|
|
Performer: Leo Smit COPLAND, AARON: Le chat et la souris. Piano Variations.... (Aaron Copland) (Review by Henry Fogel) | violin | BARBER, SAMUEL: Excursions (Review by Kyle Gann) | piano | BERNSTEIN, LEONARD: For Lukas Foss (Review by Kyle Gann) | piano | CAGE/COWELL/HARRISON/THOMSON: Party Pieces (Review by David Sachs) | piano | CAGE, JOHN: Dream (Review by Kyle Gann) | piano | COPLAND, AARON: AN EIGHTY-FIRST BIRTHDAY CONCERT (Review by Henry Fogel) | piano | COPLAND, AARON: Concerto for Piano and Orchestra. Danzon Cubano (two-piano version). Our Town—Suite (three pieces for piano). Early Blues. Four Piano Blues (Review by John Ditsky) | piano | COPLAND, AARON: Old American Songs (Review by Henry Fogel) | piano | COPLAND, AARON: Scherzo Humoristique (Review by John D. Wiser) | piano | COPLAND, AARON: Three Moods (Review by Kyle Gann) | piano | FARWELL, ARTHUR: Song of the Deathless Voice (Review by Kyle Gann) | piano | FINE, IRVING: Hommage à Mozart (Review by Kyle Gann) | piano | GERSHWIN: A Foggy Day (Review by Kyle Gann) | piano | GOTTSCHALK, LOUIS MOREAU: Ossian, Op. 4, No. 1 (Review by Kyle Gann) | piano | HAIEFF: Gifts and Semblances. Sonata for Piano. Notes of Thanks (Review by Dean P. Suzuki) | piano | HAIEFF: Symphony No. 2. Concerto for Piano and Orchestra (Review by Peter J. Rabinowitz) | piano | HARRISON, LOU: At the Tomb of Charles Ives (Review by David Sachs) | piano | IVES, CHARLES: Piano Sonata No. 2 (“Concord“) (Review by Kyle Gann) | piano | JOHNSON, PETE: Zero Hour (Review by Kyle Gann) | piano | KUBIK, GAIL: Whistling Tune (Review by Kyle Gann) | piano | MACDOWELL, EDWARD: In Deep Woods (Review by Kyle Gann) | piano | PORTER, COLE: At Long Last Love; I've Got You Under My Skin; Just One of Those Things; Easy to Love; It's Bad for Me; Night and Day; I Get a Kick Out of You; Good-bye, Little Dream, Good-bye; Love for Sale; In the Still of the Night; I Concentrate on You; You're Sensational; What IsThisThingCalled Love?; Ri-din' High; You Don't Remind Me; Use Your Imagination; Find Me a Primitive Man; Most Gentlemen Don't Like Love; Ev'ry Time We Say Good-bye (Review by George Chien) | piano | PORTER, COLE: Classic Cole (Review by George Chien) | piano | SCHUMAN, WILLIAM: Three Piano Moods (Review by Kyle Gann) | piano | SHAPERO: Sonata No. 2 (Review by Kyle Gann) | piano | SMIT, LEO U.S.A.: Academic Graffiti (Review by David Sachs) | piano | SMIT, LEO U.S.A.: At the Corner of the Sky. Cock Robin. Copernicus. Songs of Wonder (Review by John Story) | conductor | SMIT, LEO U.S.A.: At the Corner of the Sky. Cock Robin. Copernicus. Songs of Wonder (Review by John Story) | piano | SMIT, LEO U.S.A.: At the Corner of the Sky. Cock Robin. Copernicus. Songs of Wonder (Review by John Story) | speaker | SMIT, LEO U.S.A.: Childe Emilie. The Celestial Thrush. The White Diadem (Review by John Story) | piano | SMIT, LEO U.S.A.: Ostinato (Review by Kyle Gann) | piano | SMIT, LEO U.S.A.: The Ecstatic Pilgrimage (Review by John Story) | piano | TALMA: Pastoral Prelude (Review by Kyle Gann) | piano | THOMSON, VIRGIL: 13 Portraits for Piano (Review by Kyle Gann) | piano | USSACHEVSKY: Divertimento 1980-1981 (Review by David Sachs) | piano |
|
NOT TO BE MISSED!
Interviews,
Music Matters, & Reviews
Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.
|
