|
Performer: Jürg Wyttenbach BARRAQUE: Concerto... (Sylvain Cambreling) (Review by Robert Carl) | conductor | BACH, JOHANN SEBASTIAN: Suite No. 3 in D for Solo Cello, BWV 1009 (Review by Peter J. Rabinowitz) | conductor | BARRAQUE: Séquence (Review by Robert Carl) | conductor | BECK, CONRAD: Für Paul Sacher—Drei Epigramme für Violoncello solo (Review by Robert Carl) | conductor | BEETHOVEN, LUDWIG VAN: Piano Sonata No. 29 in B♭, op. 106 ("Hammerklavier"y. Grosse Fuge, for String Quartet, op. 133. Grosse Fuge, for Piano Four-Hands, op. 134 (Review by Susan Kagan) | piano | BEETHOVEN, LUDWIG VAN: Trio for Two Oboes and English Horn in C, Op. 87. Variations on “Làci darem la mano “ for Two Oboes and English Horn, WoO. 28. Sonata for English Horn and Piano in F, Op. 17 (Review by George Chien) | piano | BERIO: Les Mots sont allés (Review by Robert Carl) | conductor | BOULEZ, PIERRE: Messagesquisse pour sept violoncelles (Review by Robert Carl) | conductor | BRITTEN: Tema “Sacher“ (Review by Robert Carl) | conductor | CARTER, ELLIOTT: Esprit rude/Esprit doux. Enchanted Preludes. Riconoscenza per Goffredo Petrassř. Triple Duo (Review by Peter J. Rabinowitz) | conductor | DUTILLEUX: Trois Strophes sur le nom de Sacher (Review by Robert Carl) | conductor | FORTNER, WOLFGANG: Zum Spielen für den 70. Geburstag—Thema und Variationen für Violoncello solo (Review by Robert Carl) | conductor | GINASTERA, ALBERTO: Puneňa No. 2, op. 45 (Review by Robert Carl) | conductor | HALFFTER, CRISTOBAL: Variationen über das Thema eSACHERe (Review by Robert Carl) | conductor | HENZE, HANS WERNER: Capriccio (Review by Robert Carl) | conductor | HOLLIGER, HEINZ: Chaconne für Violoncello solo (Review by Robert Carl) | conductor | HUBER, KLAUS: Transpositio ad infinitum, für ein virtuoses Solocello (Review by Robert Carl) | conductor | LUTOSŁAWSKI: Sacher-Variationen (Review by Robert Carl) | conductor | MOZART: Arlequinade (Music for a Carnival Pantomime, K. 446, and others) (Review by Michael Ullman) | conductor | PROVE: Fernung-Horizont-Nähe (Review by Robert Kirzinger) | conductor | SCELSI: Aion. Pihat. Konx-Om-Pax (Review by Kyle Gann) | conductor | SCELSI: Four Pieces for Orchestra. Anahit. Uaxuctum (Review by Mike Silverton) | conductor | SCELSI: Hurqualia. Hymnos. Chukrum (Review by Mike Silverton) | conductor | SCELSI: Kya (Review by Robert Carl) | conductor | SCELSI: Yamaon (Review by Robert Carl) | conductor | SCHNEBEL, DIETER: Sinfonie X (Review by Robert Kirzinger) | conductor | SCHOENBERG, ARNOLD: Pierrot Lunaire, Op. 21. Sechs Stücke für Klavier zu vier Händen. Fünf Orchesterstücke, Op. 16 (Review by Kyle Gann) | conductor | SCHOENBERG, ARNOLD: Pierrot Lunaire, Op. 21. Sechs Stücke für Klavier zu vier Händen. Fünf Orchesterstücke, Op. 16 (Review by Kyle Gann) | piano | SMOLKA: "rain, a window, roofs, chimneys, pigeons and so . .. and railway bridges, too" (Review by Robert Kirzinger) | conductor | TERZAKIS: Rabasso (Review by Robert Kirzinger) | conductor | ZAPF: Dreiklang (Review by Robert Kirzinger) | conductor |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|