|
Performer: Sieglinde Wagner IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Ken Meltzer) | alto | IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Huntley Dent) | alto | IGOR MARKEVITCH: THE DEUTSCHE GRAMMOPHON LEGACY (Igor Markevitch) (Review by Phillip Scott) | alto | BACH, JOHANN SEBASTIAN: Brandenburg Concertos (Review by Henry Fogel) | alto | BACH, JOHANN SEBASTIAN: Christmas Oratorio (Review by J. F. Weber) | alto | BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV232 (Review by Ralph V. Lucano) | alto | BEETHOVEN, LUDWIG VAN: Missa solemnis (Review by Mortimer H. Frank) | alto | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 5, 6, 9 (Review by Henry Fogel) | alto | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 5, 6, 9 (Review by Ken Meltzer) | alto | BEETHOVEN, LUDWIG VAN: Symphonies (Review by Mortimer H. Frank) | alto | BEETHOVEN, LUDWIG VAN: Symphony No. 9, "Choral" (Review by Henry Fogel) | alto | BEETHOVEN, LUDWIG VAN: Symphony No. 9. Symphony No. 3, “Eroica.“ Symphony No. 8. Grosse Fuge. Symphony No. 7 (Review by Henry Fogel) | alto | BLACHER: Concertante Music (Review by Adrian Corleonis) | soprano | BORRIS, SIEGFRIED: Quintet for Winds, Op. 25 (Review by Adrian Corleonis) | soprano | BRAHMS, JOHANNES: Symphony No. 4 (Review by Henry Fogel) | alto | BRUCKNER, ANTON: Mass No. 1 in d; No. 2 in e; No. 3 in f. Te Deum. Psalm 150 (Review by James A. Altena) | alto | BRUCKNER, ANTON: Symphony No. 5 (ed. Haas). Te Deum (Review by Gavin Dixon) | alto | BRUCKNER, ANTON: Symphony No. 5 (Review by Henry Fogel) | alto | BRUCKNER, ANTON: Te Deum (Review by Michael Jameson) | alto | BUSONI, FERRUCCIO: Divertimento for Flute and Piano, Op. 52. (trans. Weill). Elegy for Clarinet and Piano (Review by Adrian Corleonis) | soprano | CHEMIN-PETIT: Drei Lieder nach Ricarda Huch (Review by Adrian Corleonis) | soprano | CHERUBINI, LUIGI: Medea. Medea (Review by James H. North) | mezzo-soprano | CHERUBINI, LUIGI: Medea. Medea (Review by James H. North) | Neris | DONIZETTI: Lucia di Lammermoor (Review by Bob Rose) | Alisa | DVOŘÁK, ANTONIN: Requiem (Review by George Chien) | alto | DVOŘÁK, ANTONIN: Requiem (Review by Jerry Dubins) | alto | DVOŘÁK, ANTONIN: Requiem (Review by Gary Lemco) | alto | EGK: Variationen über ein altes Wiener Strophenlied (1937) (Review by Adrian Corleonis) | soprano | EISLER: “Palmström“ (Studien über Zwölfton-Reihen), Op. 5 (Review by Adrian Corleonis) | soprano | ERDMANN, EDUARD: Kleine Klavierstück (1933) (Review by Adrian Corleonis) | soprano | HINDEMITH, PAUL: Concerto for Orchestra, Op. 38. Neues vom Tage (Review by Adrian Corleonis) | soprano | HINDEMITH, PAUL: The Harmony of the World (Review by Henry Fogel) | alto | HÖFFER, PAUL: Theme and Variations for Oboe, Clarinet, and Bassoon (Review by Adrian Corleonis) | soprano | JUON, PAUL: Sonata for Violin and Piano, Op. 86 (Review by Adrian Corleonis) | soprano | KAMINSKI, HEINRICH: Music for Two Violins and Cembalo (Review by Adrian Corleonis) | soprano | KRENEK, ERNST: Symphony for Winds and Percussion, Op. 34 (Review by Adrian Corleonis) | soprano | MAHLER, GUSTAV: Songs of a Wayfarer. (Review by Henry Fogel) | alto | MENDELSSOHN, FELIX: Hebrides Overture (Review by Henry Fogel) | alto | MOZART: Le Nozze di Figaro, K. 492 (Review by William H. Youngren) | Marcellina | MOZART: Le nozze di Figaro, K. 492 (Review by Henry Fogel) | Marcellina | MOZART: Le nozze di Figaro, K. 492 (Review by Henry Fogel) | mezzo-soprano | MOZART: Symphonies (Review by Mortimer H. Frank) | alto | PEPPING: “Deutsche Messe“ (Kyrie, Gloria, Sanctus) (Review by Adrian Corleonis) | soprano | PFITZNER, HANS: Sechs Liebeslieder, Op. 35 (Review by Adrian Corleonis) | soprano | PFITZNER, HANS: Symphony in C (Review by Henry Fogel) | alto | RATHAUS: Sonata for Clarinet and Piano, Op. 21 (Review by Adrian Corleonis) | soprano | SCHILLINGS: Vier Klavierstücke, Op. 36 (Review by Adrian Corleonis) | soprano | SCHOENBERG, ARNOLD: Begleitungsmusik, Op. 34. Zwei Klavierstücke, Op. 33 (Review by Adrian Corleonis) | soprano | SCHREKER, FRANZ: Kleine Suite für Orchester (Review by Adrian Corleonis) | soprano | SCHUBERT: Symphony No. 9 in C, “Great“ (Review by Henry Fogel) | alto | SCHUBERT: Symphony No. 9. (Review by Mortimer H. Frank) | alto | STRAUSS II, JOHANN: Die Fledermaus (complete). Waltzes and Polkas (Review by John Bauman) | alto | STRAUSS II, JOHANN: Die Fledermaus (complete). Waltzes and Polkas (Review by John Bauman) | Prince Orlofsky | STRAUSS II, JOHANN: Die Fledermaus (Review by Robert McColley) | alto | STRAUSS II, JOHANN: Die Fledermaus (Review by Robert McColley) | Prince Orlofsky | STRAUSS II, JOHANN: Die Fledermaus (Review by Bill White) | Prince Orlofsky | STRAUSS II, JOHANN: Pizzicato Polka (Review by John Bauman) | alto | STRAUSS II, JOHANN: Pizzicato Polka (Review by John Bauman) | Prince Orlofsky | STRAUSS II, JOHANN: Tales from the Vienna Woods. Im Krapfenwald'l. Éljen a Magyar. Egyptian March. Train Polka (Review by Robert McColley) | alto | STRAUSS II, JOHANN: Tales from the Vienna Woods. Im Krapfenwald'l. Éljen a Magyar. Egyptian March. Train Polka (Review by Robert McColley) | Prince Orlofsky | STRAUSS II, JOHANN: Tales of the Vienna Woods, op. 325. Long Live the Hungarian, op. 332. In the Little Jelly-Doughnut Forest (Im Krapfenwald'l), op. 336. Egyptian March, op. 335. Excursion Train Polka, op. 281. Josef (Review by John Bauman) | alto | STRAUSS II, JOHANN: Tales of the Vienna Woods, op. 325. Long Live the Hungarian, op. 332. In the Little Jelly-Doughnut Forest (Im Krapfenwald'l), op. 336. Egyptian March, op. 335. Excursion Train Polka, op. 281. Josef (Review by John Bauman) | Prince Orlofsky | STRAUSS II, J./STRAUSS, JOSEF: Pizzicato Polka (Review by Robert McColley) | alto | STRAUSS II, J./STRAUSS, JOSEF: Pizzicato Polka (Review by Robert McColley) | Prince Orlofsky | STRAUSS, JOSEF: My Life Is Love and Laughter. The Dragonfly. Jockey (Review by Robert McColley) | alto | STRAUSS, JOSEF: My Life Is Love and Laughter. The Dragonfly. Jockey (Review by Robert McColley) | Prince Orlofsky | STRAUSS, RICHARD: Die Liebe der Danae. Complete opera (Review by James Miller) | alto | STRAUSS, RICHARD: Die Liebe der Danae. Complete opera (Review by James Miller) | Leda | STRAUSS, RICHARD: Don Juan (Review by Henry Fogel) | alto | STRAUSS, RICHARD: My Life's Way is Love and Pleasure, op. 263. The Dragonfly, op. 204. Jockey Polka, op. 278. Josef and Johann (Review by John Bauman) | alto | STRAUSS, RICHARD: My Life's Way is Love and Pleasure, op. 263. The Dragonfly, op. 204. Jockey Polka, op. 278. Josef and Johann (Review by John Bauman) | Prince Orlofsky | STRAVINSKY, IGOR: Symphony in 3 Movements (Review by Henry Fogel) | alto | TIESSEN: Zwei Ernste Weisen für Viola und Klavier (Review by Adrian Corleonis) | soprano | TOCH: Geographical Fugue (Review by Adrian Corleonis) | soprano | VERDI, GIUSEPPE: Otello (Review by Barry Brenesal) | Emilia | WAGNER, RICHARD: Das Rheingold (Review by Ken Meltzer) | Flosshilde | WAGNER, RICHARD: Das Rheingold (Review by William H. Youngren) | Flosshilde | WAGNER, RICHARD: Der fliegende Holländer (Review by William H. Youngren) | Mary | WAGNER, RICHARD: Der fliegende Holländer (Review by Colin Clarke) | Mary | WAGNER, RICHARD: Der fliegende Holländer (Review by William H. Youngren) | Mary | WAGNER, RICHARD: Die Walküre (Review by Colin Clarke) | Grimgerde | WAGNER, RICHARD: Götterdämmerung (Review by William H. Youngren) | Flosshilde | WAGNER, RICHARD: Götterdämmerung (Review by Colin Clarke) | Flosshilde | WAGNER, RICHARD: Götterdämmerung (Review by Henry Fogel) | Flosshilde | WAGNER, RICHARD: Götterdämmerung (Review by Ken Meltzer) | Flosshilde | WEBER, CARL MARIA VON: Symphony No. 1 (Review by Mortimer H. Frank) | alto | WEILL, KURT: “Zu Potsdam unter den Eichen“ (Review by Adrian Corleonis) | soprano | ZIERITZ, GRETE VON: Prelude and Fugue for Piano (1924) (Review by Adrian Corleonis) | soprano |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|