Fanfare Magazine Home Page

IssuesBook ReviewsCollectionsFeature ArticlesThe Hall of FameLabelsReviewersThe Want Lists

ComposersConductorsEnsembles and OrchestrasInstrumentalistsPerformersSingers

InstrumentsVocal RolesVoicesSACDsJazzSoundtracks Shows and PopVideo

All Performers

a

b

c

d

e

f

g

h

i

j

k

l

m

n

o

p

q

r

s

t

u

v

w

x

 

y

z

 





 

Performer: Yuji Takahashi

COSMOS OF TOSHI ICHIYANAGI 3: 1960s and 1990s: Duet (Review by Art Lange)

piano 

COSMOS OF TOSHI ICHIYANAGI 3: 1960s and 1990s: Music For Electronic Metronomes (Review by Art Lange)

piano 

BACH, JOHANN SEBASTIAN: Goldberg Variations, BWV 988. Fourteen Canons, BWV 1087 (Review by Edward Strickland)

piano 

BACH, JOHANN SEBASTIAN: Goldberg Variations, BWV 988. Fourteen Canons, BWV 1087 (Review by Edward Strickland)

synthesizers 

BACH, JOHANN SEBASTIAN: Inventions and Sinfonías, BWV 772-801. Italian Concerto, BWV 971. Four Duets, BWV 802-805 (Review by Edward Strickland)

piano 

BERG, ALBAN: Sonata, Op. 1 (Review by Kyle Gann)

piano 

CAGE, JOHN: Sonatas and Interludes for Prepared Piano (Review by Kyle Gann)

piano 

FELDMAN, MORTON: False Relationships and the Extended Ending (Review by Robert Carl)

piano 

FELDMAN, MORTON: The Viola in My Life (Review by Robert Carl)

piano 

FELDMAN, MORTON: The Viola in My Life. False Relationships and the Extended Ending. Why Patterns? (Review by Alex Ross)

piano 

FUKUSHI: Chromosphere, for Percussion and Orchestra (Review by Stephen Ellis)

piano 

FUKUSHIMA: Requiem; Ekâgra; Three Pieces from Chù-U, Mei; Kadha-Karuna, Version II; (Review by Stephen Allen Wheaton)

piano 

HACHIMURA: The Logic of Distraction for Piano and Orchestra (two versions). La Folia (Review by Stephen Ellis)

piano 

HAYASHI: Symphony No. 2 (“Canciones“) (Review by Art Lange)

piano 

HAYASHI: Symphony No. 2 (“Canciones“) (Review by Stephen Ellis)

piano 

HIGO: Sinfonia (Review by Stephen Ellis)

piano 

HOSOKAWA: Jenseits der Zeit, for Violin and Two String Groups (Review by Stephen Ellis)

piano 

ICHIYANAGI, TOSHI: Concerto for Violin and Orchestra (“Circulating Scenery“) (Review by Stephen Ellis)

piano 

ICHIYANAGI, TOSHI: Life Music (Review by Benjamin Pernick)

piano 

ICHIYANAGI, TOSHI: Life Music (Review by Kyle Gann)

piano 

IKEBE: Concerto No 2 for Piano and Orchestra (“Tu M'. ..“) (Review by Stephen Ellis)

piano 

IRINO: Sinfonia (Review by Stephen Ellis)

piano 

ISHII, MAKI: Translucent Vision (Review by Stephen Ellis)

piano 

ISHIJIMA: Ode for Violin and Orchestra (Review by Stephen Ellis)

piano 

KAWANAMI: Ondine, for Soprano and Orchestra (Review by Stephen Ellis)

piano 

LIGETI, GYORGY: A tmospheres (Review by Benjamin Pernick)

piano 

LIGETI, GYORGY: Atmospheres (Review by Kyle Gann)

piano 

MATSUMOTO: Les Leonides (Review by Stephen Ellis)

piano 

MATSUMURA: Concerto for Cello and Orchestra (Review by Stephen Ellis)

piano 

MESSIAEN: Quatre Études de Rhythme (Review by Kyle Gann)

piano 

MESSIAEN: Visions de l’Amen, pour 2 pianos (Review by Peter Burwasser)

piano 

MIYOSHI: Kyomon for Children's Choir and Orchestra (Review by Stephen Ellis)

piano 

MORI: Groom Is Gloomy (Review by Stephen Ellis)

piano 

NAKAGAWA: Concerto Grosso tí (Review by Stephen Ellis)

piano 

NIMI: Symphony No. 2 for Orchestra & Chorus (Review by Stephen Ellis)

piano 

NISHIOKA: Black Horse in the Dark (Review by Stephen Ellis)

piano 

NODA: Mutation (Review by Stephen Ellis)

piano 

OTAKA: Image (Review by Stephen Ellis)

piano 

RZEWSKI, FREDERIC: The People United Will Never Be Defeated! (Review by John D. Wiser)

piano 

SATO: Sinfonia III (Review by Stephen Ellis)

piano 

SCHOENBERG, ARNOLD: Drei Klavierstücke, Op. 7 7. Sechs kleine Klavierstücke, Op. 19. Fünf Klavierstücke, Op. 23. Suite, Op. 25. Drei Klavierstücke (7894). Sechs Stücke, for Piano Four-Hands (Review by Kyle Gann)

piano 

TADA: Symphony II (Review by Art Lange)

piano 

TADA: Symphony II (Review by Stephen Ellis)

piano 

TAKEMITSU: Arc for Piano and Orchestra (Review by Benjamin Pernick)

piano 

TAKEMITSU: Arc (Review by Kyle Gann)

piano 

TAKEMITSU: Quatrain. A Flock Descends into the Pentagonal Garden. Stanza 1. Sacrifice. Ring. Valeria* (Review by John D. Wiser)

celesta 

TAKEMITSU: Quatrain. A Flock Descends into the Pentagonal Garden. Stanza 1. Sacrifice. Ring. Valeria* (Review by John D. Wiser)

electric organ 

TAKEMITSU: Quatrain. A Flock Descends into the Pentagonal Garden. Stanza 1. Sacrifice. Ring. Valeria* (Review by John D. Wiser)

piano 

TSUCHIDA: Symphonic Ballad (Review by Stephen Ellis)

piano 

WEBERN: Variations, Op. 27. Kinderstück. Klavierstück, Op. post. Sonatensatz (Rondo). Satz (Review by Kyle Gann)

piano 

XENAKIS, IANNIS: Eonta. Metastasis. Pithoprakta (Review by Kyle Gann)

piano 

XENAKIS, IANNIS: Evryali. Herma (Review by Kyle Gann)

piano 

XENAKIS, IANNIS: Strategie (Review by Benjamin Pernick)

piano 

XENAKIS, IANNIS: Strategie (Review by Kyle Gann)

piano 

YUASA: Scenes from Bashó (Review by Stephen Ellis)

piano 

YUN, ISANG: Compositions of Isang Yun (Review by Art Lange)

piano 

YUN, ISANG: Concerto for Clarinet and Orchestra'. Riul. Piri. Concerto for Violin and Orchestra*. Muak. Piece Concertante. Sonatina for Two Violins. Double Concerto for Oboe, Harp and Small Orchestra. Images. Concerto for Cello and Orchestra™. Sonata for Oboe, Harp, and Viola“. Symphony No. V. Loyang™. My Land, My People™. Exemplum in Memoriam Kwangju™. Königliches Thema. Gasa, for Violin and Piano. Kontraste™. Quintet for Clarinet and String Quartet™. Concerto for Flute and Small Orchestra. Salomo“. Going-Hu, for Harp and String Orchestra. In Balance. Symphony No. 2. Symphony No. 4 (Review by Art Lange)

piano 

YUN, ISANG: Königliches Thema. Gasa. Kontraste. Quintet for Clarinet and String Quartet (Review by Art Lange)

piano 

 

Our Advertisers
About Fanfare / Contact Us
Advertise in the Fanfare Archive
Finding Titles of Musical Works


NOT TO BE MISSED!

Interviews,
Music Matters, & Reviews

Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.