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Performer: Stephen Varcoe THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ammenlied, D 122. We/ tausend Sterne prangen, D 642 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: An die Sonne, D 439 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D 407 (Review by Joel Kasow) | baritone | THE GRAINGER EDITION, Vol. 9: Works for Chorus and Orchestra 3: Danny Deever (version of 1926, ed. Ould) (Review by Peter J. Rabinowitz) | bass | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das grosse Halleluja, D 442 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Das war ich, D 174A/450A (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Der Abend, D 108 Die Nacht (no D number) (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Entfernten, D 331 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Geistertanz, D 494 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Der Wanderer, D 489/493 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Des Mädchens Klage, D 389 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Die Befreier Europas in Paris, D 104 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Die verfehlte Stunde, D 409A (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Dithyrambe, D 47 (Review by Joel Kasow) | baritone | THE GRAINGER EDITION, Vol. 9: Works for Chorus and Orchestra 3: Dollar and a Haifa Day (Review by Peter J. Rabinowitz) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Entra l’uomo allor che nasce, D 33/1,2 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Entzückung, D 413 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Erinnerungen, D 98 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Geisternähe, D 100 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott der Weltschöpfer, D 986 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Gott im Ungewitter, D 985 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Grablied auf einen Soldaten, D 454 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Klaglied, D 23 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Lebenstraum (Gesang in C); D 1A, D 39 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Licht und Liebe, D 352 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: L’incanto degli occhi, D 990E (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Misero pargoletto, D 42/1B (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Naturgenuss, D 422 (Review by Joel Kasow) | baritone | THE GRAINGER EDITION, Vol. 9: Works for Chorus and Orchestra 3: O Gin I Were Where Gadie Rins (ed. Ould) (Review by Peter J. Rabinowitz) | bass | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: O combats, o désordre, D Anh II,3/2 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Ombre amene, amiche piante (La Serenata); D 990F (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Pensa, che questo istante, D 76 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Quell’ innocente figlio, D 17/1,2 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Rien de la nature, D Ann 11,3/1 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Ritter Toggenburg, D 397 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Schlachtgesang, D 443 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Serbate o Dei custodi, D 35 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Son fra l’onde, D 78 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Totengräberlied, D 44 (Review by Joel Kasow) | baritone | THE YOUNG SCHUBERT 1810-1814— The Hyperion Schubert Edition, Vol. 33: Trinklied, D 75 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Vedi quanto adoro (Didone abbandonata), D 51 OA (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zufriedenheit, D 501 (Review by Joel Kasow) | baritone | AN 1816 SCHUBERTIAD—The Hyperion Schubert Edition, Vol. 32: Zum Punsche, D 492 (Review by Joel Kasow) | baritone | ENGLAND, MY ENGLAND: (Review by Robert Markow) | baritone | TELEMANN, GEORG PHILIPP: Die Donnerode. Der Herr ist König.... (Hermann Max) (Review by James A. Altena) | bass | ARMSTRONG: A Passer-by (Review by David Denton) | baritone | AURIC: Marie Laurencin (Review by Ralph V. Lucano) | baritone | BACH, CARL PHILIPP EMANUEL: Die Auferstehung und Himmelfahrt Jesu, Wq. 240 (H. 777). Gott hat den Herrn auferweckt, Wq. 244 (H. 803f (Review by William H. Youngren) | bass | BACH, CARL PHILIPP EMANUEL: Die Israeliten in der Wüste, Wq. 238, H. 775 (Review by William H. Youngren) | bass | BACH, GEORG CHRISTOPH: Siehe, wie fein und lieblich (Review by George Chien) | bass | BACH, HEINRICH: Ich danke dir, Gott (Review by George Chien) | bass | BACH, JOHANN CHRISTOPH: Meine Freundin, du bist schön. Es erhub sich ein Streit. Ach, dass ich Wassers g'nug hätte. Herr, wende dich und mir gnädig. Wie bist du denn, o Gott, im Zorn auf mich entbrannt. Die Furcht des Herren (Review by George Chien) | bass | BACH, JOHANN ERNST: Passionsoratorium. Das Vertrauen der Christen auf Gott. Meine Seele erhebt den Herrn (Review by Ralph V. Lucano) | bass | BACH, JOHANN LUDWIG: Mache dich auf, werde licht. Ja, mir hast du Arbeit gemacht. Er machet uns lebendig. Die mit Tränen säen (Review by Brian Robins) | bass | BACH, JOHANN MICHAEL: Ach bleib bei uns, Herr Jesu Christ. Auf, lasst uns den Herren loben. Es ist ein grosser Gewinn. Liebster Jesu, hör mein Fleyen. Ach, wie sehnlich wart' ich der Zeit (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas No. 12, No. 103, No. 146, No. 166, No. 108, No. 117 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas No. 131, No. 152, No. 161 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas, Vol. 2 (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas (Review by George Chien) | bass | BACH, JOHANN SEBASTIAN: Cantatas (Review by Jerry Dubins) | bass | BACH, JOHANN SEBASTIAN: Lutheran Masses, BWV 233-236 (Review by Edward Strickland) | bass | BACH, JOHANN SEBASTIAN: Lutheran Masses (Review by Edward Strickland) | bass | BACH, JOHANN SEBASTIAN: Magnificat, BWV243 (Review by George Chien) | baritone | BACH, JOHANN SEBASTIAN: Mass in B Minor (Review by Ralph V. Lucano) | baritone | BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV232 (Review by Ralph V. Lucano) | baritone | BACH, JOHANN SEBASTIAN: Masses (Review by Edward Strickland) | bass | BACH, JOHANN SEBASTIAN: Saint John Passion (Review by George Chien) | Jesus | BACH, JOHANN SEBASTIAN: Saint John Passion, BWV 245 (Review by Edward Strickland) | bass | BACH, JOHANN SEBASTIAN: Saint John Passion, BWV 245 (Review by Edward Strickland) | Jesus | BACH, JOHANN SEBASTIAN: St. John Passion (Review by J. F. Weber) | bass | BEETHOVEN, LUDWIG VAN: Mass in C, op. 86. Elegischer Gesang, op. 118. Meerestille und glückliche Fahrt, op. 112 (Review by J. F. Weber) | bass | BERGMAN, ERIK: Nox, for Baritone, Mixed Chorus, Flute, English Horn, and Percussion. Bim Bam Bum, for Narrator, Tenor, Male Chorus, Flute, and Percussion. Fåglarna, for Baritone, Five Solo Voices, Male Chorus, Percussion, and Celesta. Hathor Suite, for Soprano, Baritone, Mixed Chorus, and Instrumental Ensemble (Review by Stephen Ellis) | baritone | BERGMAN, ERIK: Nox, for Baritone, Mixed Chorus, Flute, English Horn, and Percussion. Bim Bam Bum, for Narrator, Tenor, Male Chorus, Flute, and Percussion. Fåglarna, for Baritone, Five Solo Voices, Male Chorus, Percussion, and Celesta. Hathor Suite, for Soprano, Baritone, Mixed Chorus, and Instrumental Ensemble (Review by Stephen Ellis) | baritone | BIZET: Douce mer (Review by Ralph V. Lucano) | baritone | BLOW, JOHN: God spake sometime in visions. How doth the city. The Lord is my shepherd. God is our hope and strength. I beheld, and lo! Turn thee unto me. Blessed is the man. Lift up your heads. O Lord, I have sinned. O give thanks. O Lord, thou has searched me out. Cry aloud and spare not. Lord, who shall dwell? I said in the cutting off of my days (Review by Brian Robins) | bass | BOYCE: Four Overtures (Review by Michael Carter) | Janus | BOYCE: Ode for St. Cecilia’s Day. Birthday Ode for George III (1768) (Review by Brian Robins) | Janus | BOYCE: Overtures (Review by Brian Robins) | Janus | BOYCE: The Secular Masque (Review by Brian Robins) | Janus | BOYCE: The Secular Masque (Review by Michael Carter) | Janus | BRIDGE, FRANK: “The Early Bridge.“ Songs for Baritone and Piano. Blow, blow thou winter wind (Shakespeare); Tears, idle tears (Tennyson); E'en as a lovely flower (Krocker, after Heine); All things that we clasp (Lazarus, after Heine); Fair Daffodils (Herrick); Adoration (Keats); My pent-up tears (anon); Come to me in my dreams (Matthew Arnold); The violets blue (Thomson, after Heine); A dirge (Shelley). Three Songs for Medium Voice, Viola, and Piano (Review by John D. Wiser) | baritone | BRITTEN: An American Overture. King Arthur (Review by Paul A. Snook) | baritone | BRITTEN: Deus In adjutorlum meum. Chorale on an old French carol. Cantata misericordium, op. 69 (Review by John D. Wiser) | baritone | BROWNE, WILLIAM DENIS: Songs (4) (Review by John Ditsky) | baritone | BUSH: A Summer Serenade*. Four Songs from “The Hesperides“. A Menagerie. Farewell, Earth's Bliss (Review by Peter J. Rabinowitz) | bass baritone | BUTTERWORTH: Love Blows as the Wind Blows—Song Cycle (Review by David Johnson) | bass baritone | BUTTERWORTH: Requiescat (Review by John Ditsky) | baritone | BUTTERWORTH: Six Songs from “A Shropshire Lad.“ (Review by David Johnson) | bass baritone | CAMPRA: Messe de Requiem (Review by J. F. Weber) | singer | CHABRIER: L'Enfant. Lied. Sérénade. Adieux à Suzon. Chants d'oiseaux. Le Sentier somber. Ronde gauloise. Couplets de Mariette. Ah! Petit demon. Le Pas d'armes du roi Jean. Ivresses!. L'Invitation au voyage. Sérénade de Ruy Blas. Sommation irrespectuese. Credo d'amour. España. Tes Yeux bleus. Lied.Chanson pour Jeanne. Duo de l'ouvreuse de l'Opéra Comique et de l'employé du Bon Marché. Ballade de gros dindons. Villanelle des petits canards. Pastorale des cochons roses. Les Cigales. Toutes les fleurs.l'Ile heureuse. Ode à la musique. Les Plus jolies chansons du pays de France (Review by Adrian Corleonis) | baritone | CHABRIER: L'île heureuse (Review by Ralph V. Lucano) | baritone | CHABRIER: Songs (Review by Adrian Corleonis) | baritone | CHAUSSON: Dans la forêt du charme (Review by Ralph V. Lucano) | baritone | DEBUSSY: Auprès de cette grotte sombre (Review by Ralph V. Lucano) | baritone | DELIBES: Bonjour, Suzon! (Review by Ralph V. Lucano) | baritone | DUPARC: Phidylé (Review by Ralph V. Lucano) | baritone | DUREY: Le Bestiare (Review by Ralph V. Lucano) | baritone | ELGAR: Twilight, op. 59, no. 6. Pleading, op. 48, no. 1 (Review by David Johnson) | bass baritone | FARRAR, ERNEST: Vagabond Songs, Op. 10. Songs (3), Op. 21 (Review by John Ditsky) | baritone | FAURÉ, GABRIEL: Dans la forêt de Septembre (Review by Ralph V. Lucano) | baritone | FAURÉ, GABRIEL: Le papillon et la fleur.' Rêve d'amour. Dans les ruines d'une abbaye.' L'aurore. La rançon. Aubade. Ici-bas! Aurore. Le pays des rêves. Les roses d'Ispahan. Nocturne. La rose. Soir.* Le parfum impérissable.Arpège. Mélisande's Song. Le plus doux chemin. Vocalise-étude. La chanson d'Eve' (Review by Marc Mandel) | baritone | FAURÉ, GABRIEL: Le papillon et la fleur.' Rêve d'amour. Dans les ruines d'une abbaye.' L'aurore. La rançon. Aubade. Ici-bas! Aurore. Le pays des rêves. Les roses d'Ispahan. Nocturne. La rose. Soir.* Le parfum impérissable.Arpège. Mélisande's Song. Le plus doux chemin. Vocalise-étude. La chanson d'Eve' (Review by Adrian Corleonis) | baritone | FAURÉ, GABRIEL: Les matelots. Seule! Chanson du pêcheur. Barcarolle. Tarentelle. Au bord de l'eau. Les berceaux. Au cimetière. Larmes. 5 mélodies "de Venise." Pleurs d'or. Accompagnement. La fleur qui va sur l'eau. Mirages. C'est la paix. L'horizon chimérique (Review by Marc Mandel) | baritone | FAURÉ, GABRIEL: Les matelots. Seule. Chanson du pêcheur Barcarolle. Tarentelle.“ Au bord de l'ea. tes berceaux. Au cimitière. Larmes. 5 mélodies “de Venise.“ Pleurs d'or. Accompagnement. La fleur qui va sur l'eau.Mirages. C'est la paix. L'horizon chimérique (Review by Adrian Corleonis) | baritone | FAURÉ, GABRIEL: Mai.“ Puisque'ici-bas toute âme. Dans les ruines d'une abbaye.“ Lydia.“ L'absent“ Chant d'automne.“ Tristesse. Après un rêve. Le voyageur. Sérénade toscane. Automne. La fée aux chansons. Noël.“ Clair de lune.“ Spleen.“ Il est né, le divin enfant. En prière. Prison. Dans la forêt de septemre.“ Chanson, op. 94. Le jardin clos (complete) (Review by Marc Mandel) | baritone | FAURÉ, GABRIEL: Mai.“ Puisque'ici-bas toute âme. Dans les ruines d'une abbaye.“ Lydia.“ L'absent“ Chant d'automne.“ Tristesse. Après un rêve. Le voyageur. Sérénade toscane. Automne. La fée aux chansons. Noël.“ Clair de lune.“ Spleen.“ Il est né, le divin enfant. En prière. Prison. Dans la forêt de septemre.“ Chanson, op. 94. Le jardin clos (complete) (Review by Adrian Corleonis) | baritone | FAURÉ, GABRIEL: Puisque j'ai mis ma lèvre. Tristesse d'Olympio. Hymne, op. 7/2. Sylvie, op. 6/3. Poème d'un jour, op. 21 Nell, op. 18/1. Worre amour, op.23/2. Le secret, op. 23/3. Chanson d'amour, op. 27/1. Fleur jetée, op. 39/1. Les présents, op. 46/1. Shylock, op. 57 (Review by Adrian Corleonis) | baritone | FAURÉ, GABRIEL: Requiem (1893, Rutter edition) . Messe Basse, for Sopranos, Altos, and Organ. Ave Verum Corpus, for Sopranos, Altos, and Organ, op. 65, no. 1. Tantum Ergo, for Sopranos, Altos, and Organ, op. 65, no. 2. Ave Maria, for Solo Voice and Organ, op. 67, no. 2 (performed by sopranos and altos). Maria, Mater Gratiae, for Sopranos, Altos, and Organ, op. 47, no. 2. Cantique de Jean Racine, for Mixed Choir and Organ, op. 11 (arr. Rutter for Choir, Violas, Cellos, Basses, and Harp) (Review by Adrian Corleonis) | baritone | FAURÉ, GABRIEL: Requiem (chamber version). Cantique de Jean Racine (arr. Rutter) (Review by Adrian Corleonis) | baritone | FAURÉ, GABRIEL: Requiem and Other Choral Works (Review by Adrian Corleonis) | baritone | FINZI: Before and after Summer (Review by Jerry Dubins) | baritone | FINZI: Earth and Air and Rain (Review by Jerry Dubins) | baritone | FINZI: Earth and Air and Rain, op. 15. Till Earth Outwears, op. 19a. I Said to Lova, op. 19b. A Young Man's Exhortation, op. 14. Before and After Summer, op 16 (Review by Robert McColley) | baritone | FINZI: Earth and Air and Rain—Five Song Cycles to Words by Thomas Hardy (Review by Robert McColley) | baritone | FINZI: I said to Love (Review by Jerry Dubins) | baritone | FINZI: Let Us Garlands Bring—Five Shakespeare Songs, op. 18 (Review by David Johnson) | bass baritone | FINZI: Requiem da Camera (Review by John D. Wiser) | baritone | FINZI: Requiem da Camera (Review by John Ditsky) | baritone | FINZI: Song Cycles on Poems of Thomas Hardy (5) (Review by John Ditsky) | baritone | FRANCK, CÉSAR: La Procession (Review by Ralph V. Lucano) | baritone | GIBBS, CECIL ARMSTRONG: 2 Songs, op. 14/2 (Review by Martin Anderson) | baritone | GIBBS, CECIL ARMSTRONG: Songs (Review by Henry Fogel) | baritone | GIBBS, CECIL ARMSTRONG: Songs (Review by Martin Anderson) | baritone | GIBBS, CECIL ARMSTRONG: TheBells? To One Who Passed Whistling through the Night? Summer Night* The Fields Are Full. Take Heed, Young Heart. When I Was One and Twenty. The Birch Tree? Lullaby? Sleeping Beauty? Ballad of Semmerwater. Tom o'Bedlam. The Mad Prince? Hypochondriacus. Neglected Moon!? The Rejected Lover. Arrogant Poppies? Sailing Homeward. The Tiger-Lily? The Splendour Falls. Titania. Danger. Nightfall? Silver? Mistletoe? The Oxen. In the Highlands? By a Bierside. Araby? Ann's Cradle Song? Five Eyes? The Wanderer. The Flooded Stream? 4 Songs for a Mad Sea Captain (Review by Henry Fogel) | baritone | GOUNOD, CHARLES: Ô ma belle rebelle (Review by Ralph V. Lucano) | baritone | GRAINGER: Lord Maxwell’s Goodnight (Review by Peter J. Rabinowitz) | baritone | GRAINGER: Shallow Brown'. Marching Tune. I'm Seventeen Come Sunday. Two Sea Chanties (Review by Peter J. Rabinowitz) | baritone | GRAINGER: The Grainger Edition, Volume 2 (Review by Peter J. Rabinowitz) | baritone | GRAINGER: The Grainger Edition, Volume 3 (Review by Peter J. Rabinowitz) | baritone | GRAINGER: Willow Willow. Six Dukes Went Afishin'. British Waterside. The Pretty Maid Milkin' Her Cow. The Lost Lady Found. Creepin' Jane. Bold William Taylor. Leezie Lindsay. Bonnie George Campbell. Drowned. Willie's Gane to Melville Castle. Lukannon (realized Ould). Merciful Town (ed. Ould). Ride with an Idle Whip. Northern Ballad. The Men of the Sea. Soldier Soldier. Hard Hearted Barb'ra (H)Ellen. The Secret of the Sea. Sailor's Chanty (ed. Ould). Shallow Brown (Review by Peter J. Rabinowitz) | baritone | GURNEY: Ludlow and Teme. The Western Playland (Review by Elliott Kaback) | baritone | GURNEY: Songs (28) (Review by John Ditsky) | baritone | HAHN, REYNALDO: En Sourdine (Review by Ralph V. Lucano) | baritone | HANDEL, GEORGE FRIDERIC: Alessandro (Review by David Johnson) | baritone | HANDEL, GEORGE FRIDERIC: Alessandro (Review by Vincent Alfano) | bass | HANDEL, GEORGE FRIDERIC: Alessandro (Review by David Johnson) | Clito | HANDEL, GEORGE FRIDERIC: Alexander's Feast. Concerto Grosso in C (“Alexander's Feast“) (Review by David Johnson) | bass | HANDEL, GEORGE FRIDERIC: Alexander’s Feast (Review by James A. Altena) | bass | HANDEL, GEORGE FRIDERIC: Israel in Egypt (original version in 3 parts) (Review by Bernard Jacobson) | bass | HANDEL, GEORGE FRIDERIC: Jephtha (Review by David Johnson) | baritone | HANDEL, GEORGE FRIDERIC: Jephtha (Review by David Johnson) | Zebul | HANDEL, GEORGE FRIDERIC: Jephtha (Review by James A. Altena) | Zebul | HANDEL, GEORGE FRIDERIC: L'Allegro, il Penseroso, ed il Moderato (Review by J. F. Weber) | bass | HANDEL, GEORGE FRIDERIC: L'Allegro, il Penseroso, ed il Moderato (Review by David Johnson) | bass | HANDEL, GEORGE FRIDERIC: Partenope (Review by John Yohalem) | bass | HANDEL, GEORGE FRIDERIC: Partenope (Review by Edward Strickland) | bass | HANDEL, GEORGE FRIDERIC: Partenope (Review by David Johnson) | bass | HANDEL, GEORGE FRIDERIC: Partenope (Review by John Yohalem) | Ormonte | HANDEL, GEORGE FRIDERIC: Partenope (Review by Edward Strickland) | Ormonte | HANDEL, GEORGE FRIDERIC: Partenope (Review by David Johnson) | Ormonte | HANDEL, GEORGE FRIDERIC: Solomon (Review by Anthony D. Coggi) | bass | HANDEL, GEORGE FRIDERIC: Solomon (Review by Anthony D. Coggi) | Levite | HANDEL, GEORGE FRIDERIC: Te Deum, “Dettingen” (Review by Michael Carter) | bass | HANDEL, GEORGE FRIDERIC: The Triumph of Time and Truth (Review by J. F. Weber) | bass | HANDEL, GEORGE FRIDERIC: The Triumph of Time and Truth (Review by J. F. Weber) | bass | HANDEL, GEORGE FRIDERIC: The Ways of Zion do mourn (Funeral Anthem for Queen Caroline) (Review by J. F. Weber) | bass | HANDEL/MOZART: Messiah, K. 572 (Review by John Bauman) | bass | HAYDN, FRANZ JOSEPH: Alfred, König der Angelsachsen (Review by Bernard Jacobson) | baritone | HAYDN, FRANZ JOSEPH: Great Organ Mass, Hob. XXII (Review by J. F. Weber) | bass | HAYDN, FRANZ JOSEPH: Mass in B♭, Hob XXII (Review by James H. North) | baritone | HAYDN, FRANZ JOSEPH: Mass in B♭, Hob.XXII (Review by James H. North) | baritone | HAYDN, FRANZ JOSEPH: Masses (Review by James H. North) | baritone | HAYDN, FRANZ JOSEPH: Missa Cellensis. Missa Sunt bona mixta malis (Review by J. F. Weber) | bass | HAYDN, FRANZ JOSEPH: Missa in tempore belli, "Paukenmesse." Te Deum in C, Hob XXIIIc (Review by Bernard Jacobson) | baritone | HAYDN, FRANZ JOSEPH: Salve Regina in E, Hob XXIIIb (Review by James H. North) | baritone | HAYDN, FRANZ JOSEPH: Te Deum in C, Hob XXIIIc (Review by Bernard Jacobson) | baritone | HOLST, GUSTAV: Psalm 86. Psalm 148 (Review by John D. Wiser) | baritone | HOLST, GUSTAV: Savitri, Op. 25 (Review by John Ditsky) | bass | HOLST/MATTHEWS: The Dream-City, Op. 48a (Review by John Ditsky) | bass | HONEGGER, ARTHUR: Chanson de fol (Review by Ralph V. Lucano) | baritone | HUMMEL, JOHANN NEPOMUK: Mass in B, op. 80. Te Deum in D. Quod in orbe (Review by Henry Fogel) | baritone | HUMMEL, JOHANN NEPOMUK: Mass in d. Salve Regina. (Review by David L. Kirk) | baritone | IRELAND, JOHN: If There Were Dreams to Sell. Hope the Hornblower (Review by David Johnson) | bass baritone | KELLY, FREDERICK SEPTIMUS: Shall I Compare Thee? (Review by John Ditsky) | baritone | LALANDE: De profundis, S. 23. Miserere, S. 120. Confitebor tibi Domine, S. 56 (Review by J. F. Weber) | bass | LALO: Souvenir (Review by Ralph V. Lucano) | baritone | LISZT: Oh! quand ¡e dors (Review by Ralph V. Lucano) | baritone | MASSENET, JULES: Si tu veux, Mignonne (Review by Ralph V. Lucano) | baritone | MEYERBEER: La Chanson de Maitre Floh (Review by Ralph V. Lucano) | baritone | MONDONVILLE, JEAN-JOSEPH CASSANEA DE: Motets (Review by J. F. Weber) | bass | MONDONVILLE, JEAN-JOSEPH CASSANEA DE: Venite exultemus. Regna terrae. In decachordo psalterio. De profundis. Benefac Domine (Review by J. F. Weber) | bass | MONDONVILLE, JEAN-JOSEPH CASSANEA DE: Venite, exultemus. Regna terrae. In decachordo psalterio. De profundis. Benefac Domino (Review by Martin Anderson) | bass | MONTEVERDI: L'Orfeo (Review by J. F. Weber) | Pastore IV | MONTEVERDI: L'Orfeo (Review by J. F. Weber) | Pluto | MOZART: Die Schuldigkeit des ersten Gebots—Oratorio, K. 35. Grabmusik—Cantata, op. 42. Kommet her, ihr frechen Sünder—Aria, K. 146 (317b) (Review by David Johnson) | bass | MOZART: Die Schuldigkeit des ersten Gebots—Oratorio, K. 35. Grabmusik—Cantata, op. 42. Kommet her, ihr frechen Sünder—Aria, K. 146 (317b) (Review by David Johnson) | Die Seele | MOZART: Missa Solemnis in C Minor, KV 139 (“Waisenhausmesse“) (Review by J. F. Weber) | bass | OSBORNE, NIGEL: I Am Goya, for Baritone and Chamber Orchestra. Concerto for Flute and Chamber Orchestra. Remembering Esenin, for Cello and Piano. The Sickle, for Chamber Orchestra (Review by John Ditsky) | baritone | PURCELL, HENRY: Behold, I bring you glad tidings, Z. 2. Since God so tender a regard, Z. 143. Early, O Lord, my fainting soul, Z. 132. Sleep, Adam, sleep and take thy rest, Z. 195. Awake, ye dead, Z. 182. The earth trembled, Z. 197. The Way of God Is an undeflled way, Z. 56. Lord, not to us but to thy name, Z. 137. Lord, what is man?, Z. 192. Sing unto God, Z. 52. O all ye people, clap your hands, Z. 138. My heart is inditing, Z. 30 (Review by Michael Ullman) | bass | PURCELL, HENRY: Dido and Aeneas (Review by Richard Taruskin) | Aeneas | PURCELL, HENRY: Dido and Aeneas (Review by Richard Taruskin) | bass | PURCELL, HENRY: Diocletian, or The Prophetess. Timon of Athens (Review by David Johnson) | bass | PURCELL, HENRY: Hail! Bright Cecilia (Review by J. F. Weber) | baritone | PURCELL, HENRY: King Arthur (Review by Mortimer H. Frank) | baritone | PURCELL, HENRY: King Arthur (Review by J. F. Weber) | baritone | PURCELL, HENRY: The Complete Anthems and Services, Volume Four (Review by Michael Ullman) | bass | PURCELL, HENRY: The Fairy Queen (Review by Mortimer H. Frank) | bass | PURCELL, HENRY: The Fairy Queen (Review by Mortimer H. Frank) | bass | PURCELL, HENRY: The Tempest (Review by Mortimer H. Frank) | baritone | QUILTER: Three Shakespeare Songs, op. 6 (Review by David Johnson) | bass baritone | RAMEAU, JEAN-PHILIPPE: Les Boréades (Review by David Johnson) | Apollo | RAMEAU, JEAN-PHILIPPE: Les Boréades (Review by David Johnson) | baritone | RAVEL: Fascination. Sur l'herbe (Review by Ralph V. Lucano) | baritone | ROE: Magnificat. The Silver Hound. The Fair Singer. 3 Songs for Graham. Diva’s Lament. 3 Hardy Conversations. The Life that I have. Autumn’s Legacy. 3 Celtic Songs (Review by Colin Clarke) | baritone | RUBBRA, EDMUND: 4 Mediaeval Latin Lyrics (Review by Martin Anderson) | baritone | RUBBRA, EDMUND: Advent Cantata (Review by David Denton) | baritone | RUBBRA, EDMUND: Song of the Soul (Review by David Denton) | baritone | SAINT-SAËNS: La Cigale et la fourmi (Review by Ralph V. Lucano) | baritone | SATIE: Trois Poèmes d'amour (Review by Ralph V. Lucano) | baritone | SCHOENBERG, ARNOLD: Five Pieces for Orchestra, op. 16. A Survivor from Warsaw, op. 46. Accompaniment to a Cinematographic Scene, op. 34. Herzgewächse, op. 20. Serenade, op. 24 (Review by James H. North) | baritone | SCHOENBERG, ARNOLD: Serenade, op. 24, Suite, op. 29 (Review by James H. North) | bass | SCHUBERT: Complete Songs, Volume 2 (Review by David Johnson) | baritone | SCHUBERT: Fischerlied, D.351. Fischerlied, D. 562. Fischerweise, D.881. Widerschein, D. 639. Fahrt zum Hades, D. 526. Selige Welt, D. 743. Am Bach im Frühling, D.361. Am Flusse, D. 766. Der Strom, D. 565. Auf der Donau, D. 553. Der Schiffer, D. 536. Wie Uifru fischt, D. 525. Der Taucher, D. 111 (Review by David Johnson) | baritone | SCHÜTZ, HEINRICH: Symphoniae Sacrae II, op. 10. SWV341-367 (Review by J. F. Weber) | bass | STANFORD, CHARLES VILLIERS: 4 Songs, op. 125 (Review by Martin Anderson) | baritone | STANFORD, CHARLES VILLIERS: 4 and 7 From 50 Songs of Old Ireland (Review by Joel Kasow) | baritone | STANFORD, CHARLES VILLIERS: 6 Songs, op. 14 (Review by Martin Anderson) | baritone | STANFORD, CHARLES VILLIERS: 6 Songs, op. 19 (Review by Martin Anderson) | baritone | STANFORD, CHARLES VILLIERS: 8 Heine Songs, from ops (Review by Joel Kasow) | baritone | STANFORD, CHARLES VILLIERS: For ever mine. A Child’s Garden of Songs, op. 30 (Review by Martin Anderson) | baritone | STANFORD, CHARLES VILLIERS: From A Sheaf of Songs from Leinster, op. 140 (Review by Joel Kasow) | baritone | STANFORD, CHARLES VILLIERS: La Belle Dame sans merci. The Spanish Gypsy, op. 1 (Review by Joel Kasow) | baritone | STANFORD, CHARLES VILLIERS: Songs of Erin, op. 76 (Review by Joel Kasow) | baritone | STANFORD, CHARLES VILLIERS: Songs of Faith, op. 97 (Review by Martin Anderson) | baritone | STANFORD, CHARLES VILLIERS: Songs of a Roving Celt, op. 157 (Review by Martin Anderson) | baritone | STANFORD, CHARLES VILLIERS: Songs of the Sea, op. 91 (Review by Martin Anderson) | baritone | STANFORD, CHARLES VILLIERS: Songs, Vol. 1 (Review by Joel Kasow) | baritone | STANFORD, CHARLES VILLIERS: Songs, Vol. 2 (Review by Martin Anderson) | baritone | STANFORD, CHARLES VILLIERS: Stabat Mater, op. 96. Bible Songs, op. 113. Te Deum laudamus (Review by David Johnson) | baritone | STANFORD, CHARLES VILLIERS: The Clown’s Songs from Twelfth Night, op. 65 (Review by Martin Anderson) | baritone | STANFORD, CHARLES VILLIERS: The Glens of Antrim, op. 174 (Review by Joel Kasow) | baritone | STANFORD, CHARLES VILLIERS: The Tomb. Heraclitus, op. 110/4 (Review by Joel Kasow) | baritone | STANFORD, CHARLES VILLIERS: Tom Leminn. A Fire of Turf, op. 139 (Review by Martin Anderson) | baritone | TELEMANN, GEORG PHILIPP: Cantatas (Review by George Chien) | bass | TELEMANN, GEORG PHILIPP: Choral Music. Missa brevis, for Alto, Two Violins, and Continuo, TVWV9 (Review by George Chien) | bass | THEILE: St. Matthew Passion (Review by J. F. Weber) | bass | THEILE: St. Matthew Passion (Review by J. F. Weber) | Jesus | VAUGHAN WILLIAMS: On Wenlock Edge (Review by Elliott Kaback) | baritone | VAUGHAN WILLIAMS: Three Songs from “The House of Life.“ (Review by David Johnson) | bass baritone | VIVALDI, ANTONIO: Ostro picta, armata spina, RV. 642. Gloria, RV. 589 (Review by George Chien) | baritone | WECKMANN: Sacred Concertos (Review by Brian Robins) | bass |
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