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Performer: Zsuzsanna Sirokay BACKOFEN: Concertante for Harp, Basset Horn, and Cello, Op. 7 (Review by John Bauman) | piano | BACKOFEN: Concertante for Harp, Bassett Horn, and Cello, op. 7 (Review by John Bauman) | piano | BARTÓK: Four Dirges, Op. 9a. Improvisations on Hungarian Folk Songs, Op. 20. Allegro Barbaro. Three Rondos on Folk Songs. Sonatina. Suite, Op. 14 (Review by Leslie Gerber) | piano | BEERHALTER: Variations on “I Sit Here in the Deep Cellar“ for Bassett Horn and Piano (Review by John Bauman) | piano | BEERHALTER: Varititions on “Im tiefen Keller sitz' ich hier.“ (I am sitting here in the deep cellar) (Review by John Bauman) | piano | BERR, FREDERIC/FESSY, ALEXANDRE-CHARLES: Fantasy No. 17 on Motifs from the Opera “I puritani“ by Bellini, for Clarinet and Piano (Review by John Bauman) | piano | BOIELDIEU: Sonata in E♭ for Clarinet and Piano (Review by John Bauman) | piano | BOIELDIEU: Sonata in E♭ for Clarinet and Piano (Review by Leslie Gerber) | piano | CAVALLINI: Adagio and Tarantella, for Clarinet and Piano (Review by John Bauman) | piano | CAVALLINI: Adagio and Tarantella. BERR and (Review by Leslie Gerber) | piano | CRUSELL: Duo No. 2 in C for Two Clarinets, Op. 6, no. 2 (Review by John Bauman) | piano | CRUSELL: Duo in C for Two Clarinets, Op. 6, No. 2 (Review by Leslie Gerber) | piano | CZERNY: Rondoletto Concertante for Flute and Piano with Cello ad libitum, Op. 149 (cello omitted). Introduction, Seven Variations, and Finale on a Favorite Theme, for Flute and Piano, Op. 80 (Review by John Bauman) | piano | CZERNY: Rondoletto concertant, Op. 149; Introduction, six Variations, and Finale, Op. 80 (Review by Susan Kagan) | piano | DANZI, FRANZ: Grand Sonata in F for Piano and Bassett Horn, op. 62 (Review by John Bauman) | piano | DANZI, FRANZ: Sonata in F for Basset Horn and Piano, Op. 62 (Review by John Bauman) | piano | FESSY: Fantasy No. 17 on Motives from Bellini's “I puritani“ (Review by Leslie Gerber) | piano | KUHLAU: Grande Sonate Concertante in A minor for Flute and Piano, Op. 85. Grande Sonata in E♭ for Flute and Piano, Op. 64. Fantasy in D for Flute Solo (Review by John Bauman) | piano | KUHLAU: Introduction and Rondo Concertante on a Chorus from “Colporteur“ by Onslow, for Flute and Piano, Op. 98 (Review by John Bauman) | piano | KUHLAU: Introduction and Rondo Concertante (Review by Susan Kagan) | piano | MENDELSSOHN, FELIX: Concerto Pieces for Clarinet, Bassett Horn, and Piano (Review by John Bauman) | piano | MOLIQUE: Introduction, Andante, and Polonaise, Op. 43 (Review by Susan Kagan) | piano | MOLIQUE: Introduction, Andante, and Polonaise, for Flute and Piano, Op. 43 (Review by John Bauman) | piano | PONCHIELLI, AMILCARE: Divertimento for Two Clarinets and Piano (“Il convegno')- (Review by Leslie Gerber) | piano | PONCHIELLI, AMILCARE: Divertimento for Two Clarinets and Piano (“The Meeting“) (Review by John Bauman) | piano | RIES, FERDINAND: 11th Fantasie (on favorite themes from Rossini's “Moses in Egypt“) (Review by Susan Kagan) | piano | RIES, FERDINAND: Fantasy No. 11 on Favorite Themes from the Opera “Moses in Egypt“ by Rossini, for Flute and Piano, Op. 133, no. 2 (Review by John Bauman) | piano | ROSSINI: Fantaisie in E♭ for Clarinet and Paino (Review by Leslie Gerber) | piano | SPOHR, LOUIS: Fantasia and Variations for Clarinet and String Quartet, Op. 81. Variations on a Theme from the Opera “Alruna, die Eulenkönigin,“for Clarinet and Piano (Review by David Johnson) | piano | SPOHR, LOUIS: Variations on a Theme from the Opera “Alruna, the Owl-Queen,“ for Clarinet and Piano (Review by John Bauman) | piano | WEBER, CARL MARIA VON: Seven Variations on a Theme from the Opera “Silvana, “ for Clarinet and Piano, Op. 33. Introduction, Theme, and Variations for Clarinet and String Quartet. Grand Duo Concertant in E♭ for Clarinet and Piano, Op. 48 (Review by David Johnson) | piano |
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