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Performer: Rainer Trost BEETHOVEN, LUDWIG VAN: An Henrietten, ‘Traute Henrietten’, Hess 151 (for voice and piano completed Orel) (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: An die Geliebte, WoO 140 (3 versions) (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Bußlied, op. 48/6 (with another version of bars 102–113, Hess 141) (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Das liebe Kätzchen, WoO 158/28, Hess 133 (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Der Knabe auf dem Berge, WoO 158/29, Hess 134 (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Dimmi, ben mio, che m’ami (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Erlkönig, WoO 131, Hess 148 (completed Becker) (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Feuerfarb, Hess 144 (1st version of op. 52/2) (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Fidelio (Review by James H. North) | Jaquino | BEETHOVEN, LUDWIG VAN: Fidelio (Review by Mortimer H. Frank) | Jaquino | BEETHOVEN, LUDWIG VAN: Fidelio (Review by Mortimer H. Frank) | Jaquino | BEETHOVEN, LUDWIG VAN: Freudvoll und leidvoll (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Gesang aus der Ferne, WoO 137 (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Gretels Warnung, op. 75/4 (1st version) (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Ich wiege dich in meinem Arm, Hess 137 (reconstructed Holsbergen) (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: In questa tomba oscura, WoO 133 (2nd version) (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Klage, WoO 113 (2nd version) (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Languisco e moro, Hess 229 (version for voice and piano) (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Neue Liebe, neues Leben, WoO 127, Hess 136 (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Opferlied, Hess 145 (sketch of 1st setting, WoO 126, version for voice and piano) (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Sehnsucht, WoO 134 (3 settings) (Review by William Kempster) | tenor | BEETHOVEN, LUDWIG VAN: Wonne der Wehmut, Hess 142 (1st version of op. 83/1) (Review by William Kempster) | tenor | BERG, ALBAN: Lulu (Review by James H. North) | African Prince | BERG, ALBAN: Lulu (Review by Peter J. Rabinowitz) | African Prince | BERG, ALBAN: Lulu (Review by James H. North) | the Painter | BERG, ALBAN: Lulu (Review by Peter J. Rabinowitz) | the Painter | HAYDN, FRANZ JOSEPH: L’infedelta delusà (highlights). La vera costanza (highlights) (Review by James H. North) | Marquis Ernesto | KÁLMÁN, EMMERICH: Die Bajadere (Review by Bill White) | Prince Radjami | LEHÁR: Der Graf von Luxemburg (Review by Christopher Williams) | Manfred Prskawetz | MAYR, GIOVANNI SIMONE: Samuele (Review by Henry Fogel) | tenor | MENDELSSOHN, FELIX: Elijah (Review by Jerry Dubins) | tenor | MENDELSSOHN, FELIX: Paulus, op. 36 (Review by Peter J. Rabinowitz) | tenor | MOZART: Così fan tutte (Review by Bob Rose) | Ferrando | MOZART: Così fan tutte, K. 588 (Review by James Camner) | Ferrando | MOZART: Così fan tutte, K. 588 (Review by James Camner) | tenor | MOZART: Die Entführung aus dem Serail (Review by Colin Fleming) | Belmonte | MOZART: Idomeneo (Review by David L. Kirk) | Arbace | MOZART: Idomeneo (Review by Bill White) | Arbace | MOZART: La clemenza di Tito (Review by Brian Robins) | Tito | SCHUBERT: Alfonso und Estrella (Review by Christopher Williams) | Alfonso | SCHUMANN: Der Rose Pilgerfahrt, op. 112 (Review by David Johnson) | Max | SCHUMANN: Nachtlied, op. 118 (Review by David Johnson) | Max | STRAUSS II, JOHANN: Die Fledermaus (Review by Bill White) | Alfred | WOLF-FERRARI, ERMANNO: Talitha Kumi! (Jairus’s Daughter). La Passione. 8 Choruses for a cappella Mixed Choir (Review by Henry Fogel) | Evangelist |
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