|
|
Performer: Marcus Farnsworth FINZI: Romance... (Finzi Qrt) (Review by Radu A. Lelutiu) | baritone | VAUGHAN WILLIAMS: A Sea Symphony... (Martyn Brabbins) (Review by Huntley Dent) | baritone | VAUGHAN WILLIAMS: A Sea Symphony... (Martyn Brabbins) (Review by Jim Svejda) | tenor | BRAHMS, JOHANNES: Ein deutsches Requiem (Review by Ken Meltzer) | baritone | BRITTEN: Peter Grimes (Review by Huntley Dent) | Ned Keene | BRITTEN: Peter Grimes (Review by Raymond Tuttle) | Ned Keene | CAUSTON, RICHARD: Ik zeg (Review by David DeBoor Canfield) | baritone | FINZI: By Footpath and Stile. Prelude. Interlude (Review by Jim Svejda) | baritone | GURNEY, IVOR: Down by the Salley Gardens. The fields are full. Adlestrop. Hawk and Buckle. In Memoriam. Voices of Women. The Lake Isle of Innisfree. The Halt of the Legion. Severn Meadows. Blaweary. Sleep. Red Roses. Snow. The Lawlands of Holland. Tarantella. The Twa Corbies. Echo’s Lament of Narcissus. The Ghost. Kennst du das Land? There’s Wisdom in Women. The Muggers Song. Since thou, O fondest and truest. The sea is full of wandering foam. Come away, death. World Strangeness. Western Sailors (Review by Henry Fogel) | baritone | HANDEL, GEORGE FRIDERIC: Brockes-Passion (Review by James A. Altena) | Centurion | HANDEL, GEORGE FRIDERIC: Brockes-Passion (Review by James A. Altena) | Pilate | MOERAN: Folk Song Arrangements (Review by Jim Svejda) | baritone | NIELSEN, CARL: Symphonies 1–6 (Review by Jerry Dubins) | baritone | NIELSEN, CARL: Symphonies (Review by James H. North) | baritone | RUBBRA, EDMUND: Orpheus with his Lute, op. 8/2. Who is Sylvia?, op. 8/3. Out in the Dark, op. 13/1. It was a lover, op. 13/3. The Night, op. 14. Rune of Hospitality, op. 15. A Duan of Barra, op. 20. A widow bird sate mourning, op. 28. A Prayer, op. 17/1. Two Songs, op. 22. In Dark Weather, op. 33. Invocation to Spring, op. 17/2. Two Sonnets by William Alabaster, op. 87. Two Songs, op. 4. A Hymn to the Virgin, op. 13/2. The Jade Mountain, op. 116. Nocturne, op. 54. Salve Regina, op. 119. No Swan so Fine, op. 91. Fly Envious Time, op. 148. Three Psalms, op. 61. Dear Liza, op. 7 (Review by Ken Meltzer) | baritone | SCHUBERT: Der Vatermörder, D 10; Klaglied, D 23; Die Schatten, D 50; Gretchen am Spinnrade, D 118; Erlkönig, D 328; Litanei auf das Fest Aller Seelen, D 343; Die Blumensprache, D 519; Lob der Tränen, D 711; Die Götter Griechenlands, D 677; Frühlingsglaube, D 686; Der Blumen Schmerz, D 731; Nachtviolen, D 752; Auf dem Wasser zu singen, D 774; Abendstern, D 806; Auf der Brücke, D 853; Im Frühling, D 882; Frühlingslied, D 919; Der Winterabend, D 938; Die Taubenpost, D 965a (Review by Jerry Dubins) | baritone | VAUGHAN WILLIAMS: Scenes adapted from Bunyan’s Pilgrim’s Progress (Review by James A. Altena) | baritone | WOLF, HUGO: An***. Traurige Wege. Nächtliche Wanderung. Herbstentschluss. Frage nicht. Herbst. Scheideblick. Meeresstille. Stille Sicherheit. Liebesfrühling. Frühlingsgrusse. Abendbilder. Nun bin ich dein. Die du Gott gebarst, du Reine. Nun wandre, Maria. Die ihr schwebet. Führ mich, Kind, nach Bethlehem. Ach, des Knaben Augen. Muh’voll komm ich und beladen. Ach, wie lange die Seele schlummert!. Herr, was trägt der Boden hier. Wunden trägst du, mein Geliebter (Review by Henry Fogel) | baritone | WOLF, HUGO: Spanisches Liederbuch (Review by Henry Fogel) | baritone |
|
NOT TO BE MISSED!
Interviews, Music Matters, & Reviews
Would you like to contribute reviews to Fanfare? Please submit a sample review of a recent release to fanfaremag@aol.com, and we'll let you know if you have the qualifications to become a critic at the magazine.
|