|
Performer: Zachary Wilder CLAUDIO MONTEVERDI, SALOMONE ROSSI: (Review by Barry Brenesal) | tenor | STRAVAGANZA D’AMORE!: (Review by Bertil van Boer) | tenor | BACH, JOHANN SEBASTIAN: Magnificat (Review by George Chien) | tenor | BACH, JOHANN SEBASTIAN: St John Passion (1739/49 version) (Review by Gavin Dixon) | tenor | BACH, JOHANN SEBASTIAN: St. John Passion (Review by Raymond Tuttle) | tenor | BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by James A. Altena) | tenor | BRUNERIO: Nella musica del mondo (Review by Bertil van Boer) | tenor | CAMPRA: Requiem (Review by Bertil van Boer) | baritone | CASTELLO, DARIO: Sonata quarta (Review by James V. Maiello) | tenor | CAVALLI: L’Egisto (Review by Raymond Tuttle) | Lidio | CAVALLI: L’Ormindo (Review by Bertil van Boer) | tenor | CHARPENTIER, MARC-ANTOINE: Actéon. Orphée descendant aux enfers. La Pierre Philosophale (Review by Barry Brenesal) | Silphe | CHARPENTIER, MARC-ANTOINE: Actéon. Orphée descendant aux enfers. La Pierre Philosophale (Review by Barry Brenesal) | Silphe | CHARPENTIER, MARC-ANTOINE: La descente d’Orphée. La couronne de fleurs (Review by Barry Brenesal) | Mirtil | CHARPENTIER, MARC-ANTOINE: La descente d’Orphée. La couronne de fleurs (Review by Barry Brenesal) | Tantale | CLERAMBAULT: Pirame et Tisbé. Orphée (Review by Raymond Tuttle) | tenor | CLÉREAMBAULT: Orphée (Review by Bertil van Boer) | tenor | DANDRIEU: La lyre d’Orphée (Review by Bertil van Boer) | tenor | DAVID, FÉLICIEN CÉSAR: Le désert (Review by Jerry Dubins) | tenor | D'INDIA: Langue al vostro languir. Piangono al pianger mio. Dialogo della rosa. Giunta alla tomba (Review by James V. Maiello) | tenor | FALCONIERI, ANDREA: Folia echa para mi señora (Review by James V. Maiello) | tenor | FERRARI, BENEDETTO: Cielo sia con tua pace (Review by Bertil van Boer) | tenor | HANDEL, GEORGE FRIDERIC: Acis and Galatea. Sarei troppo felice (Review by Barry Brenesal) | Coridon | KUHNAU: Wie schön leuchtet der Morgenstern (Review by George Chien) | tenor | LECLAIR, JEAN-MARIE: Sonata II (Review by Bertil van Boer) | tenor | LULLY: Armide (Review by Bertil van Boer) | Le Chaevalier Danois | LULLY: Psyché (Review by James A. Altena) | Apollon | LULLY: Psyché (Review by James A. Altena) | Satyre | LULLY: Psyché (Review by James A. Altena) | Zéphire | LULLY/DAUVERGNE/BURY/REBEL: Persée (Review by Barry Brenesal) | Euryale | MARAIS: Les voix humaines (Review by Bertil van Boer) | tenor | MONDONVILLE, JEAN-JOSEPH CASSANEA DE: In exitu Israel (Review by Bertil van Boer) | baritone | MONTEVERDI: Il ritorno d’Ulisse in patria (Review by Michelle Dulak Thomson) | Telemaco | MONTEVERDI: Il ritorno d’Ulisse (Review by Bertil van Boer) | tenor | MONTEVERDI: L’Orfeo (Review by J. F. Weber) | First Spirit | MONTEVERDI: L’Orfeo (Review by J. F. Weber) | Shepherd | MONTEVERDI: L’incoronazione di Poppea (Review by Bertil van Boer) | tenor | MONTEVERDI: Pianto della Madonna (Review by Bertil van Boer) | tenor | PIROYE: Le retour d’Eurydice aux Enfers (Review by Bertil van Boer) | tenor | RAMEAU, JEAN-PHILIPPE: In Convertendo Dominus (Review by Bertil van Boer) | baritone | RAMEAU, JEAN-PHILIPPE: L’impatience. Premier livre de pièces de clavecin (Review by Raymond Tuttle) | tenor | RAMEAU, JEAN-PHILIPPE: Orphée (Review by Bertil van Boer) | tenor | RAMEAU, JEAN-PHILIPPE: Pièces de clavecin en concert (Review by Raymond Tuttle) | tenor | RAMEAU, JEAN-PHILIPPE: Zaïs (Review by Barry Brenesal) | A Male Sylph | SABBATINI: Folgori Giove (Review by James V. Maiello) | tenor | SACRATI: La finta pazza (Review by Bertil van Boer) | tenor | STROZZI: Dialogo in partenza (Review by Bertil van Boer) | tenor | UCCELLINI: Corrente sesta detta La Consetta. Corrente nona detta La Simona. Corrente terza detta L’incostante (Review by Bertil van Boer) | tenor | ZAMPONI, GIOSEFFO: Ulisse all’isola di Circe (Review by Barry Brenesal) | Apollo | ZAMPONI, GIOSEFFO: Ulisse all’isola di Circe (Review by Barry Brenesal) | Mercury |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|