxophone | SIMS: I’ve Heard That Blues Before (Review by Lynn René Bayley) | tenor saxophone | SIMS: Trottin’ (Review by Lynn René Bayley) | alto saxophone | SIMS: Trottin’ (Review by Lynn René Bayley) | clarinet | SIMS: Trottin’ (Review by Lynn René Bayley) | tenor saxophone | STITT/MONK: Bud’s Blues/52nd Street Theme (Review by Lynn René Bayley) | tenor saxophone | STRACHEY: These Foolish Things (Review by Lynn René Bayley) | alto saxophone | STRACHEY: These Foolish Things (Review by Lynn René Bayley) | tenor saxophone | TRADITIONAL: (I Wonder) Where Our Love Has Gone; Legs; If I'm Lucky; Shadow Waltz; You're My Everything; It's All Right With Me; Gypsy Sweetheart; I Hear a Rhapsody (Review by Andrew Sussman) | tenor saxophone | UNKNOWN: The Red Door (Review by Lynn René Bayley) | tenor saxophone | WRIGHT, RICHARD: Halley’s Comet (Review by Lynn René Bayley) | tenor saxophone |
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