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Feature Articles in Issue 49:1 (Sept/Oct 2025)
A Primer for Dishonest Critics | FEATURE REVIEW: ROMMEREIM: Merwin Songs. Time and Wind. The... (Charlotte Mundy) |
Confessions of an Unapologetic Opinionator | FEATURE REVIEW: ROMMEREIM: Merwin Songs. Time and Wind. The... (Charlotte Mundy) |
The Joys of Blind Tasting | FEATURE REVIEW: ROMMEREIM: Merwin Songs. Time and Wind. The... (Charlotte Mundy) |
We Don’t Know Anything | FEATURE REVIEW: ROMMEREIM: Merwin Songs. Time and Wind. The... (Charlotte Mundy) |
Why Would Anyone Write Classical Music? | “Making Lesser-Known Music Known Should Be Our Mission”: An Interview with Austrian Violinist Petra Samhaber-Eckhardt |
Endangered Species Listening | FEATURE REVIEW: SCHENCK: Sonatinas II, IV, and XV. Capriccios... (Petra Samhaber-Eckhardt) |
Why Gregorian Chant Endures, Part 2 | FEATURE REVIEW: SCHENCK: Sonatinas II, IV, and XV. Capriccios... (Petra Samhaber-Eckhardt) |
Folk Music and the Piano—A Marriage with an Age Gap: An Interview with Pianist Anya Alexeyev | FEATURE REVIEW: SCHENCK: Sonatinas II, IV, and XV. Capriccios... (Petra Samhaber-Eckhardt) |
FEATURE REVIEW: FOLK TRAILS (Anya Alexeyev) | FEATURE REVIEW: SCHENCK: Sonatinas II, IV, and XV. Capriccios... (Petra Samhaber-Eckhardt) |
FEATURE REVIEW: FOLK TRAILS (Anya Alexeyev) | FEATURE REVIEW: SCHENCK: Sonatinas II, IV, and XV. Capriccios... (Petra Samhaber-Eckhardt) |
FEATURE REVIEW: FOLK TRAILS (Anya Alexeyev) | “I Still Think ‘Old School’”: An Interview with Composer David Sampson |
FEATURE REVIEW: FOLK TRAILS (Anya Alexeyev) | FEATURE REVIEW: SAMPSON, DAVID: Undercurrents Redux... (Amy Porter) |
FEATURE REVIEW: FOLK TRAILS (Anya Alexeyev) | FEATURE REVIEW: SAMPSON, DAVID: Undercurrents Redux... (Amy Porter) |
Satie Surprises: A Conversation with Christina Bjørkøe | FEATURE REVIEW: SAMPSON, DAVID: Undercurrents Redux... (Amy Porter) |
FEATURE REVIEW: SATIE: Petite ouverture à danser. Musiques... (Christina Bjørkøe) | FEATURE REVIEW: SAMPSON, DAVID: Undercurrents Redux... (Amy Porter) |
FEATURE REVIEW: SATIE: Petite ouverture à danser. Musiques... (Christina Bjørkøe) | Meet Werner Heinrich Schmitt—Composer, Pianist, and Teacher |
FEATURE REVIEW: SATIE: Petite ouverture à danser. Musiques... (Christina Bjørkøe) | FEATURE REVIEW: SCHMITT, WERNER HEINRICH: Vier Lieder zu Gedichten von Hermann... (Werner Heinrich Schmitt) |
FEATURE REVIEW: SATIE: Petite ouverture à danser. Musiques... (Christina Bjørkøe) | FEATURE REVIEW: SCHMITT, WERNER HEINRICH: Vier Lieder zu Gedichten von Hermann... (Werner Heinrich Schmitt) |
FEATURE REVIEW: SATIE: Petite ouverture à danser. Musiques... (Christina Bjørkøe) | FEATURE REVIEW: SCHMITT, WERNER HEINRICH: Vier Lieder zu Gedichten von Hermann... (Werner Heinrich Schmitt) |
“I’m Home, Where I Can Stay Myself”: An Interview with Violinist Elena Denisova | FEATURE REVIEW: SCHMITT, WERNER HEINRICH: Vier Lieder zu Gedichten von Hermann... (Werner Heinrich Schmitt) |
FEATURE REVIEW: BACH, JOHANN SEBASTIAN: Three Sonatas for Solo Violin (Elena Denisova) | FEATURE REVIEW: SCHMITT, WERNER HEINRICH: Vier Lieder zu Gedichten von Hermann... (Werner Heinrich Schmitt) |
Unearthing Peter Gast’s Lieder: An Interview with Robert B. Dundas | FEATURE REVIEW: SCHMITT, WERNER HEINRICH: Vier Lieder zu Gedichten von Hermann... (Werner Heinrich Schmitt) |
FEATURE REVIEW: GAST: Vier Lieder, op. 2. Vier Gseänge,... (Elena Galván) | FEATURE REVIEW: SCHMITT, WERNER HEINRICH: Vier Lieder zu Gedichten von Hermann... (Werner Heinrich Schmitt) |
FEATURE REVIEW: GAST: Vier Lieder, op. 2. Vier Gseänge,... (Elena Galván) | More than Muses : Tabea Schwartz on Female Creative Power in the Golden Age |
FEATURE REVIEW: GAST: Vier Lieder, op. 2. Vier Gseänge,... (Elena Galván) | FEATURE REVIEW: MORE THAN MUSES: Female Creative Power in the... (Tabea Schwartz) |
FEATURE REVIEW: GAST: Vier Lieder, op. 2. Vier Gseänge,... (Elena Galván) | FEATURE REVIEW: MORE THAN MUSES: Female Creative Power in the... (Tabea Schwartz) |
Perfect Together: Satie and Cage | Is Classical Music Still Worth Our Money?: An Interview with Record Producer Christine Schweitzer |
FEATURE REVIEW: SATIE; CAGE, JOHN (Luisa Guembes-Buchanan) | A Conversation with Stephen Stubbs |
FEATURE REVIEW: SATIE; CAGE, JOHN (Luisa Guembes-Buchanan) | FEATURE REVIEW: TELEMANN, GEORG PHILIPP: Suite in D... (Stephen Stubbs) |
FEATURE REVIEW: SATIE; CAGE, JOHN (Luisa Guembes-Buchanan) | FEATURE REVIEW: TELEMANN, GEORG PHILIPP: Suite in D... (Stephen Stubbs) |
Chopin’s Nocturnes—The Ekier Edition with the Composer’s Variants: An Interview with Tom Hicks | FEATURE REVIEW: TELEMANN, GEORG PHILIPP: Suite in D... (Stephen Stubbs) |
FEATURE REVIEW: CHOPIN, FRÉDÉRIC: 21 Nocturnes (Tom Hicks) | FEATURE REVIEW: TELEMANN, GEORG PHILIPP: Suite in D... (Stephen Stubbs) |
FEATURE REVIEW: CHOPIN, FRÉDÉRIC: 21 Nocturnes (Tom Hicks) | Naresh Sohal, Composer 1939–2018: A Comprehensive Introduction by Janet Swinney |
FEATURE REVIEW: CHOPIN, FRÉDÉRIC: 21 Nocturnes (Tom Hicks) | FEATURE REVIEW: SOHAL: String Quartets No. 1, Chiaroscuro... (Piatti Qrt) |
Never Enough Mozart: A Discussion with Pianist Ran Jia | Exploring Rare String Quartet Repertoire: An Interview with Michael Trainor of the Piatti Quartet |
FEATURE REVIEW: MOZART: Piano Sonatas in B♭, K 281; in... (Ran Jia) | FEATURE REVIEW: SOHAL: String Quartets No. 1, Chiaroscuro... (Piatti Qrt) |
FEATURE REVIEW: MOZART: Piano Sonatas in B♭, K 281; in... (Ran Jia) | FEATURE REVIEW: SOHAL: String Quartets No. 1, Chiaroscuro... (Piatti Qrt) |
FEATURE REVIEW: MOZART: Piano Sonatas in B♭, K 281; in... (Ran Jia) | FEATURE REVIEW: SOHAL: String Quartets No. 1, Chiaroscuro... (Piatti Qrt) |
FEATURE REVIEW: MOZART: Piano Sonatas in B♭, K 281; in... (Ran Jia) | FEATURE REVIEW: SOHAL: String Quartets No. 1, Chiaroscuro... (Piatti Qrt) |
FEATURE REVIEW: MOZART: Piano Sonatas in B♭, K 281; in... (Ran Jia) | FEATURE REVIEW: SOHAL: String Quartets No. 1, Chiaroscuro... (Piatti Qrt) |
FEATURE REVIEW: MOZART: Piano Sonatas in B♭, K 281; in... (Ran Jia) | FEATURE REVIEW: SOHAL: String Quartets No. 1, Chiaroscuro... (Piatti Qrt) |
FEATURE REVIEW: MOZART: Piano Sonatas in B♭, K 281; in... (Ran Jia) | “There was music in our house all the time”: A Conversation with Finnish Organist Ville Urponen |
It’s Springtime, and All We Need is a Portrait of Beauty : An Interview with Pianist Jingci Liu | FEATURE REVIEW: RAPHAEL, G.: Fantasie und Fuge über einen finnischen... (Ville Urponen) |
FEATURE REVIEW: PORTRAIT OF BEAUTY (Jingci Liu) | FEATURE REVIEW: RAPHAEL, G.: Fantasie und Fuge über einen finnischen... (Ville Urponen) |
FEATURE REVIEW: PORTRAIT OF BEAUTY (Jingci Liu) | FEATURE REVIEW: RAPHAEL, G.: Fantasie und Fuge über einen finnischen... (Ville Urponen) |
FEATURE REVIEW: PORTRAIT OF BEAUTY (Jingci Liu) | FEATURE REVIEW: RAPHAEL, G.: Fantasie und Fuge über einen finnischen... (Ville Urponen) |
FEATURE REVIEW: PORTRAIT OF BEAUTY (Jingci Liu) | FEATURE REVIEW: RAPHAEL, G.: Fantasie und Fuge über einen finnischen... (Ville Urponen) |
FEATURE REVIEW: PORTRAIT OF BEAUTY (Jingci Liu) | Le Clavecin Poétique —Beautiful, Expressive Music on a 400-Year-Old Harpsichord: An Interview with Tatjana Vorobjova |
Between Somewhere and Goodbye: An Interview with Doug MacLeod | FEATURE REVIEW: LE CLAVECIN POÉTIQUE: The Celebrated “Colmar-Rückers”... (Tatjana Vorobjova) |
FEATURE REVIEW: BETWEEN SOMEWHERE AND GOODBYE (Doug MacLeod) | FEATURE REVIEW: LE CLAVECIN POÉTIQUE: The Celebrated “Colmar-Rückers”... (Tatjana Vorobjova) |
Troubadour: The Music, Songs, and Stories of David Malmberg | FEATURE REVIEW: LE CLAVECIN POÉTIQUE: The Celebrated “Colmar-Rückers”... (Tatjana Vorobjova) |
FEATURE REVIEW: FORTEA: Estudios poeticos, op. 25... (David Malmberg) | FEATURE REVIEW: LE CLAVECIN POÉTIQUE: The Celebrated “Colmar-Rückers”... (Tatjana Vorobjova) |
FEATURE REVIEW: FORTEA: Estudios poeticos, op. 25... (David Malmberg) | FEATURE REVIEW: LE CLAVECIN POÉTIQUE: The Celebrated “Colmar-Rückers”... (Tatjana Vorobjova) |
The Interpretive Honesty of Roberto Moronn Pérez | FEATURE REVIEW: LE CLAVECIN POÉTIQUE: The Celebrated “Colmar-Rückers”... (Tatjana Vorobjova) |
FEATURE REVIEW: GRAND FINALE: Andrés Segovia Archive (Roberto Moronn Pérez) | “The enduring power of music to express and heal”: An Interview with Chloe Chuyue Zhang |
FEATURE REVIEW: GRAND FINALE: Andrés Segovia Archive (Roberto Moronn Pérez) | FEATURE REVIEW: PROKOFIEV, SERGEI; RACHMANINOFF; TCHAIKOVSKY (Chloe Chuyue Zhang) |
FEATURE REVIEW: GRAND FINALE: Andrés Segovia Archive (Roberto Moronn Pérez) | FEATURE REVIEW: PROKOFIEV, SERGEI; RACHMANINOFF; TCHAIKOVSKY (Chloe Chuyue Zhang) |
FEATURE REVIEW: GRAND FINALE: Andrés Segovia Archive (Roberto Moronn Pérez) | FEATURE REVIEW: PROKOFIEV, SERGEI; RACHMANINOFF; TCHAIKOVSKY (Chloe Chuyue Zhang) |
FEATURE REVIEW: GRAND FINALE: Andrés Segovia Archive (Roberto Moronn Pérez) | Slightly Off the Beat |
A Conversation with Composer John Rommereim | |
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