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Performer: Adrian Thompson THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ammenlied, D 122. We/ tausend Sterne prangen, D 642 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Der Abend, D 108 Die Nacht (no D number) (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Die Befreier Europas in Paris, D 104 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Dithyrambe, D 47 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Entra l’uomo allor che nasce, D 33/1,2 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Erinnerungen, D 98 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Geisternähe, D 100 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Klaglied, D 23 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Lebenstraum (Gesang in C); D 1A, D 39 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: L’incanto degli occhi, D 990E (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Misero pargoletto, D 42/1B (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: O combats, o désordre, D Anh II,3/2 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ombre amene, amiche piante (La Serenata); D 990F (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Pensa, che questo istante, D 76 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Quell’ innocente figlio, D 17/1,2 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Rien de la nature, D Ann 11,3/1 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Serbate o Dei custodi, D 35 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Son fra l’onde, D 78 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Totengräberlied, D 44 (Review by Joel Kasow) | tenor | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Trinklied, D 75 (Review by Joel Kasow) | tenor | BRITTEN: A Midsummer Night's Dream (Review by James Miller) | flute | BRITTEN: A Midsummer Night's Dream (Review by James Miller) | tenor | BRITTEN: Les Illuminations, op. 18. Nocturne, for Tenor, 7 Obligato Instruments, and Strings, op. 60 (Review by Andrew Quint) | tenor | BRITTEN: Serenade, for Tenor, Horn, and Strings, op. 31 (Review by Andrew Quint) | tenor | BUSH: A Summer Serenade*. Four Songs from “The Hesperides“. A Menagerie. Farewell, Earth's Bliss (Review by Peter J. Rabinowitz) | tenor | GAY/PEPUSCH: The Beggar's Opera (Review by James Camner) | Macheath | GAY/PEPUSCH: The Beggar's Opera (Review by James Camner) | tenor | GURNEY: Ludlow and Teme. The Western Playland (Review by Elliott Kaback) | tenor | HANDEL, GEORGE FRIDERIC: Rodelinda, regina de’ Longobardi (Review by Bernard Jacobson) | Grimoaldo | JANÁČEK, LEOŠ: The Eternal Gospel (Review by Huntley Dent) | tenor | JANÁČEK, LEOŠ: The Eternal Gospel. The Ballad of Blaník. The Fiddler's Child. The Excursions of Mr. Brouček (Review by Richard A. Kaplan) | tenor | KUBIK, LADISLAV: Songs of Zhivago (Review by Peter Burwasser) | tenor | MARTIN, FRANK: Golgotha (Review by Henry Fogel) | tenor | MOERAN: Complete Solo Songs (Review by Barry Brenesal) | tenor | MOERAN: Folk Song Arrangements (Review by Jim Svejda) | tenor | MONTEVERDI: Il ritorno d'Ulisse in patria (Review by Barry Brenesal) | Eumete | MOZART: Die Zauberflöte (Review by Andrew Quint) | Monostatos | MOZART: Die Zauberflöte (Review by Andrew Quint) | Monostatos | SCHUBERT: Complete Songs, Volume 12 (Review by David Johnson) | tenor | SCHUBERT: Der Vatermörder, D. 10. Der Geistertanz (two versions), D. 15 and 15a. Die Advokaten, D. 3T. Die Schatten, D. 50. Ein Jugendlicher Malenschwung, D. 6Í. Verschwunden sind die Schmerzen, D. 88. Don Gayseros—I, D. 93, no. í. Don Gayseros—II, D. 93, no. 2. Don Gayseros—III, D. 93, no. 3. Adelaide, D. 95. Trost. An Elisa, D. 97. Andenken, D. 99. Lied der Liebe, D 109. Lied aus der Feme, D. 107. Die Betende, D. 102. An Laura, als sie Klopstocks Auferstehungslied sang, D. 115. Sehnsucht (Was Zieht mir das Herz so?), D. 123. Trost im Tränen, D. 119. Ballade, D. 134 (Review by David Johnson) | tenor | SCHUBERT: Die schöne Müllerin, D. 795 (Review by Ralph V. Lucano) | tenor | SCHUMANN: Des Sängers Fluch (Review by Marc Mandel) | tenor | SCHUMANN: Lieder, op. 40 (Review by John Story) | tenor | SCHUMANN: Minnespiel (Review by Marc Mandel) | tenor | SCHUMANN: Spanische Liebeslieder, op. 138 (Review by Marc Mandel) | tenor | SCHUMANN: Spanisches Liebeslieder, op. 138 (Review by John Story) | tenor | SCHUMANN: Spanisches Liederspiel, op. 74 (Review by John Story) | tenor | SCHUMANN: Spanisches Liederspiel, op. 74 (Review by Marc Mandel) | tenor | SULLIVAN: Haddon Hall (Review by Ken Meltzer) | Oswald | VAUGHAN WILLIAMS: On Wenlock Edge (Review by Elliott Kaback) | tenor | VICTORY, GERARD: Ultima Rerum—& Requiem Cantata for Four Soloists, Large and Small Choirs, Children's Choir, and Orchestra (Review by Stephen Ellis) | tenor | WARLOCK: And Wilt Thou Leave Me Thus? (Review by Adrian Corleonis) | tenor | WARLOCK: Away to Twiver (Review by Adrian Corleonis) | tenor | WARLOCK: Bethlehem Down (Review by Adrian Corleonis) | tenor | WARLOCK: Bright Is the Ring of Words (Review by Adrian Corleonis) | tenor | WARLOCK: Captain Stratton’s Fancy (Review by Adrian Corleonis) | tenor | WARLOCK: Lillygay (Review by Adrian Corleonis) | tenor | WARLOCK: Mr Belloc’s Fancy (Review by Adrian Corleonis) | tenor | WARLOCK: My Gostly Fader (Review by Adrian Corleonis) | tenor | WARLOCK: Peter Warlock’s Fancy (Review by Adrian Corleonis) | tenor | WARLOCK: Peterisms (Review by Adrian Corleonis) | tenor | WARLOCK: Songs (Review by Adrian Corleonis) | tenor | WARLOCK: Sweet and Twenty (Review by Adrian Corleonis) | tenor | WARLOCK: The Bachelor (Review by Adrian Corleonis) | tenor | WARLOCK: The Cloths of Heaven (Review by Adrian Corleonis) | tenor | WARLOCK: The Curlew (Review by Adrian Corleonis) | tenor | WARLOCK: The Frostbound Wood (Review by Adrian Corleonis) | tenor | WOLF, HUGO: Goethe Lieder (Review by David Cutler) | tenor | WOLF, HUGO: Goethe-Lieder (Review by Raymond Beegle) | tenor | WOLF, HUGO: Spottlied. Mignon I, II, III. Philine. Mignon. Der Sänger. Der Rattenfänger. Ritter Kurts Brautfahrt. Guttmann und Gutweib. Cophtische Lieder I, II. Frech und Froh I, II. Beherzigung. Epiphanias (Review by David Cutler) | tenor |
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