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Performer: Robert Tear THE HIDDEN HEART—A LIFE OF BENJAMIN BRITTEN AND PETER PEARS: Excerpts from War Requiem, Peter Grimes, Death in Venice (Review by Lynn René Bayley) | tenor | GILBERT AND SULLIVAN GALA: Iolanthe (Review by Henry Fogel) | tenor | FOLKSONG ARRANGEMENTS BY BENJAMIN BRITTEN: The foggy, foggy dew. The Ploughboy. Sweet Polly Oliver. O Waly, Waly. Come you not from Newcastle? The Minstrel Boy. The Brisk Young Widow. Ca' the Yowes. The Lincolnshire Poacher. Le roi s'en va-t'en chasse. La belle est au jardin d'amour. Quand j'étais chez mon père. The Sally Gardens. Little Sir William. The Bonny Earl O'Moray. O can ye sew cushions?. The trees they grow so high. The Ash Grove. Oliver Cromwell (Review by John D. Wiser) | tenor | A GILBERT AND SULLIVAN GALA: lolanthe (Review by John Bauman) | tenor | BACH, JOHANN SEBASTIAN: Mass in b... (Sir Neville Marriner) (Review by George Chien) | tenor | DONIZETTI: 3 QUEENS Anna Bolena (Julius Rudel) (Review by Joel Kasow) | Hervey | FRICKER: The Vision of Judgement... (Charles Groves) (Review by James A. Altena) | tenor | HOLST, GUSTAV: Choral Hymns from the Rig Veda... (Imogen Holst) (Review by Richard A. Kaplan) | Satyavān | HOLST, GUSTAV: Savitri... (Imogen Holst) (Review by Huntley Dent) | Satyavān | NOW MAKE WE MERTHE- MEDIEVAL ENGLISH LYRICS, ROUNDS,...: (Review by Richard Burke) | tenor | STRAVINSKY, IGOR: Les noces... (Kent Nagano) (Review by Huntley Dent) | tenor | VICTORIAN SONGS AND BALLADS (2 volumes): (Review by John Ditsky) | tenor | BACH, JOHANN SEBASTIAN: Cantatas Ein' feste Burg ist unser Gott, BWV 80, Wachet auf, ruft uns die Stimme, BWV 140, Nun ist das Heil und die Kraft, BWV 50. Cantata No. 29 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Cantatas Nos. 56, 82, 159, 170, 211, 212 (Review by J. F. Weber) | tenor | BACH, JOHANN SEBASTIAN: Cantatas Sehet, wir gehn hinauf, BWV 159, Vergnügte ruh', BWV 1 70 (Review by J. F. Weber) | tenor | BACH, JOHANN SEBASTIAN: Gloria in excelsis Deo. Et in terra pax. Domine Deus. Qui tollis peccata mundi. Quoniam tu solis sanctus. Cum Sancto Spiritu. Et incarnatus est. Et resurrexit. Sanctus. Pieni sunt coeli. Agnus Dei. Dona nobis pacem (Review by Edward Strickland) | tenor | BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV 232 (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV232 (Review by Edward Strickland) | tenor | BACH, JOHANN SEBASTIAN: Mass in B minor, BWV 232 (Review by George Chien) | tenor | BEETHOVEN, LUDWIG VAN: Mass in C, Op. 86 (Review by Mortimer H. Frank) | tenor | BEETHOVEN, LUDWIG VAN: Missa Solemnis in D, op. 123. Mass in C, op. 86 (Review by Elliott Kaback) | tenor | BEETHOVEN, LUDWIG VAN: Missa Solemnis (Review by Marc Mandel) | tenor | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 1-9. Overtures (Review by Henry Fogel) | tenor | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 8 and 9 (Review by Mortimer H. Frank) | tenor | BEETHOVEN, LUDWIG VAN: Symphonies (Review by Marc Mandel) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 7 (Review by Marc Mandel) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125 (“Choral“) (Review by William Zagorski) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125 (Review by Elliott Kaback) | tenor | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in d, op. 125, “Choral“ (Review by William Zagorski) | tenor | BEETHOVEN, LUDWIG VAN: The Nine Symphonies. Overtures (Review by Jon Tuska) | tenor | BERG, ALBAN: Lulu (complete; Act III orch. Cerha) (Review by Peter J. Rabinowitz) | Negro | BERG, ALBAN: Lulu (complete; Act III orch. Cerha) (Review by Peter J. Rabinowitz) | Painter | BERG, ALBAN: Lulu (complete; Act III orch. Cerha) (Review by Peter J. Rabinowitz) | tenor | BERG, ALBAN: Lulu (Review by Royal S. Brown) | Negro | BERG, ALBAN: Lulu (Review by Benjamin Pernick) | Negro | BERG, ALBAN: Lulu (Review by Royal S. Brown) | Painter | BERG, ALBAN: Lulu (Review by Benjamin Pernick) | Painter | BERG, ALBAN: Lulu (Review by Royal S. Brown) | tenor | BERG, ALBAN: Lulu (Review by Benjamin Pernick) | tenor | BERLIOZ: Béatrice et Benedict (Review by Adrian Corleonis) | Bénédict | BERLIOZ: Béatrice et Benedict (Review by Adrian Corleonis) | Bénédict | BERLIOZ: Béatrice et Benedict (Review by Adrian Corleonis) | tenor | BERLIOZ: Béatrice et Benedict (Review by Adrian Corleonis) | tenor | BERLIOZ: Béatrice et Bénédict (Review by Huntley Dent) | Bénédict | BERLIOZ: Grande Messe des morts, Op. 5 (Requiem) (Review by ROGER DETTMER) | tenor | BERLIOZ: Requiem (Grande messe des morts), Op. 5 (Review by Adrian Corleonis) | tenor | BERLIOZ: Roméo et Juliette, Op. 17 (Review by Adrian Corleonis) | tenor | BERLIOZ: Roméo et Juliette (Review by Marc Mandel) | tenor | BERNSTEIN, LEONARD: Candide (Review by Richard A. Kaplan) | tenor | BRAHMS, JOHANNES: Symphony No. 4 (Review by Marc Mandel) | tenor | BRITTEN: Billy Budd (Review by Paul Ingram) | The Novice | BRITTEN: Folksong Arrangements (19) (Review by John Ditsky) | tenor | BRITTEN: Our Hunting Fathers, op. 8—Symphonie Cycle for Voice and Orchestra. Folksong Arrangements (6) (Review by John Ditsky) | tenor | BRITTEN: Peter Grimes (Review by Paul Ingram) | Rev. Adams | BRITTEN: Serenade for Tenor Solo, Horn, and Strings, Op. 31 ; Les Illuminations for Solo Voice and String Orchestra, Op. 18 (Review by John Ditsky) | tenor | BRITTEN: Serenade for Tenor, Horn, and Strings, op. 31 '. Les Illuminations, op. 18. The Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), op. 34 (Review by John D. Wiser) | tenor | BRITTEN: Serenade for Tenor, Horn, and Strings. (Review by James Miller) | tenor | BRITTEN: Spring Symphony, Op. 44. Peter Grimes (Review by John D. Wiser) | tenor | BRITTEN: The Burning Fiery Furnace (Review by Vincent Alfano) | Meshach | BRITTEN: The Burning Fiery Furnace (Review by Vincent Alfano) | tenor | BRITTEN: The Turn of the Screw Op. 54 (Review by John Ditsky) | Quint | BRITTEN: The Turn of the Screw Op. 54 (Review by John Ditsky) | tenor | BRITTEN: The Turn of the Screw (Review by Huntley Dent) | Peter Quint | BRITTEN: War Requiem, Op. 66 (Review by J. F. Weber) | tenor | BRITTEN: Young Person's Guide to the Orchestra, Op. 34. Peter Grimes (Review by Paul Turok) | tenor | BRUCKNER, ANTON: Symphony No. 9 (Review by Marc Mandel) | tenor | BUTTERWORTH: Love Blows As the Wind Blows (Review by Paul Turok) | tenor | COPLAND, AARON: Old American Songs, Sets 1 and 2. Twelve Poems of Emily Dickinson (Review by John Ditsky) | tenor | DELIUS: Songs of Farewell, for Chorus & Orchestra. Late Swallows (arr. Fenby). A Song Before Sunrise. To Be Sung of a Summer Night on the Water“. A Village Romeo and Juliet (Review by Adrian Corleonis) | tenor | DONIZETTI: Anna Bolena (Review by David L. Kirk) | Hervey | DYSON: The Canterbury Pilgrims. At the Tabard Inn. In Honour of the City (Review by Barnaby Rayfield) | tenor | DYSON: The Canterbury Pilgrims. In Honour of the City (Review by Martin Anderson) | tenor | ELGAR: Collector’s Edition (Review by Peter J. Rabinowitz) | tenor | ELGAR: Pleading, Op. 48/1. O soft was the song, Op. 59/3. Was it some golden star?, Op. 59/S. Twilight, Op. 59/6. Two Songs, Op. 60 (Review by Paul Turok) | tenor | ELGAR: Six Orchestral Songs (Review by Paul Turok) | tenor | ELGAR: The Apostles, Op. 49. The Light of Life, Op. 29 (Review by Peter J. Rabinowitz) | St. John | ELGAR: The Apostles, Op. 49. The Light of Life, Op. 29 (Review by Peter J. Rabinowitz) | tenor | ELGAR: The Apostles. The Light of Life (Review by Walter Simmons) | St. John | ELGAR: The Apostles. The Light of Life (Review by Walter Simmons) | tenor | ELGAR: The Dream of Gerontius (Review by Walter Simmons) | tenor | ELGAR: The Dream of Gerontius, Op. 38 (Review by Walter Simmons) | tenor | FRASER-SIMSON, HAROLD: Three Cheers for Pooh (27 Songs from The Hums of Pooh, Now We Are Six, and When We Were Very Young) (Review by John Ditsky) | tenor | GILBERT AND SULLIVAN: Ruddigore (Review by John Bauman) | tenor | GLUCK: Alceste (Review by James Camner) | Admète | HANDEL, GEORGE FRIDERIC: Acts (Review by Mortimer H. Frank) | Acis | HANDEL, GEORGE FRIDERIC: Acts (Review by Mortimer H. Frank) | voice | HANDEL, GEORGE FRIDERIC: Alcina (Review by Ken Meltzer) | tenor | HANDEL, GEORGE FRIDERIC: Alcina (Review by Bertil van Boer) | tenor | HANDEL, GEORGE FRIDERIC: Alexander's Feast (Review by J. F. Weber) | tenor | HANDEL, GEORGE FRIDERIC: Carco sempre di Gloria, HWV 87 (Review by Bertil van Boer) | tenor | HANDEL, GEORGE FRIDERIC: Look down harmonious saint, HWV 124 (Review by Bertil van Boer) | tenor | HANDEL, GEORGE FRIDERIC: Meine Seele hört in Sehen, HWV 207 (Review by Bertil van Boer) | tenor | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | tenor | HANDEL, GEORGE FRIDERIC: Ode for St. Cecilia's Day (Review by J. F. Weber) | tenor | HANDEL, GEORGE FRIDERIC: Samson (Review by Anthony D. Coggi) | Samson | HANDEL, GEORGE FRIDERIC: Samson (Review by John Yohalem) | Samson | HANDEL, GEORGE FRIDERIC: Samson (Review by Anthony D. Coggi) | tenor | HANDEL, GEORGE FRIDERIC: Samson (Review by John Yohalem) | tenor | HANDEL, GEORGE FRIDERIC: Splenda l’alba in oriente, HWV 166 (Review by Bertil van Boer) | tenor | HANDEL, GEORGE FRIDERIC: Süsse Stille, sanfter Quelle, HWV 205 (Review by Bertil van Boer) | tenor | HANDEL, GEORGE FRIDERIC: Süße Stille (Review by Ron Salemi) | tenor | HANDEL, GEORGE FRIDERIC: Tu fedel, HWV 171 (Review by Bertil van Boer) | tenor | HAYDN, FRANZ JOSEPH: Mariazeller Mass (No. 6); Little Organ Mass (No. 5); Four Pieces for Mechanical Clock (Review by J. F. Weber) | tenor | HAYDN, FRANZ JOSEPH: Mass No. 10 in B-Flat (“Theresienmesse“) (Review by Mortimer H. Frank) | tenor | HAYDN, FRANZ JOSEPH: Mass in B♭, “Theresienmesse” (Review by James H. North) | tenor | HAYDN, FRANZ JOSEPH: The Creation (in English) (Review by Paul Turok) | tenor | HAYDN, FRANZ JOSEPH: The Creation (Review by Mortimer H. Frank) | tenor | HAYDN, FRANZ JOSEPH: The Creation (Review by Mortimer H. Frank) | tenor | HAYDN, FRANZ JOSEPH: The Creation (Review by James H. North) | tenor | HAYDN, FRANZ JOSEPH: Trumpet Concerto. (Review by James Miller) | tenor | HENZE, HANS WERNER: The Bassarids (Review by James H. North) | tenor | HENZE, HANS WERNER: The Bassarids (Review by James H. North) | Tiresias | HOLST, GUSTAV: Savitri, Op. 25. Choral Hymns from the Rig Veda (Review by John Ditsky) | tenor | JANÁČEK, LEOŠ: Glagolitic Mass (Review by ROGER DETTMER) | tenor | JANÁČEK, LEOŠ: Glagolitic Mass (Review by Paul Ingram) | tenor | JANÁČEK, LEOŠ: The Cunning Little Vixen (in English). Taras Bulba (Review by David Hurwitz) | Mosquito | JANÁČEK, LEOŠ: The Cunning Little Vixen (in English). Taras Bulba (Review by David Hurwitz) | Schoolmaster | JANÁČEK, LEOŠ: The Cunning Little Vixen (in English). Taras Bulba (Review by David Hurwitz) | tenor | JANÁČEK, LEOŠ: The Cunning Little Vixen (Review by James H. North) | Mosquito | JANÁČEK, LEOŠ: The Cunning Little Vixen (Review by James H. North) | Schoolmaster | MAHLER-SCHOENBERG: Das Lied von der Erde (Review by Jon Tuska) | tenor | MAHLER-SCHOENBERG: Das Lied von der Erde (Review by Mike Silverton) | tenor | MAHLER, GUSTAV: Das klagende Lied (Review by Henry Fogel) | tenor | MAHLER, GUSTAV: Das klagende Lied. Lieder eines fahrenden Gesellen. Lieder und Gesänge. Des Knaben Wunderhorn. Kindertotenlieder. Rückert-Lieder. Das Lied von der Erde (Review by Christopher Abbot) | tenor | MAHLER, GUSTAV: Symphonies Nos. 1–10. Piano Quartet in a (Review by Christopher Abbot) | tenor | MAHLER, GUSTAV: Symphony No. 1 (Review by Marc Mandel) | tenor | MAHLER, GUSTAV: THE COMPLETE WORKS (Review by Christopher Abbot) | tenor | MENDELSSOHN, FELIX: Symphony No. 2 in Bb, op. 52 (“Lobgesang“). St. Paul, op. 36 (Review by Richard Burke) | tenor | MENDELSSOHN, FELIX: Symphony No. 5 in D Minor, op. 107 ("Reformation"). Dieerste Walpurgisnacht, op. 60 (Review by Elliott S. Hurwitt) | tenor | MENDELSSOHN, FELIX: Symphony No. 5 in D Minor, op. 107 (“Reformation“). Dieerste Walpurgisnacht, op. 60 (Review by David Johnson) | tenor | MOZART: Bassoon Concerto. Horn Concerto No. 3. Oboe Concerto. (Review by James Miller) | tenor | MOZART: Idomeneo (Review by Henry Fogel) | Arbace | MOZART: Idomeneo, K. 366 (Review by Mortimer H. Frank) | Arbace | MOZART: Idomeneo, K. 366 (Review by Mortimer H. Frank) | tenor | MOZART: Idomeneo, K. 366 (Review by Robert Levine) | Gran Sacerdote | MOZART: Le nozze di Figaro (Review by Bernard Jacobson) | Basilio | MOZART: Requiem in D Minor, K 626 (Review by Elliott Kaback) | tenor | MOZART: Requiem in D Minor, K. 626 (edited by Franz Beyer) (Review by George Chien) | tenor | MOZART: Requiem, K. 626 (Review by John Bauman) | tenor | MOZART: Requiem, K. 626 (Review by George Chien) | tenor | MOZART: Singt dem grossen Bassa Lieder; 0 wie ängstlich; Traurigkeit; Martern aller Arten; Welche Wonne, welche lust; Vivat Bacchus!; Ach, Belmonte! Ach mein Leben; In Mohrenland; Triomphaire; Finale (Review by Anthony D. Coggi) | Pedrillo | MOZART: Singt dem grossen Bassa Lieder; 0 wie ängstlich; Traurigkeit; Martern aller Arten; Welche Wonne, welche lust; Vivat Bacchus!; Ach, Belmonte! Ach mein Leben; In Mohrenland; Triomphaire; Finale (Review by Anthony D. Coggi) | tenor | MOZART: The Abduction from the Seraglio, K. 384. Welch ängstliches Beben, K. 389. Schon lacht der holde Frühling, K. 580. Männer suchen stets zu naschen, K. 433. Musst ich auch durch tausend Drachen, K. 435. Ich möchte wohl der Kaiser sein, K. 539 (K. 389 and K. 433 completed and orchestrated by Eric Smith) (Review by Mortimer H. Frank) | Pedrillo | MOZART: The Abduction from the Seraglio (Review by Anthony D. Coggi) | Pedrillo | MOZART: The Abduction from the Seraglio (Review by Anthony D. Coggi) | tenor | OFFENBACH: Les contes d'Hoffmann (Review by James Miller) | Andres | OFFENBACH: Les contes d'Hoffmann (Review by James Miller) | Cochenille | OFFENBACH: Les contes d'Hoffmann (Review by James Miller) | Frantz | OFFENBACH: Les contes d'Hoffmann (Review by James Miller) | Pitichinaccio | OFFENBACH: Les contes d'Hoffmann (Review by John W. N. Francis) | Spalanzani | OFFENBACH: Les contes d'Hoffmann (Review by John W. N. Francis) | tenor | OFFENBACH: Les contes d'Hoffmann (Review by James Miller) | tenor | OFFENBACH: Les contes d’Hoffmann (Review by Joel Kasow) | Andrès/Cochenille/Frantz/Pitichinaccio | PROKOFIEV, SERGEI: Alexander Nevsky, op. 78 (Review by Peter J. Rabinowitz) | tenor | PROKOFIEV, SERGEI: Lieutenant Kijé (Review by Richard A. Kaplan) | tenor | PUCCINI II, GIACOMO: Manon Lescaut (Review by James Miller) | Edmondo | PUCCINI II, GIACOMO: Manon Lescaut (Review by James Miller) | tenor | PUCCINI II, GIACOMO: Turandot (compl. Berio) (Review by Raymond Tuttle) | Altoum | PURCELL, HENRY: Anthems. March and Canzona (Review by Michael Ullman) | tenor | PURCELL, HENRY: Dido and Aeneas (Review by Mortimer H. Frank) | First Sailor | PURCELL, HENRY: Dido and Aeneas (Review by Mortimer H. Frank) | voice | RACHMANINOFF: The Bells (Review by Tom Godell) | tenor | RACHMANINOFF: The Bells (Review by Richard A. Kaplan) | tenor | RACHMANINOFF: The Bells, op. 35 (Review by Peter J. Rabinowitz) | tenor | RAMEAU, JEAN-PHILIPPE: Hippolyte et Aricie (Review by Huntley Dent) | Hippolyte | RAVEL: Bolero (Review by James Miller) | tenor | RESPIGHI, OTTORINO: Deità Silvane. Trittico Botticelliano. Lauda per la Natività del Signore (Review by J. F. Weber) | tenor | ROSSINI: Petite Messe Solennelle (Review by Elliott Kaback) | tenor | SCHUBERT: Die Winterreise (Review by Raymond Beegle) | tenor | SCHUBERT: Symphony No. 4, “Tragic“ (Review by Marc Mandel) | tenor | SCHUBERT: The Complete Sacred Works (Review by Joel Kasow) | tenor | SCHÜTZ, HEINRICH: The Resurrection Story, SWV 50 (Review by J. F. Weber) | tenor | SCHUMANN: Concert Piece for 4 Horns and Orchestra. (Review by James Miller) | tenor | SHIELD: Rosina (Review by Bill White) | Mr. Belville | SHOSTAKOVICH: Lady Macbeth of Mtsensk (Review by Raymond Tuttle) | Shabby Peasant | SHOSTAKOVICH: Lady Macbeth of Mtsensk, Op. 29 (Review by Royal S. Brown) | Peasant | SHOSTAKOVICH: Lady Macbeth of Mtsensk, Op. 29 (Review by Royal S. Brown) | voice | STRAUSS, RICHARD: Le bourgeois gentilhomme (Review by Paul Ingram) | tenor | STRAVINSKY, IGOR: Danses concertantes (Review by James H. North) | tenor | STRAVINSKY, IGOR: Le sacre du printemps (Review by James H. North) | tenor | STRAVINSKY, IGOR: Le sacre du printemps. The Nightingale (Review by James H. North) | The Fisherman | STRAVINSKY, IGOR: Pastorale (Bryn-Julson). Deux Poèmes de Paul Verlaine (Shirley-Quirk). Two Poems of Konstantin Bal'mont (Bryn-Julson). Three Japanese Lyrics (Bryn Julson). Three little Songs (Review by ROGER DETTMER) | tenor | STRAVINSKY, IGOR: Pulcinella (Ballet With voices). Suites Nos. 1 and 2 for Small Orchestra (Review by ROGER DETTMER) | tenor | STRAVINSKY, IGOR: Pulcinella (Review by James H. North) | tenor | STRAVINSKY, IGOR: Pétrouchka (Review by James H. North) | tenor | STRAVINSKY, IGOR: Songs (Review by ROGER DETTMER) | tenor | STRAVINSKY, IGOR: The Firebird (Review by Marc Mandel) | tenor | TIPPETT, MICHAEL: King Priam (Review by Adrian Corleonis) | Achilles | TIPPETT, MICHAEL: King Priam (Review by John Ditsky) | Achilles | TIPPETT, MICHAEL: King Priam (Review by Raymond Tuttle) | Achilles | TIPPETT, MICHAEL: King Priam (Review by Adrian Corleonis) | tenor | TIPPETT, MICHAEL: King Priam (Review by John Ditsky) | tenor | TIPPETT, MICHAEL: King Priam (Review by Raymond Tuttle) | tenor | TIPPETT, MICHAEL: The Knot Garden (Review by John Ditsky) | Dov | TIPPETT, MICHAEL: The Knot Garden (Review by John Ditsky) | tenor | TIPPETT, MICHAEL: The Mask of Time (Review by Peter J. Rabinowitz) | tenor | VAUGHAN WILLIAMS: Fantasia on Christmas Carols (Review by James Miller) | tenor | VAUGHAN WILLIAMS: Hodie—A Christmas Cantata (Review by James Miller) | tenor | VAUGHAN WILLIAMS: Hugh the Drover (Review by John Ditsky) | Hugh the Drover | VAUGHAN WILLIAMS: Hugh the Drover (Review by Martin Anderson) | Hugh the Drover | VAUGHAN WILLIAMS: Hugh the Drover (Review by Martin Anderson) | tenor | VAUGHAN WILLIAMS: Hugh the Drover (Review by John Ditsky) | voice | VAUGHAN WILLIAMS: On Wenlock Edge (Review by Paul Turok) | tenor | VAUGHAN WILLIAMS: Sir John in Love (Review by Ian Lace) | Fenton | VAUGHAN WILLIAMS: Songs of Travel. On Wenlock Edge (Review by John Ditsky) | tenor | VAUGHAN WILLIAMS: Tuba Concerto. (Review by James Miller) | tenor | WALTON, WILLIAM: Façade; Façade 2 (Review by John Ditsky) | reciter | WARLOCK: Choral Works (Review by Stephen Allen Wheaton) | tenor | WEILL, KURT: The Seven Deadly Sins–A Ballet with Song. Little Threepenny Music (Review by John Ditsky) | tenor |
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