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Performer: Willard White VERDI: THE PURSUIT OF POWER & THE BURDEN OF SUCCESS (Mark Elder) (Review by Evan Dickerson) | bass | ADAMS, JOHN: El Nino (Review by Christopher Abbot) | baritone | ADAMS, JOHN: El Nino (Review by Raymond Tuttle) | baritone | BARTÓK: Bluebeard’s Castle (Review by James H. North) | Bluebeard | BERG, ALBAN: Wozzeck (Review by Peter J. Rabinowitz) | Doctor | BERNSTEIN, LEONARD: Symphony No. 3, “Kaddish.“ Chichester Psalms (Review by Jerry Dubins) | speaker | COPLAND, AARON: Old American Songs, Sets 1 and 2 (Review by Henry Fogel) | bass | DVOŘÁK, ANTONIN: Rusalka (Review by James H. North) | Water Sprite | DVOŘÁK, ANTONIN: Rusalka (Review by Bill White) | Water Sprite | GERSHWIN: Porgy and Bess (Review by Raymond Tuttle) | Porgy | GERSHWIN: Porgy and Bess—Complete Opera (Review by John Ditsky) | Porgy | GLUCK: Alceste (1776 French version) (Review by Bill White) | High Priest | HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Anthony D. Coggi) | bass | HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Anthony D. Coggi) | Polyphemus | HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by Bernard Jacobson) | Polyphemus | HANDEL, GEORGE FRIDERIC: Acis and Galatea (Review by James A. Altena) | Polyphemus | LIGETI, GYORGY: Le Grand Macabre (Review by Robert Kirzinger) | Nekrotzar | LIGETI, GYORGY: Le Grand Macabre (Review by Robert Carl) | Nekrotzar | MCCARTNEY/DAVIS: Liverpool Oratorio (Review by Edward Strickland) | bass | MENDELSSOHN, FELIX: Elijah, op. 70 (Review by James Miller) | baritone | MOZART: Die Entführung aus dem Serail (Review by Barry Brenesal) | Osmin | MOZART: Die Entführung aus dem Serail (Review by David L. Kirk) | Osmin | MOZART: Die Entführung aus dem Serail (Review by Lynn René Bayley) | Osmin | MOZART: Die Entführung aus dem Serail (Review by James A. Altena) | Osmin | MOZART: Die Zauberflöte, K. 620 (Review by Joel Kasow) | bass | MOZART: Die Zauberflöte, K. 620 (Review by Joel Kasow) | speaker | MOZART: Requiem (arr. Beyer) (Review by George Chien) | bass | MOZART: Requiem in D Minor, K. 626 (ed. Beyer) (Review by George Chien) | bass | MOZART: Requiem, K. 626 (Review by George Chien) | bass | MOZART: Requiem, K. 626. Kyrie, K. 341 (Review by George Chien) | bass | PORTMAN: The Little Prince (Review by Raymond Tuttle) | King | PROKOFIEV, SERGEI: The Love for Three Oranges (Review by Barry Brenesal) | Tchélio | PROKOFIEV, SERGEI: The Love for Three Oranges (Review by Andrew Quint) | Tchélio | STRAUSS, RICHARD: The Egyptian Helen (Die Ägyptische Helena) (Review by John Ditsky) | Altair | STRAUSS, RICHARD: The Egyptian Helen (Die Ägyptische Helena) (Review by John Yohalem) | Altair | STRAVINSKY, IGOR: Perséphone (Review by James H. North) | Ibn-Hakia | STRAVINSKY, IGOR: Perséphone (Review by Peter J. Rabinowitz) | Ibn-Hakia | TCHAIKOVSKY: Iolanta (Review by James H. North) | Ibn-Hakia | TCHAIKOVSKY: Iolanta (Review by Peter J. Rabinowitz) | Ibn-Hakia | TIPPETT, MICHAEL: A Child of Our Time (Review by Peter J. Rabinowitz) | bass | TRADITIONAL: American Spirituals. Folk Songs from Barbados and Jamaica (Review by Henry Fogel) | bass | TRADITIONAL: Spirituals (Review by Henry Fogel) | bass | WAGNER, RICHARD: Die Walküre (Review by Andrew Quint) | Wotan | WAGNER, RICHARD: Parsifal (Review by Andrew Quint) | Klingsor | WEILL, KURT: Rise and Fall of the City of Mahagonny (Review by James Reel) | Trinity Moses | ZEMLINSKY: Lyrische Symphonie, op. W. Symphonische Gesänge, op. 20 (Review by James H. North) | bass baritone |
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