Fanfare Magazine Home Page

IssuesBook ReviewsCollectionsFeature ArticlesThe Hall of FameLabelsReviewersThe Want Lists

ComposersConductorsEnsembles and OrchestrasInstrumentalistsPerformersSingers

InstrumentsVocal RolesVoicesSACDsJazzSoundtracks Shows and PopVideo

All Performers

a

b

c

d

e

f

g

h

i

j

k

l

m

n

o

p

q

r

s

t

u

v

w

x

 

y

z

 





 

Performer: Hugh Wolff

AARON COPLAND: FANFARE FOR AMERICA (Hugh Wolff) (Review by Dave Saemann)

conductor 

AARON COPLAND: FANFARE FOR AMERICA (Hugh Wolff) (Review by Walter Simmons)

conductor 

BARBER Violin Concerto. MEYER Violin Concerto: (Review by David K. Nelson)

conductor 

LEVINSON: Avatar... (James Freeman) (Review by Robert Carl)

conductor 

LEVINSON: Avatar... (James Freeman) (Review by Raymond Tuttle)

conductor 

LEVINSON: Avatar... (James Freeman) (Review by Colin Clarke)

conductor 

LEVINSON: Avatar... (James Freeman) (Review by Robert Carl)

conductor 

LEVINSON: Avatar... (James Freeman) (Review by Robert Schulslaper)

conductor 

LEVINSON: Avatar... (James Freeman) (Review by Peter Burwasser)

conductor 

ANTHEIL: Archipelago (Review by Paul A. Snook)

conductor 

ANTHEIL: Decatur at Algiers (Review by Paul A. Snook)

conductor 

ANTHEIL: Symphonies (Review by Paul A. Snook)

conductor 

ANTHEIL: Symphonies (Review by Paul A. Snook)

conductor 

ANTHEIL: Symphony No. 3, “American.“ Tom Sawyer Overture. Hot-Time Dance. McKonkey's Ferry Overture. Capital of the World (Review by Paul A. Snook)

conductor 

BACH, CARL PHILIPP EMANUEL: Concerto No. 2 in B♭ for Cello, Strings, and Continuo, Wq. 171 (H. 436) (Review by Nils Anderson)

conductor 

BARTÓK: Divertimento for String Orchestra, Sz 113. Romanian Folk Dances, Sz 68 (Review by James H. North)

conductor 

BARTÓK: The Miraculous Mandarin, Sz 73 (Review by James H. North)

conductor 

BEETHOVEN, LUDWIG VAN: Symphonies (Review by Christopher Abbot)

conductor 

BIZET: Symphony in C (Review by Richard Burke)

conductor 

BÖRTZ: Sinfonia 6. Dialogo 3, for Two Pianos. Three Elegies, for Eight-Part Choir. Lacrimosa, for Organ (Review by John Ditsky)

conductor 

COPLAND, AARON: Appalachian Spring (original version). Music for the Theater. Three Latin American Sketches. Quiet City (Review by Robert McColley)

conductor 

COPLAND, AARON: Old American Songs (orchestral version, complete). Down a Country Lane. Eight Poems of Emily Dickinson (orchestral version) (Review by Marc Mandel)

conductor 

CORIGLIANO, JOHN: Troubadours (Review by Michael Fine)

conductor 

DEAN, BRETT: Komarov’s Fall (Review by Carson Cooman)

conductor 

DEBUSSY-RAVEL: Danse. Sarabande (Review by James Miller)

conductor 

DVOŘÁK, ANTONIN: Serenade in E for Strings, op. 22. Serenade in D Minor for Two Oboes, Two Clarinets, Two Bassoons, Contrabassoon, Three Horns, Cello, and Double bass, op. 44 (Review by George Chien)

conductor 

FALLA, MANUEL DE: El amor brujo (Review by James Miller)

conductor 

FOSS: American Landscapes (Review by Michael Fine)

conductor 

HARBISON, JOHN: Concerto for Viola and Orchestra (Review by James H. North)

conductor 

HAYDN, FRANZ JOSEPH: Symphonies (Review by Bernard D. Sherman)

conductor 

HAYDN, FRANZ JOSEPH: Symphonies (Review by Jon Tuska)

conductor 

HAYDN, FRANZ JOSEPH: Symphonies (Review by John D. Wiser)

conductor 

HAYDN, FRANZ JOSEPH: Symphonies (Review by James H. North)

conductor 

HAYDN, FRANZ JOSEPH: Symphony No. 1 in D (Review by Richard Burke)

conductor 

KERNIS: Musica celestis. Invisible Mosaic III (Review by Walter Simmons)

conductor 

KERNIS: Symphony No. 2 (Review by Walter Simmons)

conductor 

KODÁLY: Galánta Dances. Marosszék Dances (Review by James H. North)

conductor 

LADERMAN: Concerto for Double Orchestra (“a play within a play“) (Review by James H. North)

conductor 

LEVINSON: Anāhata (Symphony No. 1). Crickets (Review by Robert Carl)

conductor 

LEVINSON: Anāhata (Symphony No. 1). Crickets (Review by Raymond Tuttle)

conductor 

LEVINSON: Anāhata (Symphony No. 1). Crickets (Review by Colin Clarke)

conductor 

LEVINSON: Anāhata (Symphony No. 1). Crickets (Review by Robert Carl)

conductor 

LEVINSON: Anāhata (Symphony No. 1). Crickets (Review by Robert Schulslaper)

conductor 

LEVINSON: Anāhata (Symphony No. 1). Crickets (Review by Peter Burwasser)

conductor 

LISZT: Concertos for Piano and Orchestra (Review by Adrian Corleonis)

conductor 

MARTIN, FRANK: Fox Trot (Review by James Miller)

conductor 

MENDELSSOHN, FELIX: Violin Concerto.' (Review by Robert Maxham)

conductor 

MILHAUD: La Création du monde (Review by James Miller)

conductor 

PADEREWSKI: Fantaisie Polonaise (Review by Lawrence A. Johnson)

conductor 

PADEREWSKI: Piano Concerto (Review by Lawrence A. Johnson)

conductor 

PANUFNIK, ANDRZEJ: Concerto for Cello and Orchestra (Review by Walter Simmons)

conductor 

PROKOFIEV, SERGEI: Symphony No. 1 in D, op. 25 (“Classical“) (Review by Richard Burke)

conductor 

RAVEL: Le Tombeau de Couperin. Pavane pour une infante défunte. Ma Mère l'Oye (Review by James Miller)

conductor 

RESPIGHI, OTTORINO: Trittico Bottlcelllano. Ancient Airs and Dances (Review by Peter J. Rabinowitz)

conductor 

SCHWANTNER: From Afar (Review by Michael Fine)

conductor 

SHOSTAKOVICH: Concertos for Piano and Orchestra (Review by Royal S. Brown)

conductor 

SHOSTAKOVICH: Violin Concerto No. 1 (Review by Robert Maxham)

conductor 

STRAVINSKY, IGOR: Pulcinella (complete ballet music). Renard. Suites Nos. 1 and 2 for Small Orchestra. Ragtime for Eleven Instruments (Review by John D. Wiser)

conductor 

TARTINI: Concerto in D for Cello, Orchestra, and Continuo (Review by Nils Anderson)

conductor 

TURNAGE: Make Me 1. Make Me 2. Kubrick. Away with Words. Fat Lip 1. Fat Lip 2. Deadzy. Trim. Nocturnal Mission. Let's Say We Did. The Nag. Cadenza. Gil B643. Protocol (Review by Robert Kirzinger)

conductor 

VIVALDI, ANTONIO: Concerto in D Minor for Cello, Strings, and Continuo, RV. 406 (Review by Nils Anderson)

conductor 

WALTON, WILLIAM: Façade (Review by James Miller)

conductor 

 

Our Advertisers
About Fanfare / Contact Us
Advertise in the Fanfare Archive
Finding Titles of Musical Works


NOT TO BE MISSED!

Interviews,
Music Matters, & Reviews

Would you like to contribute reviews to Fanfare?
Please submit a sample review
of a recent release to fanfaremag@aol.com,
and we'll let you know if you have the qualifications to become a critic at the magazine.